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Gagosian Quarterly

January 27, 2016

Gregory CrewdsonCathedral of the pines

In his series of large-format color photographs Cathedral of the Pines, Crewdson takes the viewer to the forests of Becket, Massachusetts—the locale of his earliest childhood memories and his home since 2011. This video pinpoints Crewdson’s intimate psychological reconnection to shooting staged photographs.

In these pictures I was very conscious of attempting to say, in a literal way, almost nothing. I wanted almost exclusively the meanings to reside on light, and atmosphere, and color. I just want enough of a story to bring the viewer in and to create a sense of mystery.

Gregory Crewdson

Artwork © Gregory Crewdson. Video by Lea Khayata (Pushpin Films) and Elettra Fiumi.

Rachel Whiteread, Untitled (Notre-Dame), 2019.

For Notre-Dame

An exhibition at Gagosian, Paris, is raising funds to aid in the reconstruction of the Cathédrale Notre-Dame de Paris following the devastating fire of April 2019. Gagosian directors Serena Cattaneo Adorno and Jean-Olivier Després spoke to Jennifer Knox White about the generous response of artists and others, and what the restoration of this iconic structure means across the world.

Anselm Kiefer, Maginot, 1977–93.

Veil and Vault

An exhibition at the Broad in Los Angeles prompts James Lawrence to examine how artists give shape and meaning to the passage of time, and how the passage of time shapes our evolving accounts of art.

Uncharted Territory

Uncharted Territory

For the 16th International Architecture Biennale in Venice, the architectural firm Caruso St John teamed up with artist Marcus Taylor to curate the British Pavilion. Their design, Island, offers a profound adjustment of public space at a moment of profound geopolitical change. James Lawrence considers its implications.

Brice Marden: Four Quartets

Brice Marden: Four Quartets

Four paintings by Brice Marden have been incorporated into a new dance commission based on T. S. Eliot’s Four Quartets, with choreography by Pam Tanowitz, and music by Kaija Saariaho. The performance will premiere on July 6, 2018 at the Richard B. Fisher Center for the Performing Arts at Bard as part of the SummerScape Festival. Gideon Lester, the Fisher Center’s artistic director for theater and dance, spoke with Marden about the canvases that form the set design.

Walter De Maria: Truck Trilogy

Spotlight
Walter De Maria: Truck Trilogy

Lars Nittve investigates Truck Trilogy, Walter De Maria’s last work, conceived in 2011 and premiered at Dia:Beacon in 2017.

Adriana Varejão: Transbarroco

Adriana Varejão: Transbarroco

From October 19–21, 2017, Adriana Varejão’s video installation Transbarroco (2014) played across the façade and in the central courtyard of the historic John Sowden House, designed by Lloyd Wright in 1926.

Burden

Spotlight
Burden

The story behind Chris Burden’s Buddha’s Fingers (2014–15) and its connection to all of his streetlamp installations. Text by Sydney Stutterheim.

Michael Craig-Martin at his London studio, 2019

Behind the Art
Michael Craig-Martin: Ordinariness

Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.

Helen Frankenthaler in gondola with various friends, Venice, June 1966

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992 marks the first time that Frankenthaler’s paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. This video, including interviews with the show’s curator, John Elderfield; the chairman of the Helen Frankenthaler Foundation, Clifford Ross; and the Foundation’s executive director, Elizabeth Smith, provides viewers with an in-depth look at the fourteen paintings included in the exhibition.

Francis Bacon: Couplings video still.

Francis Bacon: Couplings

Richard Calvocoressi provides an in-depth view of the exhibition Francis Bacon: Couplings at Gagosian, London, examining a theme that preoccupied the artist throughout his career: the relationship between two people, both physical and psychological.

Margo Smith, Henry Skerritt, and Fred Myers at the Gagosian Shop, New York

Gagosian Quarterly Talks
Desert Painters of Australia

To coincide with Desert Painters of Australia, an exhibition of contemporary Indigenous Australian art at Gagosian, 976 Madison Avenue, New York, the gallery hosted a conversation between leading authorities Fred Myers,  Henry Skerritt, and Margo Smith AM.

The artist Ed Ruscha discussing his work.

Ed Ruscha: A Long Way from Oklahoma

In conjunction with his exhibition VERY at Louisiana Museum of Modern Art in Humlebæk, Denmark, Ed Ruscha sat down with Kasper Bech Dyg to discuss his work.