A principal figure of British conceptual art, Michael Craig-Martin probes the relationship between objects and images, harnessing the human capacity to imagine absent forms through symbols and pictures. The perceptual tension between object, representation, and language has been his central concern over the past four decades. In his early work Craig-Martin often incorporated readymades into sculpture and made knowing reference to American Minimalism. His elegant restraint and conceptual clarity is exemplified by An Oak Tree (1973), comprising a glass of water on a shelf and a text written by him asserting that the glass of water is, in fact, an oak tree. This interest in semantics, the play between rhetoric and object, continues to be a core theme in his work. In the 1990s Craig-Martin made a decisive shift to painting and developed his hallmark style of precise, bold outlines demarcating flat planes of intensely vibrant colors. Through exacting draftsmanship, he uses composition to explore spatial relationships by juxtaposing and layering color.
Craig-Martin was born in 1941 in Dublin. He attended Fordham University, New York, from 1959 to 1961, then Yale University, where he received a BA in 1963 and an MFA in 1966. In the mid-1960s he returned to Europe, becoming one of the key figures in the first generation of British conceptual artists. Craig-Martin taught at Goldsmiths College School of Art, London, from 1974 to 1988 and from 1994 to 2000. During this time he became a powerful influence on a generation of his students who would become known as the Young British Artists, including Gary Hume, Sarah Lucas, and Damien Hirst, among others. Craig-Martin’s work has been featured in solo museum exhibitions worldwide, including Always Now, Kunstverein Hannover, Germany (1998); Institut Valencià d’Art Modern, Spain (2000); Living, Museu de Arte Moderna–Colecção Berardo, Sintra, Portugal (2001); Arp Museum, Remagen, Germany (2005); Le Magasin–Centre National d’Art Contemporain, Grenoble, France (2006); Irish Museum of Modern Art, Dublin (2006–07); Signs of Life, Kunsthaus Bregenz, Austria (2006); New Art Centre, Roche Court, England (2006, 2011); Goss-Michael Foundation, Dallas (2010, 2015); Rugby Art Gallery and Museum, England (2012); Less Is Still More, Museum Haus Esters, Krefeld, Germany (2013); Chatsworth House, England (2014); and NOW, Shanghai Himalayas Museum (2015, traveled to Hubei Museum of Art, Wuhan, China). Craig-Martin’s work is featured in various public collections, including the Museum of Modern Art, New York; Tate, London; Centre Pompidou, Paris; and Museo Nacional Centro de Arte Reina Sofía, Madrid. Craig-Martin was an artist trustee of Tate from 1989 to 1999, and was elected to the Royal Academy in 2006. In 2016 he was knighted in the Queen’s Birthday Honours for his services to art.
Craig-Martin lives and works in London.
Extended through August 23, 2019
May 31–August 23, 2019
Britannia Street, London
September 16–27, 2014
Davies Street, London
June 12–August 16, 2014
September 24–December 17, 2010
A is for Umbrella
December 1, 2007–January 26, 2008
Britannia Street, London
Eye of the Storm
January 16–February 15, 2003
555 West 24th Street, New York
Behind the Art
Michael Craig-Martin: Ordinariness
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
The Parameters of Perception
Michael Craig-Martin and Jeffrey Sturges in conversation on Tom Wessselmann’s Standing Still Lifes.
Michael Craig-Martin at artgenève
January 30–February 2, 2020
Colorful flags by Michael Craig-Martin will be installed among the booths of artgenève. The flags—depicting mass-produced everyday items, such as sunglasses and shoes—probe the relationship between object and image, harnessing the human capacity to imagine absent forms through symbols and pictures. In July 2019, the work was installed in London, as part of Art in Mayfair, organized by the Royal Academy of Arts and Bond Street.
Michael Craig-Martin’s installation of flags on Bond Street, London, 2019
Saturday, October 5, 2019, 12pm
Regent’s Park, London
In conjunction with the retrospective display of his drawings at Frieze Masters, Michael Craig-Martin will be in conversation with Dr. Emilie Gordenker, director of the Mauritshuis at the Hague, Netherlands. The pair will discuss Craig-Martin’s work, with particular emphasis on the long-standing centrality of drawing in his practice, as well as the artist’s experience of the changing character of art and the art world over the past fifty years. To attend the free event, register at the Frieze Masters auditorium desk the day of the talk.
Michael Craig-Martin, Untitled (group I), 2017 © Michael Craig-Martin
Bauhaus and Beyond?
On Art School Models, Old and New
Friday, October 4, 2019, 2pm
Regent’s Park, London
As part of the Frieze Masters Talks program, Michael Craig-Martin, alongside Kimathi Donkor, Donna Lynas, and Ute Meta Bauer, will discuss how the Bauhaus remains relevant to art education today. The conversation will be moderated by Sam Thorne. To attend the free event, register at the Frieze Masters auditorium desk the day of the talk.
Michael Craig-Martin. Photo: Caroline True
The Shape of Things
Michael Craig-Martin at Discovery Green
August 1–November 3, 2019
Discovery Green, Houston
The Shape of Things comprises a series of six monumental steel sculptures by Michael Craig-Martin offering a playful perspective of everyday objects, which challenge our perception of space, appearing like line drawings in the air.
Installation view, The Shape of Things: Michael Craig-Martin at Discovery Green, Discovery Green, Houston, August 1–November 3, 2019. Artwork © Michael Craig-Martin
An exhibition dedicated to the memory of Michael Stanley
June 12–September 8, 2019
Ikon Gallery, Birmingham, England
This exhibition, dedicated to the memory of former Ikon director Michael Stanley, is structured loosely on Rex Warner’s 1941 wartime novel The Aerodrome, a book that made a great impression on Stanley. The show features many of the artists he worked with, including Michael Craig-Martin, Thomas Houseago, and Jenny Saville.
Michael Craig-Martin, Untitled (shoe), 2009 © Michael Craig-Martin
RA Summer Exhibition 2019
June 10–August 12, 2019
Royal Academy of Arts, London
Running annually since 1769, the Royal Academy’s Summer Exhibition is the world’s largest open-submission art show. It brings together art in all mediums—prints, paintings, film, photography, sculpture, architectural works and more—with some 1,200 works on display, many of them for the first time. Work by Michael Craig-Martin, Thomas Houseago, and Anselm Kiefer is included.
Installation view, RA Summer Exhibition 2019, Royal Academy of Arts, London, June 10–August 12, 2019. Artwork © Thomas Houseago
January 29–April 25, 2019
Gallery at Windsor, Vero Beach, Florida
The most comprehensive exhibition to date of Michael Craig-Martin’s work in the United States, Present Sense features over thirty-five works in the gallery and grounds of the Windsor, including recent paintings, sculptures, and prints. The show is presented in collaboration with the Royal Academy, London, and curated by Gagosian director Hannah Freedberg.
Michael Craig-Martin, Gate (white), 2011, installation view, Windsor, Vero Beach, Florida © Michael Craig-Martin