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Sally Mann

Sally Mann, Cindy and Dog Statue, 1983 Gelatin silver print, 10 × 8 inches (25.4 × 20.3 cm), edition of 25© Sally Mann

Sally Mann, Cindy and Dog Statue, 1983

Gelatin silver print, 10 × 8 inches (25.4 × 20.3 cm), edition of 25
© Sally Mann

Sally Mann, Jennifer at the Rodeo, 1984 Gelatin silver print, 10 × 8 inches (25.4 × 20.3 cm), edition of 25© Sally Mann

Sally Mann, Jennifer at the Rodeo, 1984

Gelatin silver print, 10 × 8 inches (25.4 × 20.3 cm), edition of 25
© Sally Mann

Sally Mann, Holding Virginia, 1989 Gelatin silver print, 24 × 20 inches (61 × 50.8 cm), edition of 25© Sally Mann

Sally Mann, Holding Virginia, 1989

Gelatin silver print, 24 × 20 inches (61 × 50.8 cm), edition of 25
© Sally Mann

Sally Mann, Emmett Afloat, 1988 Gelatin silver print, 24 × 20 inches (61 × 50.8 cm), edition of 25© Sally Mann

Sally Mann, Emmett Afloat, 1988

Gelatin silver print, 24 × 20 inches (61 × 50.8 cm), edition of 25
© Sally Mann

Sally Mann, Larry Shaving, 1991 Gelatin silver print, 24 × 20 inches (61 × 50.8 cm), edition of 25© Sally Mann

Sally Mann, Larry Shaving, 1991

Gelatin silver print, 24 × 20 inches (61 × 50.8 cm), edition of 25
© Sally Mann

Sally Mann, Virginia, Untitled (Upper Field), 1993 Tea-toned gelatin silver print, 40 × 50 inches (101.6 × 127 cm), edition of 10© Sally Mann

Sally Mann, Virginia, Untitled (Upper Field), 1993

Tea-toned gelatin silver print, 40 × 50 inches (101.6 × 127 cm), edition of 10
© Sally Mann

Sally Mann, Deep South, Untitled (Checkmark Windsor), 1998 Tea-toned gelatin silver print, 40 × 50 inches (101.6 × 127 cm), edition of 10© Sally Mann

Sally Mann, Deep South, Untitled (Checkmark Windsor), 1998

Tea-toned gelatin silver print, 40 × 50 inches (101.6 × 127 cm), edition of 10
© Sally Mann

Sally Mann, Georgia, Untitled (Black Spot), 1996 Tea-toned gelatin silver print, 40 × 50 inches (101.6 × 127 cm), edition of 10© Sally Mann

Sally Mann, Georgia, Untitled (Black Spot), 1996

Tea-toned gelatin silver print, 40 × 50 inches (101.6 × 127 cm), edition of 10
© Sally Mann

Sally Mann, Battlefields, Antietam (Cobweb), 2002 Varnished gelatin silver print, 40 × 50 inches (101.6 × 127 cm), edition of 5© Sally Mann

Sally Mann, Battlefields, Antietam (Cobweb), 2002

Varnished gelatin silver print, 40 × 50 inches (101.6 × 127 cm), edition of 5
© Sally Mann

Sally Mann, Battlefields, Manassas (Home Field), 2001 Varnished gelatin silver print, 40 × 50 inches (101.6 × 127 cm), edition of 5© Sally Mann

Sally Mann, Battlefields, Manassas (Home Field), 2001

Varnished gelatin silver print, 40 × 50 inches (101.6 × 127 cm), edition of 5
© Sally Mann

Sally Mann, Battlefields, Chancellorsville (Rever’s Turn), 2002 Varnished gelatin silver print, 40 × 50 inches (101.6 × 127 cm), edition of 5© Sally Mann

Sally Mann, Battlefields, Chancellorsville (Rever’s Turn), 2002

Varnished gelatin silver print, 40 × 50 inches (101.6 × 127 cm), edition of 5
© Sally Mann

Sally Mann, Battlefields, Antietam (Spindly Trees), 2001 Varnished gelatin silver print, 40 × 50 inches (101.6 × 127 cm), edition of 5© Sally Mann

Sally Mann, Battlefields, Antietam (Spindly Trees), 2001

Varnished gelatin silver print, 40 × 50 inches (101.6 × 127 cm), edition of 5
© Sally Mann

Sally Mann, Untitled, 2000 Gelatin silver print, 30 × 38 inches (76.2 × 96.5 cm), edition of 3© Sally Mann

Sally Mann, Untitled, 2000

Gelatin silver print, 30 × 38 inches (76.2 × 96.5 cm), edition of 3
© Sally Mann

Sally Mann, Untitled, 2000 Gelatin silver print, 30 × 38 inches (76.2 × 96.5 cm), edition of 3© Sally Mann

Sally Mann, Untitled, 2000

Gelatin silver print, 30 × 38 inches (76.2 × 96.5 cm), edition of 3
© Sally Mann

Sally Mann, Triptych, c. 2004 Varnished gelatin silver print, in 3 parts, overall: 50 × 120 inches (127 × 304.8 cm), edition of 8© Sally Mann

Sally Mann, Triptych, c. 2004

Varnished gelatin silver print, in 3 parts, overall: 50 × 120 inches (127 × 304.8 cm), edition of 8
© Sally Mann

Sally Mann, Remembered Light, Untitled (Flamingo on Heart Base), 2012 Gelatin silver print, 16 × 20 inches (40.6 × 50.8 cm), edition of 3© Sally Mann

Sally Mann, Remembered Light, Untitled (Flamingo on Heart Base), 2012

Gelatin silver print, 16 × 20 inches (40.6 × 50.8 cm), edition of 3
© Sally Mann

Sally Mann, Remembered Light, Untitled (Funnel Sculpture), 2012 Gelatin silver print, 20 × 24 inches (50.8 × 61 cm), edition of 3© Sally Mann

Sally Mann, Remembered Light, Untitled (Funnel Sculpture), 2012

Gelatin silver print, 20 × 24 inches (50.8 × 61 cm), edition of 3
© Sally Mann

Sally Mann, Remembered Light, Untitled (Pale Detail), 1999–2000 Gelatin silver print, 16 × 20 inches (40.6 × 50.8 cm), edition of 3© Sally Mann

Sally Mann, Remembered Light, Untitled (Pale Detail), 1999–2000

Gelatin silver print, 16 × 20 inches (40.6 × 50.8 cm), edition of 3
© Sally Mann

Sally Mann, Remembered Light, Untitled (Suitcase), 2011–2012 Platinum print, 9 × 14 inches (22.9 × 35.6 cm), edition of 3© Sally Mann

Sally Mann, Remembered Light, Untitled (Suitcase), 2011–2012

Platinum print, 9 × 14 inches (22.9 × 35.6 cm), edition of 3
© Sally Mann

Sally Mann, Remembered Light, Untitled (Solitary Print on Wall), 2012 Inkjet print, 23 × 34 ¾ inches (58.4 × 88.3 cm), edition of 3© Sally Mann

Sally Mann, Remembered Light, Untitled (Solitary Print on Wall), 2012

Inkjet print, 23 × 34 ¾ inches (58.4 × 88.3 cm), edition of 3
© Sally Mann

Sally Mann, Remembered Light, Untitled (Wall Drip with Blue Tape), 2012 Inkjet print, 16 × 24 inches (40.6 × 61 cm), edition of 3© Sally Mann

Sally Mann, Remembered Light, Untitled (Wall Drip with Blue Tape), 2012

Inkjet print, 16 × 24 inches (40.6 × 61 cm), edition of 3
© Sally Mann

Sally Mann, Johnny Reb, 2004 Gelatin silver print, 15 × 13 ½ inches (38.1 × 34.3 cm), edition of 5© Sally Mann

Sally Mann, Johnny Reb, 2004

Gelatin silver print, 15 × 13 ½ inches (38.1 × 34.3 cm), edition of 5
© Sally Mann

Sally Mann, Kingfisher’s Wing, 2007 Gelatin silver print, 15 × 13 ½ inches (38.1 × 34.3 cm), edition of 5© Sally Mann

Sally Mann, Kingfisher’s Wing, 2007

Gelatin silver print, 15 × 13 ½ inches (38.1 × 34.3 cm), edition of 5
© Sally Mann

Sally Mann, The Nature of Loneliness, 2008 Gelatin silver print, 15 × 13 ½ inches (38.1 × 34.3 cm), edition of 5© Sally Mann

Sally Mann, The Nature of Loneliness, 2008

Gelatin silver print, 15 × 13 ½ inches (38.1 × 34.3 cm), edition of 5
© Sally Mann

About

To be able to take my pictures, I have to look, all the time, at the people and places I care about. And I must do so with both ardor and cool appraisal, with the passions of eye and heart, but in that ardent heart there must also be a splinter of ice. 
—Sally Mann

Sally Mann is known for her photographs of intimate and familiar subjects rendered both sublime and disquieting. Her projects explore the complexities of familial relationships, social realities, and the passage of time, capturing tensions between nature, history, and memory.

Born in Lexington, Virginia, Mann began to study photography in the late 1960s, attending the Ansel Adams Gallery’s Yosemite Workshops in Yosemite National Park, California and the Putney School and Bennington College, both in Vermont. She received a BA from Hollins College, Roanoke, Virginia, in 1974, and an MA in creative writing the following year. At a moment when many other photographers were creating large-scale color prints, Mann looked to photography’s past, investigating the visual and metaphorical potential of employing nineteenth-century technologies. She has long used an 8 x 10 bellows camera and has explored platinum, bromoil, and wet-plate collodion processes for making prints.

Mann had her first solo museum exhibition at the Corcoran Gallery of Art, Washington, DC, in 1977, presenting The Lewis Law Portfolio (1974–76)a series of black-and-white photographs that comprise some of her earliest explorations into the inherent abstract beauty of the everyday. In the early 1980s she published two books, Second Sight and At Twelve, the latter a study of young girls on the cusp of womanhood. Between 1984 and 1994 she worked on the series Family Pictures, which focused on her three children, then all under the age of twelve. These works touch on ordinary moments—playing, sleeping, and eating—as well as larger themes such as death and cultural perceptions of sexuality and motherhood. From 1999 to 2012, Mann photographed Cy Twombly’s warmly lit studio in Lexington, recording the moments she spent with him there as well as the traces of his artistic life.

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Fairs, Events & Announcements

Damien Hirst, Truffle, 2016 © Damien Hirst and Science Ltd. All rights reserved, DACS 2018

Art Fair

artgenève 2018

January 31–February 3, 2019, booth B19
Palexpo, Geneva
www.artgeneve.ch

Gagosian is pleased to participate in artgenève 2019, with modern and contemporary artworks by Georg Baselitz, Chris Burden, Urs Fischer, Romuald Hazoumè, Damien Hirst, Sally Mann, Olivier Mosset, Steven Parrino, Giuseppe Penone, Richard Serra, Rudolf Stingel, Spencer Sweeney, Mark Tansey, Tatiana Trouvé, Tom Wesselmann, Franz West, and others.

To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at artgeneve.ch. To preview our booth, go to artsy.net.

Download the full press release in English (PDF) or French (PDF)

Damien Hirst, Truffle, 2016 © Damien Hirst and Science Ltd. All rights reserved, DACS 2018

Photo: Annie Leibovitz

Award

Sally Mann

Sally Mann will be honored at the annual Gordon Parks Foundation Awards Dinner and Auction in New York on May 22, 2018. The late Gordon Parks believed in the power of transforming lives through self-expression—primarily art. Mann has exemplified this model in her passion for capturing those she loves and the surrounding landscape that has defined her work.

Photo: Annie Leibovitz

Giuseppe Penone, Pelle di foglie—5 foglie a terra, 2011 © Giuseppe Penone

Art Fair

artgenève 2018

February 1–4, 2018, booth B19
Palexpo, Geneva
www.artgeneve.ch

Gagosian is pleased to participate in artgenève 2018, presenting a selection of works by Richard Artschwager, Georg Baselitz, John Currin, Dadamaino, Edmund de Waal, Keith Haring, Damien Hirst, Peter Lindbergh, Vera Lutter, Man Ray, Sally Mann, Brice Marden, Olivier Mosset, Albert Oehlen, Steven Parrino, Giuseppe Penone, Sigmar Polke, Ed Ruscha, Blair Thurman, Tatiana Trouvé, Tom Wesselmann, Franz West, Rachel Whiteread, and others. 

If you wish to receive a PDF with detailed information on the works, please contact us at geneva@gagosian.com. Tickets are available at www.artgeneve.ch.

Giuseppe Penone, Pelle di foglie—5 foglie a terra, 2011 © Giuseppe Penone

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Museum Exhibitions

Sally Mann, Eyeless in Coalto, 1993 © Sally Mann

Closing this Week

Sally Mann in
Go Down Moses

Through September 29, 2019
Museum of Contemporary Photography, Columbia College, Chicago
www.mocp.org

Go Down Moses presents a reinterpretation of the museum’s permanent collection that can be understood as a visual poem of contemporary America, exploring elemental themes of movement, chaos, freedom, and hope through the photographic archive. Work by Sally Mann is included.

Sally Mann, Eyeless in Coalto, 1993 © Sally Mann

Cy Twombly, The Song of the Border Guard, 1952 © Cy Twombly Foundation

On View

How Far Can Creativity Take You
VMFA Fellowship Artists

Through November 17, 2019
VMFA on the Road: An Artmobile for the 21st Century, various locations throughout Virginia
www.vmfa.museum

The Virginia Museum of Fine Arts’s new state-of-the-art traveling museum and art studio offers an opportunity for residents of the Commonwealth to see and experience works of art from the collection up close. The inaugural exhibition, How Far Can Creativity Take You, celebrates the role this institution has played in the lives of fellowship recipients. Work by Sally Mann and Cy Twombly is included.

Cy Twombly, The Song of the Border Guard, 1952 © Cy Twombly Foundation

Sally Mann, Deep South, Untitled (Emmett Till River Bank), 1998 © Sally Mann

On View

Sally Mann in
New Symphony of Time

Opening September 7, 2019
Mississippi Museum of Art, Jackson
msmuseumart.org

New Symphony of Time expands the boundaries of Mississippi’s identity, casting light on a shared past to help reflect an expansive, more inclusive future. The exhibition aims to explore personal and collective memory, history and the connection to place, and the roles artists play in pursuit of civil rights and racial equity through ancestry. Themes include migration, movement, and home; shared humanity; environment; and liberty. Work by Sally Mann is included.

Sally Mann, Deep South, Untitled (Emmett Till River Bank), 1998 © Sally Mann

Opening Soon

Sally Mann in
Forever Young: Representations of Childhood and Adolescence

October 5–December 31, 2019
Newport Art Museum, Rhode Island
newportartmuseum.org

Forever Young examines portrayals of childhood and youth from the eighteenth century to the present. The exhibition aims to explore the representation of children and childhood as symbolizing innocence, transition, growth, awakening, mortality, youth, education, and freedom or abandon. Work by Sally Mann is included.

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Press

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