About
A mark is just a decision, a touch that can go in so many different directions. . . . There’s so much that you’re not seeing, so many decisions. That’s where the art happens. . . . The viewer doesn’t ever get to witness it, but they have to know that it was there and there has to be a space for the imagination.
—Dan Colen
Moving between diverse styles and subjects, Dan Colen investigates the conceptual stakes of materiality and mark making. Interested in how the physical properties of mediums dictate their specific forms and symbolic resonances, Colen oscillates in his work between rigorous artisanal technique and the aesthetics of chance. Alongside his works in oil on canvas, he has often employed unconventional materials such as chewing gum, flowers, and trash, relinquishing control of his work’s final appearance to their unpredictable surfaces. He also produces time-based and three-dimensional works, including animatronic sculptures and performances. With imagery adapted from popular culture, he explodes the boundaries between fine art and subculture, interrogating the dynamic between images and the materials from which they are composed.
Born in Leonia, New Jersey, Colen received a BFA from the Rhode Island School of Design in 2001. In his earliest works, Colen labored over precise oil renderings of banal interiors—a sloppy apartment bathroom, an adolescent bedroom, a camping tent—into which he introduced the presence of the supernatural—the Blue Fairy, Jesus Christ, twinkling cherubs, his deceased grandfather. A subsequent series, the Candle paintings (2003–10), drew inspiration from the Disney film Pinocchio (1940). In these works, Colen honed in on the moment in which artistic materials suddenly become alive and autonomous from their maker: the space of the canvas embodies Geppetto’s worktable—where Pinocchio becomes “real”—and a message appears in the smoke left by a just-extinguished candle flame. He has described the series as “an attempt at conversing with god or the infinite.”
Photo: Eric Piasecki
#DanColen
Exhibitions
Now available
Gagosian Quarterly Spring 2023
The Spring 2023 issue of Gagosian Quarterly is now available, featuring Roe Ethridge’s Two Kittens with Yarn Ball (2017–22) on its cover.
Dan Colen: Other Worlds Are Possible
In this interview, curator and artist K.O. Nnamdie speaks with artist Dan Colen about his recent show in New York: Lover, Lover, Lover. Colen delves into the concept of “home” as it relates to his work, specifically the Mother and Woodworker series. Thinking through the political and historical implications of “homeland” in the context of the artist’s relationship with Israel and America, the two consider the intersections between these paintings—the final group of his Disney-inspired canvases—and Colen’s work with Sky High Farm, New York.
Sky High Farm Symposium at Judd Foundation: The Art Panel
In this video, Deana Haggag, program officer, Arts and Culture at Mellon Foundation; Dan Colen, artist and founder of Sky High Farm; Linda Goode Bryant, artist and founder of Project EATS; and Diya Vij, curator at Creative Time sit down together to explore the roles of artist and audience, place and accessibility, legacy, capital influence, and individual vs. collective agency as they relate to artmaking today.
Sky High Farm Symposium at Judd Foundation: The Community Panel
In this video, Thelma Golden, chief curator and director of the Studio Museum in Harlem; Tremaine Emory, founder of Denim Tears and creative director of Supreme; Father Mike Lopez, founder of the Hungry Monk Rescue Truck; and artist Anicka Yi sit down to explore how the concept of community has shaped their work, and the power in seeing the places we live, our histories, and even our bodies as porous, interdependent, and alive.
Sky High Farm Symposium at Judd Foundation: The Land Panel
In this video, Veronica Davidov, visual and environmental anthropologist; Karen Washington, activist, farmer and co-founder of Black Urban Growers (BUGS) and co-owner of Rise & Root Farm; Candice Hopkins, curator, writer and executive director of Forge Project; and Haley Mellin, artist, conservationist and founder of Art to Acres sit down to explore the tensions and overlaps between different efforts to define, use, and protect land.
Now available
Gagosian Quarterly Summer 2021
The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.
Dan Colen: Sky High Farm
In this video, Dan Colen speaks about his inspiration in founding Sky High Farm as a way to address food insecurity and improve access to fresh, nutritious food for underserved communities in New York. Established in 2011, the 40-acre farm raises pasture-based livestock and grows organic fruit and vegetables exclusively for donation.
The Bigger Picture
Sky High Farm × Project EATS
Dan Colen and Linda Goode Bryant are both artists who have founded nonprofits devoted to food justice. Here they speak about art, food, and life, including how they arrived at farming and the urgency of their projects’ missions during the current health crisis.
A Single Moment: Dan Colen and Francesco Bonami
Dan Colen joins Francesco Bonami in a conversation about absence and nostalgia, decadence and decay, progress and failure—and about help, the theme of his most recent body of paintings.
In Conversation
Dan Colen with Hans Ulrich Obrist
Against the backdrop of his survey exhibition Sweet Liberty, Dan Colen speaks about his work with Hans Ulrich Obrist, starting with his earliest interest in art and continuing up to the recent Desert paintings (2015–19).
Dan Colen: Carry On Cowboy
Gagosian Quarterly presents Dan Colen’s Carry On Cowboy. This performance first took place during the exhibition Dan Colen: High Noon at Gagosian, Beverly Hills.
Dan Colen: At Least They Died Together
Gagosian Quarterly presents Dan Colen’s At Least They Died Together. This performance first took place during the exhibition Dan Colen: High Noon at Gagosian, Beverly Hills.
Fairs, Events & Announcements
Art Fair
Taipei Dangdai 2023
May 12–14, 2023, booth E10
Taipei Nangang Exhibition Center
taipeidangdai.com
Gagosian is pleased to participate in Taipei Dangdai 2023, presenting works by Louise Bonnet, Dan Colen, Edmund de Waal, Urs Fischer, Cy Gavin, Nan Goldin, Katharina Grosse, Mark Grotjahn, Damien Hirst, Thomas Houseago, Yayoi Kusama, Deana Lawson, Takashi Murakami, Sterling Ruby, Alexandria Smith, Spencer Sweeney, Kon Trubkovich, Mary Weatherford, Cameron Welch, Anna Weyant, and Zeng Fanzhi.
Gagosian’s booth at Taipei Dangdai 2023. Artwork, left to right: © Mark Grotjahn; © Zeng Fanzhi; © 2023 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved. Photo: Ringo Cheung
Art Fair
Art Basel Hong Kong 2023
March 22–25, 2023
Hong Kong Convention and Exhibition Centre
www.artbasel.com
Gagosian is pleased to participate in Art Basel Hong Kong 2023 with a presentation of modern and contemporary works by international artists.
Jadé Fadojutimi, As usual, the season’s showers tend to linger, 2023 © Jadé Fadojutimi
Art Fair
Art Basel Miami Beach 2022
December 1–3, 2022, booth D5
Miami Beach Convention Center
artbasel.com
Gagosian is pleased to present a selection of modern and contemporary works at Art Basel Miami Beach 2022. Returning to Miami for the fair’s twentieth anniversary, the gallery is honored to have participated each year the fair has been held.
Gagosian’s booth at Art Basel Miami Beach 2022. Artwork, left to right: © Gerhard Richter; © Amoako Boafo; © Richard Prince; © 2022 Judd Foundation/Artists Rights Society (ARS), New York; © Richard Diebenkorn Foundation; © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York; © Stanley Whitney. Photo: Sebastiano Pellion di Persano
Museum Exhibitions
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Reflections
Matt Black × Gana Art
November 1, 2019–January 5, 2020
Gana Art Center and Gana Art Hannam, Seoul
ganaart.com
In collaboration with filmmaker Matt Black, this exhibition is centered around his short film series titled Reflections, which features conversations with contemporary artists. Through his interviews, Black paints a picture of the rapidly changing contemporary art scene, revealing the stories behind the artworks. Following the film’s theme, Gana Art has curated this exhibition to feature works by these artists, which include Dan Colen, Rachel Feinstein, Jeff Koons, Harmony Korine, Sterling Ruby, Taryn Simon, and Blair Thurman, among others.
Installation view, Reflections: Matt Black × Gana Art, Gana Art Center and Gana Art Hannam, Seoul, November 1, 2019–January 5, 2020. Artwork © Sterling Ruby
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Dan Colen
Works from the Astrup Fearnley Collection
May 24–September 15, 2018
Astrup Fearnley Museet, Oslo
www.afmuseet.no
This exhibition of works from the Astrup Fearnley Collection will bring together a corpus of Dan Colen’s paintings (made from oil, chewing gum, confetti, flowers, and lemon juice) as well as sculpture, photographs, and film. Embodiments of moments that have taken on aesthetic form, the works present fragmented stories told in the first person about the artist and his immediate environment. They are dialogues with society and commentaries on art history that often reference political issues, mixing high and low cultural values.
Dan Colen, No Way Jose, 2008–09 © Dan Colen. Photo: Christopher Burke
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Dan Colen
Sweet Liberty
October 4, 2017–January 28, 2018
Newport Street Gallery, London
www.newportstreetgallery.com
This exhibition is Dan Colen’s first major solo exhibition in London and spans more than fifteen years of his art making. The show features new works, including large-scale installations, alongside significant early pieces.
Installation view, Dan Colen: Sweet Liberty, Newport Street Gallery, London, October 4, 2017–January 28, 2018. Artwork © Dan Colen. Photo by Prudence Cumings Associates Ltd © Victor Marta Ltd.
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Dan Colen in
Ryan McGinley: The Kids Were Alright
February 11–August 20, 2017
Museum of Contemporary Art Denver
mcadenver.org
Featured in this survey of Ryan McGinley’s early work is Dan Colen’s Secrets and Cymbals, Smoke and Scissors (My Friend Dash’s Wall in the Future) (2004–06/2016). This massive sculpture––the artist’s first––is also a monumental painting. Spanning almost ten feet, the freestanding work is comprised of hundreds of small oil paintings on paper or foam, each a 1:1 trompe l’oeil representation of a corresponding photograph, newspaper clipping, or object that hung in an identical position on Dash Snow’s apartment wall in the early 2000s. The apartment was a gathering place for friends and artists, among them Colen’s childhood friend Ryan McGinley.
Dan Colen, Secrets and Cymbals, Smoke and Scissors (My Friend Dash’s Wall in the Future), 2004–06/2016
Press
At Sky High Farm, Food Justice and Fashion Joyfully Intertwine by Ella Riley-Adams
Vogue
March 17, 2022
Online
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Sky-high ambition: the New York artist on a mission to beat hunger by Ajesh Patalay
Financial Times
December 8, 2020
Online
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Dan Colen Is Using Streetwear to Support Food Banks by Andrea Whittle
W
November 10, 2020
Online
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Studio visit: Dan Colen draws the connection between Wile E. Coyote and the never-ending chase by Ann Binlot
Document Journal
November 16, 2018
Online
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