September 12, 2022
Michael Craig-Martin and Jan Dalley sat down together in London as part of this year’s FT Weekend Festival. Join the two for a conversation about the artist’s long career in art, teaching, and writing, as well as his latest projects. A principal figure of British Conceptual art, Craig-Martin probes the relationship between objects and images, harnessing the human capacity to imagine absent forms through symbols and pictures.
Artwork © Michael Craig-Martin; video: courtesy FT Weekend Festival
FTWeekend Festival provided by Financial Times Live. To catch up on all FTWeekend Festival on-demand visit: ft.com/festival
Michael Craig-Martin’s sixty-year career is the subject of a retrospective at the Royal Academy of Arts, London, on view through December 10, 2024. Ahead of the exhibition’s opening, the artist met with his longtime friend, the novelist Colm Tóibín, to discuss his materials and the generative inquiries at the heart of his practice.
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
Michael Craig-Martin and Jeffrey Sturges in conversation on Tom Wessselmann’s Standing Still Lifes.
Ahead of Persephone, an exhibition of new paintings by Mary Weatherford inside Hong Kong’s historic Pedder Building, the Quarterly’s Wyatt Allgeier met with Weatherford and the architect Mark Lee to talk about their collaboration. Here, they discuss how custom architectural interventions—from mirrored columns to strategic light play—transform the gallery, evoking Persephone’s mythic journey through the underworld and back into the light of spring.
Ahead of her exhibition over the summer at the National Portrait Gallery, London, Jenny Saville met with the novelist Douglas Stuart to discuss Glasgow, the beauty and blemishes of bodies, and their respective creative processes.
Join Gagosian for a conversation between Derrick Adams and Ekow Eshun, author, curator, and chair of the commissioning group for the Fourth Plinth in Trafalgar Square, London. The pair discuss Adams’s latest paintings depicting visions of Black Americana—featured in the exhibition Situation Comedy at Gagosian, Davies Street, London—within the context of British contemporary culture.
To coincide with her exhibition Setsuko: Kingdom of Cats, at Gagosian, New York, the artist speaks with architect Peter Marino about her recent sculptures, paintings, and works on paper.
In conjunction with the exhibition Japanese Art History à la Takashi Murakami at Gagosian, London, Takashi Murakami and Hans Ulrich Obrist, curator and artistic director of Serpentine, London, sit down to discuss the artist’s exploration and contemporizing of ancient Japanese artworks and movements. The two delve into Murakami’s investigation of Iwasa Matabei’s seventeenth-century masterwork Rakuchū-Rakugai-zu (Scenes in and around Kyoto) and the Kyoto-based style of Rinpa painting, among other examples.
Join Gagosian for a conversation between Julian Rose, historian and critic of art and architecture, and Nicholas Serota, chair of Arts Council England and senior independent director on the BBC board, to celebrate the publication of Building Culture (2024), Rose’s new book about museum architecture. Rose and Serota discuss the ways in which museums are shaping the future of art, architecture, and public space.
Gagosian and Sadie Coles HQ hosted a conversation between Urs Fischer and film curator and writer Róisín Tapponi about fearless creativity and the artist’s most recent monograph, Urs Fischer: Monumental Sculpture.
The celebrated interior designer Robert Stilin invited Fernando Garcia, the co-creative director of Oscar de la Renta and MONSE, to his home in New York to discuss their approaches to design, art, and their clientele.
Gagosian and Museo di Palazzo Grimani, Venice, hosted a conversation between Rick Lowe; Dieter Roelstraete, curator of Neubauer Collegium for Culture and Society at the University of Chicago; and Abigail Winograd, commissioner and curator of the United States Pavilion at the 60th Biennale di Venezia. The trio discuss the exhibition The Arch within the Arc in the context of Lowe’s overall practice, as well as Gagosian’s recently published monograph on the artist.