Menu

Gagosian Quarterly

January 27, 2016

Gregory CrewdsonCathedral of the pines

In his series of large-format color photographs Cathedral of the Pines, Crewdson takes the viewer to the forests of Becket, Massachusetts—the locale of his earliest childhood memories and his home since 2011. This video pinpoints Crewdson’s intimate psychological reconnection to shooting staged photographs.

In these pictures I was very conscious of attempting to say, in a literal way, almost nothing. I wanted almost exclusively the meanings to reside on light, and atmosphere, and color. I just want enough of a story to bring the viewer in and to create a sense of mystery.

Gregory Crewdson

Artwork © Gregory Crewdson. Video by Lea Khayata (Pushpin Films) and Elettra Fiumi.

Gregory Crewdson, Red Star Express, 2018–19, digital pigment print, 56 ¼ × 94 ⅞ inches (127 × 225.7 cm)

Gregory Crewdson: An Eclipse of Moths

Gregory Crewdson discusses his new work with actor Cate Blanchett.

Rene Ricard, So Who Left Who, 2007 © Estate of Rene Ricard

Building a Legacy
Famously Unknown: Legacy Building in the Art World

In this video, Raymond Foye and Rani Singh discuss the general principles and methodologies of archiving, editing, and presenting the work of overlooked artists and writers. They share firsthand accounts and learning experiences from working with artists and poets such as Jordan Belson, Gregory Corso, Rene Ricard, and Harry Smith.

Cy Twombly, Untitled, 1990, acrylic, wax crayon, and pencil on handmade paper, 30 ⅝ × 21 ⅝ inches (77.8 × 54.8 cm)

Twombly and the Poets

Anne Boyer, the inaugural winner of the Cy Twombly Award in Poetry, composes a poem in response to TwomblyAristaeus Mourning the Loss of His Bees (1973) and introduces a portfolio of the painters works accompanied by the poems that inspired them.

Installation view, Albert Oehlen, Serpentine Galleries, London, October 2, 2019–February 2, 2020.

In Conversation
Albert Oehlen and Hans Ulrich Obrist

Hans Ulrich Obrist interviews the artist on the occasion of his recent exhibition at the Serpentine Galleries, London.

Gerhard Richter working on one of his Cage paintings, Cologne, Germany, 2006. Artwork © Gerhard Richter 2020 (05102020). Photo: © Hubert Becker

Gerhard Richter

Hans Ulrich Obrist traces the history behind Richter’s Cage paintings and speaks with the artist about their creation.

Frank Gehry, Steeves House, perspective from valley side, reproduction of original drawing

Frank Gehry Drawings

Frank Gehry speaks to Jean-Louis Cohen about the early years of his practice, including his work with LA artists, and the role of sketching in his design process. The first volume of the catalogue raisonné of the architect’s drawings, edited by Cohen, was published by Cahiers d’Art earlier this year.

The crowd at the public funeral of Reverend Dr. Martin Luther King, Jr., in April 1968. Photo by Moneta Sleet Jr.

Now available
Gagosian Quarterly Fall 2020

The Fall 2020 issue of Gagosian Quarterly is now available.

Pontus Hultén, 1983. Photo: Sueddeutsche Zeitung Photo/Alamy Photo

Game Changer
Pontus Hultén

Wyatt Allgeier explores the enduring legacy of the museum director, curator, educator, and collector Pontus Hultén (1924–2006).

Richard Wright, no title, 2019 (detail), silver leaf on ceiling and walls at Gagosian, Park & 75, New York. Photo: Rob McKeever

Behind the Art
Richard Wright

In an interview with Kay Pallister, the artist explains his relationship to drawing and the importance of time in his site-specific works.

Neil Jenney, North America Divided, 2001–06, oil on wood in artist’s frame, 26 ¼ × 28 ¼ × 2 ¾ inches (66.7 × 71.8 × 7 cm).

Neil Jenney’s Rules to Live By

The artist speaks with Douglas Dreishpoon about his career, his conception of the term “realism,” and why one must discover one’s own rules.

A black-and-white photograph of the poet Bob Kaufman leaning against a counter wearing a floral jacket, striped pants, and sunglasses.

Rain Unraveled Tales

In November 2019, City Lights Publishers released Collected Poems of Bob Kaufman, the first comprehensive collection of the poet’s work. Here Raymond Foye, the book’s coeditor, reminisces about his long friendship with Kaufman and reflects on the enduring power of the poems.

Artist Nam June Paik writing on his typewriter in black and white photo.

Reading Nam June Paik

Earlier this year, MIT Press released We Are in Open Circuits: Writings by Nam June Paik. Here Gregory Zinman, coeditor of the book along with John Hanhardt and Edith Decker-Phillips, writes about his first exposure to the artist’s archives, the discoveries made there, and the relationship between Paik’s writings and his larger practice.