About
What I am interested in is that moment of transcendence, where one is transported into another place, into a perfect, still world.
—Gregory Crewdson
Gregory Crewdson’s photographs have entered the American visual lexicon, taking their place alongside the paintings of Edward Hopper and the films of Alfred Hitchcock and David Lynch as indelible evocations of a silent psychological interzone between the everyday and the uncanny. Often working with a large team, Crewdson typically plans each image with meticulous attention to detail, orchestrating light, color, and production design to conjure dreamlike scenes infused with mystery and suspense. While the small-town settings of many of Crewdson’s images are broadly familiar, he is careful to avoid signifiers of identifiable sites and moments, establishing a world outside time.
Born in Brooklyn, New York, Crewdson is a graduate of SUNY Purchase and the Yale University School of Art, where he is now director of graduate studies in photography. He lives and works in New York and Massachusetts. In a career spanning more than three decades, he has produced a succession of widely acclaimed bodies of work, from Natural Wonder (1992–97) to Cathedral of the Pines (2013–14). Beneath the Roses (2003–08), a series of pictures that took nearly ten years to complete—and which employed a crew of more than one hundred people—was the subject of the 2012 feature documentary Gregory Crewdson: Brief Encounters, by Ben Shapiro.
Photo: Juliane Hiam © Crewdson Studio
#GregoryCrewdson
Exhibitions
Gregory Crewdson: An Eclipse of Moths
Gregory Crewdson discusses his new work with actor Cate Blanchett.
Gregory Crewdson: Cathedral of the Pines
In his latest series of large-format color photographs, Cathedral of the Pines, Crewdson takes the viewer to the forests of Becket, Massachusetts—the locale of his earliest childhood memories and his home since 2011.
Fairs, Events & Announcements
Lecture Series
Gregory Crewdson
Yale Photo Pop Up Lecture Series
Gregory Crewdson, director of graduate studies in photography at the Yale School of Art, is opening his MFA Photography Pop Up Lecture Series to the public while the Yale campus goes online, hosting question-and-answer sessions with leading figures of contemporary film and photography on Zoom. Featuring a wide range of guest speakers including William Eggleston, Spike Jonze, Tilda Swinton, and Kara Walker, the series opens up a conversation about how to find artistic inspiration in this moment of great change.
To find out about upcoming lectures, visit Yale Photo’s Instagram or follow @crewdsonstudio on Instagram. To watch previous lectures, visit www.youtube.com.
Still from “Yale Photo Pop Up Lecture Series: Tilda Swinton”
Design
Namacheko and Gregory Crewdson
AW20 Collection
Belgian fashion label Namacheko is launching a new collection inspired by and featuring Gregory Crewdson’s photographs. The garments were shown for the first time at Namacheko’s Fall 2020 runway show in January at Espace Niemeyer, the French Communist Party headquarters in Paris, designed by Oscar Niemeyer. The clothing will be available later this year at select retailers, including the Gagosian Shop.
Dress from Namacheko’s Autumn/Winter 2020 collection featuring an image from Gregory Crewdson’s Hover series
Talk and Screening
Gregory Crewdson
May 19–20, 2018
Festival of Disruption at Brooklyn Steel, New York
www.festivalofdisruption.com
Gregory Crewdson will participate in the Festival of Disruption, curated by David Lynch. He will be giving a talk in conjunction with the screening of Gregory Crewdson: There but Not There, a short documentary released in 2017 that offers a rare glimpse into his casting and artistic process.
Film still from Gregory Crewdson: There but Not There (2017), directed by Juliane Hiam © Crewdson Studio
Museum Exhibitions
On View
Photography’s Last Century
The Ann Tenenbaum and Thomas H. Lee Collection
Through November 30, 2020
Metropolitan Museum of Art, New York
www.metmuseum.org
This exhibition celebrates the remarkable ascendancy of photography in the last century, and Ann Tenenbaum and Thomas H. Lee’s promised gift of over sixty photographs in honor of the Met’s 150th anniversary in 2020. The collection is particularly notable for its breadth and depth of works by women artists, its sustained interest in the nude, and its focus on artists’ beginnings. Work by Gregory Crewdson, Andreas Gursky, Man Ray, Cindy Sherman, Andy Warhol, and Rachel Whiteread is included.
Gregory Crewdson, Untitled, 2005 © Gregory Crewdson
On View
Gregory Crewdson in
Home: Live > In Room
Through January 3, 2021
Whitechapel Gallery, London
www.whitechapelgallery.org
Considering the ways in which lockdown has affected experiences of art and culture, Whitechapel Gallery’s youth forum, Duchamp & Sons, presents a virtually curated display featuring artworks drawn from the Hiscox Collection. Confined to their homes and communicating virtually, the youth collective asked “How do we imagine a space where we have spent so much time over the past months? What does it mean to curate an exhibition from our kitchens and bedrooms, with our laptops and screens?” The selected artworks transport us to faraway destinations or compel us to look closer to home. Work by Gregory Crewdson is included.
Gregory Crewdson, Untitled, 2004 © Gregory Crewdson
On View
Gregory Crewdson in
Le mauvais œil
Through January 10, 2021
FRAC Auvergne, Clermont-Ferrand, France
clermont-ferrand.fr
Clément Cogitore’s 2018 film The Evil Eye lends this exhibition its title and, projected in the center of the museum, is also the show’s heart. Its soundtrack is broadcast in each of the institution’s rooms and accompanies the other works to create a sense of a whispered litany announcing the end of the world. Work by Gregory Crewdson is included.
Gregory Crewdson, Untitled (Long Clump of Beetles), 1992–97 © Gregory Crewdson
Closed
Edward Hopper and the American Hotel
July 17–October 25, 2020
Newfields, Indianapolis
discovernewfields.org
Edward Hopper and the American Hotel explores the artist’s images of hospitality settings showcasing more than sixty of the artist’s paintings, drawings, watercolors, and illustrations. Also included are thirty-five works by American artists that similarly explore the visual culture of hotels, travel, and mobility from the early twentieth century to the present, including work by Gregory Crewdson, Ed Ruscha, and Cindy Sherman. This show has traveled from the Virginia Museum of Fine Arts in Richmond, Virginia.
Installation view, Edward Hopper and the American Hotel, Newfields, Indianapolis, July 17–October 25, 2020. Artwork © Gregory Crewdson
Press
The Photography of Gregory Crewdson — And Why Cate Blanchett Is Here for It by Britt Hennemuth
Vanity Fair
October 8, 2020
Online
PDF
Gagosian Goes Netflix? The Mega-Gallery Is Creating Original Content That Pairs Artists With Luminaries Like Malcolm Gladwell and Jeff Tweedy by Sarah Cascone
Artnet
October 5, 2020
Online
PDF
Gregory Crewdson Imagines Renewal and Redemption in Latest Art Exhibition. by Jennifer Sauer
CR Fashion Book
September 29, 2020
Online
PDF
The big picture: a quiet American apocalypse by Tim Adams
The Guardian
September 20, 2020
Online
PDF
For Gregory Crewdson, Truth Lurks in the Landscape by Arthur Lubow
New York Times
August 20, 2020
Online
PDF