Installation view, photo by Mike Bruce
Installation view, photo by Mike Bruce
Michael Craig-Martin
Untitled (sunglasses), 2014
Acrylic on aluminum, 78 ¾ × 78 ¾ inches (200 × 200 cm)
Photo by Mike Bruce
Michael Craig-Martin
Untitled (high heel), 2014
Acrylic on aluminum, 48 × 48 inches (122 × 122 cm)
Photo by Mike Bruce
Michael Craig-Martin
Untitled (coat hanger), 2014
Acrylic on aluminum, 48 × 48 inches (122 × 122 cm)
Photo by Mike Bruce
Michael Craig-Martin
Untitled (coke can), 2014
Acrylic on aluminum, 48 × 48 inches (122 × 122 cm)
Photo by Mike Bruce
Michael Craig-Martin
Untitled (dumbell), 2014
Acrylic on aluminum, 23 ⅝ × 23 ⅝ inches (60 × 60 cm)
Photo by Mike Bruce
Michael Craig-Martin’s sixty-year career is the subject of a retrospective at the Royal Academy of Arts, London, on view through December 10, 2024. Ahead of the exhibition’s opening, the artist met with his longtime friend, the novelist Colm Tóibín, to discuss his materials and the generative inquiries at the heart of his practice.
Michael Craig-Martin and Jan Dalley sat down together in London as part of this year’s FT Weekend Festival. Join the two for a conversation about the artist’s long career in art, teaching, and writing, as well as his latest projects. A principal figure of British Conceptual art, Craig-Martin probes the relationship between objects and images, harnessing the human capacity to imagine absent forms through symbols and pictures.
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
Michael Craig-Martin and Jeffrey Sturges in conversation on Tom Wessselmann’s Standing Still Lifes.
