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Michael Craig-Martin

Michael Craig-Martin, Untitled (pink baby bottle), 2015 Acrylic on aluminum, 23 ⅝ × 23 ⅝ inches (60 × 60 cm)© Michael Craig-Martin, photo by Mike Bruce

Michael Craig-Martin, Untitled (pink baby bottle), 2015

Acrylic on aluminum, 23 ⅝ × 23 ⅝ inches (60 × 60 cm)
© Michael Craig-Martin, photo by Mike Bruce

Michael Craig-Martin, Untitled (corkscrew), 2012 Acrylic on aluminum, 48 × 48 inches (122 × 122 cm)© Michael Craig-Martin, photo by Mike Bruce

Michael Craig-Martin, Untitled (corkscrew), 2012

Acrylic on aluminum, 48 × 48 inches (122 × 122 cm)
© Michael Craig-Martin, photo by Mike Bruce

Michael Craig-Martin Pitchfork (pink), 2008 Powder-coated steel 137 3/4 × 22 inches (350 × 56 cm) Edition of 3 + 1 AP Installation at Chatsworth House, Derbyshire, UK Artwork © Michael Craig-Martin

Michael Craig-Martin Pitchfork (pink), 2008

Powder-coated steel 137 3/4 × 22 inches (350 × 56 cm) Edition of 3 + 1 AP Installation at Chatsworth House, Derbyshire, UK Artwork © Michael Craig-Martin

Michael Craig-Martin, Scissors (Wallpaper-Aqua), 2004 Acrylic on aluminum panel, 32 × 33 inches (81.3 × 83.8 cm)© Michael Craig-Martin

Michael Craig-Martin, Scissors (Wallpaper-Aqua), 2004

Acrylic on aluminum panel, 32 × 33 inches (81.3 × 83.8 cm)
© Michael Craig-Martin

About

A principal figure of British conceptual art, Michael Craig-Martin probes the relationship between objects and images, harnessing the human capacity to imagine absent forms through symbols and pictures. The perceptual tension between object, representation, and language has been his central concern over the past four decades. In his early work Craig-Martin often incorporated readymades into sculpture and made knowing reference to American Minimalism. His elegant restraint and conceptual clarity is exemplified by An Oak Tree (1973), comprising a glass of water on a shelf and a text written by him asserting that the glass of water is, in fact, an oak tree. This interest in semantics, the play between rhetoric and object, continues to be a core theme in his work. In the 1990s Craig-Martin made a decisive shift to painting and developed his hallmark style of precise, bold outlines demarcating flat planes of intensely vibrant colors. Through exacting draftsmanship, he uses composition to explore spatial relationships by juxtaposing and layering color.

Craig-Martin was born in 1941 in Dublin. He attended Fordham University, New York, from 1959 to 1961, then Yale University, where he received a BA in 1963 and an MFA in 1966. In the mid-1960s he returned to Europe, becoming one of the key figures in the first generation of British conceptual artists. Craig-Martin taught at Goldsmiths College School of Art, London, from 1974 to 1988 and from 1994 to 2000. During this time he became a powerful influence on a generation of his students who would become known as the Young British Artists, including Gary Hume, Sarah Lucas, and Damien Hirst, among others. Craig-Martin’s work has been featured in solo museum exhibitions worldwide, including Always Now, Kunstverein Hannover, Germany (1998); Institut Valencià d’Art Modern, Spain (2000); Living, Museu de Arte Moderna–Colecção Berardo, Sintra, Portugal (2001); Arp Museum, Remagen, Germany (2005); Le Magasin–Centre National d’Art Contemporain, Grenoble, France (2006); Irish Museum of Modern Art, Dublin (2006–07); Signs of Life, Kunsthaus Bregenz, Austria (2006); New Art Centre, Roche Court, England (2006, 2011); Goss-Michael Foundation, Dallas (2010, 2015); Rugby Art Gallery and Museum, England (2012); Less Is Still More, Museum Haus Esters, Krefeld, Germany (2013); Chatsworth House, England (2014); and NOW, Shanghai Himalayas Museum (2015, traveled to Hubei Museum of Art, Wuhan, China). Craig-Martin’s work is featured in various public collections, including the Museum of Modern Art, New York; Tate, London; Centre Pompidou, Paris; and Museo Nacional Centro de Arte Reina Sofía, Madrid. Craig-Martin was an artist trustee of Tate from 1989 to 1999, and was elected to the Royal Academy in 2006. In 2016 he was knighted in the Queen’s Birthday Honours for his services to art.

Craig-Martin lives and works in London.

Fairs, Events & Announcements

Michael Craig-Martin, Cornucopia Galactica, 2020, installation view, Flannels, London © Michael Craig-Martin. Photo: courtesy W1 Curates

Public Installation

W1 Curates
Michael Craig-Martin

June 29–July 12, 2020
Flannels, London
www.w1curates.com

Michael Craig-Martin has created a new digital work viewable around the clock on a three-story building on Oxford Street in London, presented by W1 Curates. The artist describes his work Cornucopia Galactica as “a celebration, a dynamic cornucopia, a galaxy of these great wonders of nature, constantly moving, turning, spinning through an intensely colored space like planets, satellites, and spaceships.” W1 Curates aims to bring art to the people by using state-of-the-art technology to transform the exterior of the Flannels London flagship store into a digital exhibition space.

Michael Craig-Martin, Cornucopia Galactica, 2020, installation view, Flannels, London © Michael Craig-Martin. Photo: courtesy W1 Curates

Installation view, Michael Craig-Martin: Sculpture, Gagosian, Britannia Street, London, May 31–August 23, 2019. Artwork © Michael Craig-Martin. Photo: Mike Bruce

Talk

In Focus
Michael Craig-Martin, Man Ray, Giuseppe Penone

Thursday, July 30, 2020, 12pm edt

Join Gagosian for a trio of online presentations to learn about the ways Michael Craig-Martin, Man Ray, and Giuseppe Penone approach three-dimensional form and its potential to change the way we engage with the world. Craig-Martin will speak about his own practice, while Max Teicher and Pepi Marchetti Franchi will each discuss the works of Man Ray and Penone respectively. To join, register at zoom.us.

Installation view, Michael Craig-Martin: Sculpture, Gagosian, Britannia Street, London, May 31–August 23, 2019. Artwork © Michael Craig-Martin. Photo: Mike Bruce

Michael Craig-Martin’s poster thanking health workers around the world, 2020

Design

Michael Craig-Martin
Thank You Health Workers Poster

Michael Craig-Martin has created a poster for people to customize and share to show support for health workers around the world. Originally conceived for the BBC Arts’s Culture in Quarantine program to thank National Health Service workers in the United Kingdom, the artist decided to make this international version to thank frontline health care workers around the world. The printable poster template can be downloaded, customized, and shared in windows or digitally.

Post your finished design on Instagram using #GagosianChallenge by May 11. Craig-Martin will be selecting his favorites to repost on Gagosian’s Instagram.

Download the poster in color (pdf) or black and white (pdf)

Michael Craig-Martin’s poster thanking health workers around the world, 2020

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Museum Exhibitions

Installation view, The Shape of Things: Michael Craig-Martin at Discovery Green, Discovery Green, Houston, August 1–November 3, 2019. Artwork © Michael Craig-Martin

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The Shape of Things
Michael Craig-Martin at Discovery Green

August 1–November 3, 2019
Discovery Green, Houston
www.discoverygreen.com

The Shape of Things comprises a series of six monumental steel sculptures by Michael Craig-Martin offering a playful perspective of everyday objects, which challenge our perception of space, appearing like line drawings in the air.

Installation view, The Shape of Things: Michael Craig-Martin at Discovery Green, Discovery Green, Houston, August 1–November 3, 2019. Artwork © Michael Craig-Martin

Jenny Saville, Portrait of Lola, 2019 © Jenny Saville

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The Aerodrome
An exhibition dedicated to the memory of Michael Stanley

June 12–September 8, 2019
Ikon Gallery, Birmingham, England
www.ikon-gallery.org

This exhibition, dedicated to the memory of former Ikon director Michael Stanley, is structured loosely on Rex Warner’s 1941 wartime novel The Aerodrome, a book that made a great impression on Stanley. The show features many of the artists he worked with, including Michael Craig-Martin, Thomas Houseago, and Jenny Saville.

Jenny Saville, Portrait of Lola, 2019 © Jenny Saville

Installation view, RA Summer Exhibition 2019, Royal Academy of Arts, London, June 10–August 12, 2019. Artwork © Thomas Houseago

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RA Summer Exhibition 2019

June 10–August 12, 2019
Royal Academy of Arts, London
www.royalacademy.org.uk

Running annually since 1769, the Royal Academy’s Summer Exhibition is the world’s largest open-submission art show. It brings together art in all mediums—prints, paintings, film, photography, sculpture, architectural works and more—with some 1,200 works on display, many of them for the first time. Work by Michael Craig-Martin, Thomas Houseago, and Anselm Kiefer is included.

Installation view, RA Summer Exhibition 2019, Royal Academy of Arts, London, June 10–August 12, 2019. Artwork © Thomas Houseago

Michael Craig-Martin, Gate (white), 2011, installation view, Windsor, Vero Beach, Florida © Michael Craig-Martin

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Michael Craig-Martin
Present Sense

January 29–April 25, 2019
Gallery at Windsor, Vero Beach, Florida
www.windsorflorida.com

The most comprehensive exhibition to date of Michael Craig-Martin’s work in the United States, Present Sense features over thirty-five works in the gallery and grounds of the Windsor, including recent paintings, sculptures, and prints. The show is presented in collaboration with the Royal Academy, London, and curated by Gagosian director Hannah Freedberg.

Michael Craig-Martin, Gate (white), 2011, installation view, Windsor, Vero Beach, Florida © Michael Craig-Martin

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Press

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