Through her vastly evocative works and materially diverse artistic practice, Adriana Varejão presents incisive reflections on the multiplex nature of Brazilian history, memory, and culture. Her oeuvre encompasses painting, sculpture, photography, and video installation. Reflected in her hybridization of mediums in manifold forms—including sculptural paintings and floor-based sculptural works—is the syncretism immanent to Brazil’s postcolonial identity. Varejão draws upon aesthetic traditions and a visual legacy resulting from transnational exchange, imperial and otherwise, to create a confluence of forms that she ultimately conceives as a metaphor for the modern world.
Varejão was born in 1964 in Rio de Janeiro. Her work has been featured in solo museum exhibitions worldwide, including Azulejões, Centro Cultural Banco do Brasil, Rio de Janeiro and Brasília (2001); Chambre d’échos / Câmara de ecos, Fondation Cartier pour l’art contemporain, Paris (2005, traveled to Centro Cultural de Belém, Lisbon; and DA2, Salamanca, Spain); Hara Museum of Contemporary Art, Tokyo (2007); Inhotim Centro de Arte Contemporânea, Brumadinho, Brazil (2008); Adriana Varejão: Histórias às Margens, Museu de Arte Moderna de São Paulo (2012, traveled to Museu de Arte Moderna do Rio de Janeiro; and Museo de Arte Latinoamericano de Buenos Aires, through 2013); Institute of Contemporary Art, Boston (2014); Kindred Spirits, Dallas Contemporary (2015); and Transbarroco, Villa Medici, Rome (2016). Her work is held in the collections of the Museum of Contemporary Art San Diego; Metropolitan Museum of Art, New York; Solomon R. Guggenheim Museum, New York; Inhotim Centro de Arte Contemporânea, Brumadinho, Brazil; Museu de Arte Moderna de São Paulo; Museu de Arte do Rio, Rio de Janeiro; Coleção Gilberto Chateaubriand, Rio de Janeiro; Tate, London; Fondation Cartier pour l’art contemporain, Paris; Fundació Bancària “la Caixa,” Barcelona, Spain; Stedelijk Museum, Amsterdam; and Hara Museum of Contemporary Art, Tokyo, among others.
In 2008 a permanent pavilion dedicated to Varejão’s work was inaugurated at Inhotim Centro de Arte Contemporânea in Brazil. In 2016 she was commissioned to produce a temporary mural, based on her epic work Celacanto provoca maremoto, which covered the entire facade of the Centro Aquático for the 2016 Summer Olympics in Rio de Janeiro.
Varejão lives and works in Rio de Janeiro.
Artschwager, Chamberlain, Twombly, Varejão, Wall, Weatherford
July 19–August 31, 2018
October 19–21, 2017
The Sowden House, Los Angeles
September 14–October 25, 2017
Extended through January 14, 2017
October 1, 2016–January 14, 2017
From the Quarterly
Adriana Varejão: Transbarroco
From October 19–21, 2017, Adriana Varejão’s video installation Transbarroco (2014) played across the façade and in the central courtyard of the historic John Sowden House, designed by Lloyd Wright in 1926.
Adriana Varejão: Interiors
Lilia Moritz Schwarcz explores themes that are central to the artist’s oeuvre.
Adriana Varejão: Azulejão
Gagosian director Louise Neri discusses the evolution of the Azulejão series with Adriana Varejão.
Fairs, Events & Announcements
February 7–11, 2018, booth F201
Centro Citibanamex, Mexico City
Gagosian is pleased to participate in Zona Maco México Arte Contemporáneo 2018, presenting works by Chris Burden, John Chamberlain, Dan Colen, Frank Gehry, Piero Golia, Douglas Gordon, Katharina Grosse, Adam McEwen, Takashi Murakami, Albert Oehlen, Giuseppe Penone, Pablo Picasso, Richard Prince, Sterling Ruby, Ed Ruscha, Jenny Saville, Rudolf Stingel, Robert Therrien, Blair Thurman, Adriana Varejão, Jeff Wall, Andy Warhol, and Tom Wesselmann. If you wish to receive a PDF with detailed information on the works, please contact us at email@example.com. Tickets are available at www.zsonamaco.com.
John Chamberlain, Untitled, 1993 © 2018 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York
October 19–21, 2017, 7–9pm
The Sowden House, Los Angeles
Adriana Varejão’s four-channel video installation Transbarroco (2014) will play across the facade and in the central courtyard of this extraordinary heritage building. This US premiere coincides with her first-ever West Coast exhibition, Interiors, at Gagosian Beverly Hills. To attend the free event, reserve tickets at www.gagosian.com. Space is limited and will be granted on a first-come-first-serve basis.
Adriana Varejão, Transbarroco, 2014 (detail)
© Adriana Varejão. Photo: Mauro Pinheiro