Works Exhibited

About

Gagosian Gallery will host the West Coast premiere of Sally Mann's new photographs, consisting of large format landscapes taken in rural Georgia and Virginia. The prints of the Georgia series are 38 x 48 inches, the Virginia series are 30 x 40 inches, and all are mounted in frames designed by the photographer.

In this new body of work, titled MOTHER LAND: Recent Landscapes of Georgia and Virginia, Sally Mann combines landscape, history, and the feminine to define the firmament of human life and psyche. In her celebrated Immediate Family pictures, her children and husband were the primary subjects, resulting in photographs that expressed a profound tension between innocence and high sensuousness. They also called attention to her entwined roles as mother, wife, and creator of those intimate and seductive images.

During the making of the Immediate Family series, Sally Mann felt increasingly drawn to the element of landscape, often finding these settings first, before deciding how she might incorporate her human subjects into the composition. Following this impulse, she began expeditions into the Southern countryside, not far from her home in Virginia, taking with her a large format camera and a selection of antique lenses, one of which was owned by Nadar, perhaps the greatest photographer of nineteenth century France.

"MOTHER LAND" is the result of these expeditions, and Mann portrays with great drama and insight the landscape's infinitely complex character. While the large format prints signify an intensely contemporary vision, the antique lenses sometimes impart halos of light, cracks, and distortions which embrace a sense of the past, of time and memory, and of the stark grandness of nineteenth century landscape photography. An allée of moss-hung live oaks, an urn set in an open glade, or the landscape itself, seen as a gorgeous relic, complete these remarkable images.

Like all of Sally Mann's prior work, the landscapes of "MOTHER LAND" are portraits. But their subject is now the terrain of human and of natural history, signified in the land. Its vast body and changing demeanor are portrayed with the deep sensuality, humanness, and emotion for which Sally Mann is eminently celebrated.

to light, and then return—: A Night of Poetry with Edmund de Waal, Elisa Gonzalez, Terrance Hayes, and Sally Mann

to light, and then return—: A Night of Poetry with Edmund de Waal, Elisa Gonzalez, Terrance Hayes, and Sally Mann

Gagosian presented an evening of poetry inside to light, and then return—, an exhibition of new works by Edmund de Waal and Sally Mann, inspired by each other’s practices, at Gagosian, New York. In this video—taking the artists’ shared love of poetry, fragments, and metamorphosis as a point of departure—poets Elisa Gonzalez and Terrance Hayes read a selection of their recent works that resonate with the themes of elegy and historical reckoning in the show. The evening was moderated by Jonathan Galassi, chairman and executive editor at Farrar, Straus & Giroux.

to light, and then return—Edmund de Waal and Sally Mann

to light, and then return—Edmund de Waal and Sally Mann

This fall, artists and friends Edmund de Waal and Sally Mann will exhibit new works together in New York. Inspired by their shared love of poetry, fragments, and metamorphosis, the works included will form a dialogue between their respective practices. Here they meet to speak about the origins and developments of the project.

Gagosian Quarterly Spring 2023

Now available
Gagosian Quarterly Spring 2023

The Spring 2023 issue of Gagosian Quarterly is now available, featuring Roe Ethridge’s Two Kittens with Yarn Ball (2017–22) on its cover.

Sally Mann and Benjamin Moser

Sally Mann and Benjamin Moser

During the 2022 edition of Paris Photo, Sally Mann and Benjamin Moser sat down for an intimate conversation as the first event in Gagosian’s Paris Salon series, initiated by Jessie Fortune Ryan. In light of Moser’s Pulitzer Prize–winning biography of Susan Sontag, Sontag: Her Life and Work (2019), recently translated into French, the two discussed the power and responsibility tied up in their respective practices of photography and writing.

Sally Mann: Vinculum

Sally Mann: Vinculum

Join Sally Mann at her studio in Lexington, Virginia. Filmed at work in her darkroom and within the surrounding landscape, she discusses her exploratory approach to making and printing pictures, what draws her to the landscape of the American South, and her newest body of work, Vinculum.

Edmund de Waal and Sally Mann

In Conversation
Edmund de Waal and Sally Mann

Sally Mann joins Edmund de Waal onstage at the Frick Collection in New York to converse about art, writing, and the importance of place in their respective bodies of work. 

Sally Mann and Jenny Saville

In Conversation
Sally Mann and Jenny Saville

The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.

Gagosian Quarterly Spring 2019

Now available
Gagosian Quarterly Spring 2019

The Spring 2019 issue of Gagosian Quarterly is now available, featuring Red Pot with Lute Player #2 by Jonas Wood on its cover.

Sally Mann: A Thousand Crossings

Sally Mann: A Thousand Crossings

Drew Gilpin Faust discusses Sally Mann’s landscape photographs of Antietam, a site that more than a century ago bore witness to one of the bloodiest battles in the American Civil War.

Gagosian Quarterly Spring 2018

Gagosian Quarterly Spring 2018

The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order.

Sally Mann: Remembered Light

Sally Mann: Remembered Light

Edmund de Waal and Sally Mann discuss Cy Twombly’s relationship to photography, Mann’s pervasive interest in the American South, and the context behind her newest body of work.

Sally Mann

In Conversation
Sally Mann

In Sally Mann’s new memoir Hold Still, her lyrical prose and startlingly revealing photographs make up an original personal history that has the page-turning drama of a great novel. In this interview with Derek Blasberg, she reflects on discovering family history, her relationship to criticism, and why she will never leave Virginia.

Cover of the book to light, and then return—: Edmund de Waal and Sally Mann with artwork by Edmund de Waal

to light, and then return—: Edmund de Waal and Sally Mann

$100
Cover of the monograph Jenny Saville, published in 2018

Jenny Saville

$150
Cover of the book Sally Mann: Hold Still with dust jacket

Sally Mann: Hold Still

From $32
Cy Twombly: The Last Paintings in dust jacket

Cy Twombly: The Last Paintings

$80
Cover of the Gagosian Quarterly: Summer 2023 Issue featuring artwork by Richard Avedon

Gagosian Quarterly: Summer 2023 Issue

$20
Cover of the Spring 2023 issue of Gagosian Quarterly magazine, featuring artwork by Roe Ethridge

Gagosian Quarterly: Spring 2023 Issue

$20
Cover of the Spring 2019 issue of Gagosian Quarterly magazine, featuring artwork by Jonas Wood

Gagosian Quarterly: Spring 2019 Issue

$20
Cover of the Spring 2018 issue of Gagosian Quarterly magazine, featuring artwork by Ed Ruscha

Gagosian Quarterly: Spring 2018 Issue

$20
Cover of the Gagosian Quarterly: Fall 2023 Issue featuring artwork by Derrick Adams

Gagosian Quarterly: Fall 2023 Issue

$20