Menu

Gagosian Quarterly

August 12, 2019

Behind the Art

michael craig-martin:ordinariness

Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.

Michael Craig-Martin: Sculpture, Gagosian, Britannia Street, London, May 31–August 23, 2019; artwork © Michael Craig-Martin; video: Miriam Perez and PerryDuke

The Parameters of Perception

The Parameters of Perception

Michael Craig-Martin and Jeffrey Sturges in conversation on Tom Wessselmann’s Standing Still Lifes. 

Damien Hirst, Happiness, 1993–94, oil on canvas, 24 × 17 ⅞ inches.

Damien Hirst: Visual Candy

James Fox considers the origins of Damien Hirst’s Visual Candy paintings on the occasion of a recent exhibition of these early works in Hong Kong.

The Nature of Mark Grotjahn

The Nature of Mark Grotjahn

Michael Auping writes about the origins of Mark Grotjahn’s Capri paintings and their relationship with nature and landscape.

Black and White photo of Vincent Warren dancing in Catulli Carmina, c. 1969.

The fact that you move so beautifully

On the occasion of the sixtieth anniversary of Frank O’Hara’s celebrated poem “Having a Coke with You,” Gillian Jakab takes a look at the “poet among painters” and the poem’s “You.”

Graham Nash at home, San Francisco, 1972. An M. C. Escher print from his collection can be seen on the floor to the right. Photo: Joel Bernstein

Graham Nash

Raymond Foye offers a window into his long-standing friendship with Graham Nash, guiding us through the legendary musician’s evolving interest in art and the visual world.

Black and White photograph by Vera Lutter, Rodin Garden, I: February 22, 2017, 2017, unique gelatin silver print

Vera Lutter: Museum in the Camera

During a two-year residency at the Los Angeles County Museum of Art, from 2017 to 2019, Vera Lutter documented the museum’s changing campus and permanent collection, using her distinctive photographic technique. Here, she speaks about the experience with the museum’s director, Michael Govan.

A black-and-white portrait of Daniel-Henry Kahnweiler seated at a desk in front of a painting by Pablo Picasso.

Game Changer
Daniel-Henry Kahnweiler

Michael Cary pays homage to the visionary dealer Daniel-Henry Kahnweiler (1884–1979).

Michael Craig-Martin’s installation of flags depicting a red and blue sneaker on a pink background hanging at artgenève.

Michael Craig-Martin in Conversation at artgenève

Michael Craig-Martin speaks with Samuel Gross about his depictions of everyday objects and the building blocks of his visual vocabulary, as part of artgenève’s art talks 2020.

George Tjungurrayi's orange abstract painting Untitled—Kirrimalunya, polymer paint on linen.

Desert Painters of Australia

Steve Martin and Anne Stringfield’s collection of contemporary Indigenous Australian painting spans three generations of the “Desert Painters” of remote regions of Central and Western Australia. Louise Neri talks with Martin about his collecting passion, and about an exhibition that presents works from their collection along with a key loan from the Kluge-Ruhe Aboriginal Art Collection at the University of Virginia. Their conversation is followed by commentary on these works by Martin’s friend Fred Myers, a longtime aficionado of the Desert artists.

A portrait of Betty Parsons surrounded by art.

Game Changer
Betty Parsons

Wyatt Allgeier pays homage to the renowned gallerist and artist Betty Parsons (1900–1982).

The cover of the Spring 2020 edition of the Gagosian Quarterly magazine. A Cindy Sherman photograph of herself dressed as a clown against a rainbow background.

Now available
Gagosian Quarterly Spring 2020

The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.

A black-and-white photograph of the poet Bob Kaufman leaning against a counter wearing a floral jacket, striped pants, and sunglasses.

Rain Unraveled Tales

In November 2019, City Lights Publishers, San Francisco, released Collected Poems of Bob Kaufman, the first comprehensive collection of the poet’s work. Here Raymond Foye, the book’s coeditor, reminisces about his long-standing friendship with Kaufman and reflects on the enduring power of the poems.