Fall 2022 Issue
The Fall 2022 issue of Gagosian Quarterly is now available, featuring Jordan Wolfson’s House with Face (2017) on its cover.
Jordan Wolfson’s House with Face (2017) on the cover of Gagosian Quarterly, Fall 2022
Jordan Wolfson’s House with Face (2017) on the cover of Gagosian Quarterly, Fall 2022
Inside this edition, we’re honored to publish the last text written by the late Dave Hickey about his 2018 visit to Michael Heizer’s City, which is opening to the public this fall. Christo and Jeanne-Claude’s public installation The Iron Curtain (1962) is profiled by William Middleton, who demonstrates the impact of this work on the pair’s future projects. Jordan Wolfson speaks with Sam Lipsyte and Joey Frank in anticipation of the third installment of Picture Books.
Also in this issue, we present the newest series of photographs by Tyler Mitchell, alongside a text by Brendan Embser. The online Duchamp Research Portal is the subject of the latest installment in our Building a Legacy series. Diane von Furstenberg speaks with Derek Blasberg about Andy Warhol, the 1970s, and the importance of keeping a diary. Michael Auping pays tribute to the groundbreaking contributions of the late Constance Lewallen.
There are also features exploring the work of Minnette De Silva, Mehdi Ghadyanloo, Katy Hessel, Donald Judd, Y.Z. Kami, Jota Mombaça, Giuseppe Penone, Setsuko, Taryn Simon, Cy Twombly, and Amanda Williams.
For all of this and more, order your copy or subscribe at the Gagosian Shop, or read the issue online.
Artwork © Jordan Wolfson
Adam D. Weinberg has been working with Giuseppe Penone on an exhibition of the artist’s new sculptures, The Reflection of Bronze, that opens at Gagosian, New York, on April 22. The works explore the character and possibilities of bronze. Here, Weinberg considers Penone’s enduring engagement with the alloy and addresses the conceptual underpinnings of the exhibition’s three-room structure.
Jeff Koons tells Alison McDonald about his appreciation for the pioneering artist and thinker Marcel Duchamp.
From their respective fields, three international cultural figures—artist and designer Ronan Bouroullec, fashion visionary Michèle Lamy, and chef and restaurateur Enrique Olvera—reflect on Donald Judd’s work in furniture, the subject of recent exhibitions in South Korea and Japan.
The Spring 2026 issue of Gagosian Quarterly is now available, featuring Marcel Duchamp’s L.H.O.O.Q. (1964) on the cover.
Across his nearly six-decade career, Michael Heizer has continued to probe the possibilities of sculptural form defined by its absence. His exhibition Negative Sculpture features Convoluted Line A and Convoluted Line B, among the artist’s most complex negative sculptures. Here, we consider a selection of works that have preceded the new sculptures.
Don Quaintance’s new book Duchamp in California: Walter Hopps Curates a Retrospective (Menil Collection/König, 2025) details the rich history of the Pasadena Art Museum and the consequential Marcel Duchamp retrospective that Walter Hopps curated there in 1963. Here Quaintance gives the backstory to the monograph and shares an excerpt from the book’s fourth chapter.
To coincide with her exhibition Setsuko: Kingdom of Cats, at Gagosian, New York, the artist speaks with architect Peter Marino about her recent sculptures, paintings, and works on paper.
Last fall, Taryn Simon debuted an interactive sculpture entitled Kleroterion (2024). Based on a device from the beginnings of democracy in Athens, the work was installed at Storm King Art Center, New Windsor, New York. As part of that presentation, Simon participated in a panel discussion with Nora Lawrence, Tomás González Olavarría, and Philip Lindsay about democracy, sortition, and art’s place in politics.
Bartolomeo Sala considers the brief yet revolutionary dreams of Arte Povera. On the occasion of a retrospective at the Bourse de Commerce, Paris, he explores the historical conditions that gave rise to the radical midcentury movement and the warnings we might glean today from its legacy.
To mark the occasion of Michael Heizer’s eightieth birthday on November 4, 2024, and the designation of that day in his honor in the state of Nevada—the site of his monumental City (1970–2022), among other works—we revisit seventeen of his sculptures.
In this video, Flavin Judd, the artist’s son and artistic director of Judd Foundation, discusses a historic large-scale work by his father from 1970, ahead of its presentation at Art Basel Unlimited 2024.
Harry Thorne reflects on Brian O’Doherty’s recording of Marcel Duchamp’s heart.