Installation Views

Works Exhibited

About

When I was about five years old, I would go after school to this little building, like a little shelter. In the afternoons we’d make things out of Popsicle sticks. We’d work with Play-Doh. And this experience gave me my foundation. That’s what I hold on to in the world. And whatever I made at that time, I know is equivalent to what I’m doing now. And that was, for me, really art.
—Jeff Koons

Gagosian is pleased to present the exhibition of Cracked Egg (Blue) (1994–2006) by Jeff Koons, a large two-part stainless-steel sculpture from the mythic Celebration series that he began with Balloon Dog in 1994. Cracked Egg (Blue) is a unique work and the first of five versions (including the artist’s proof), each rendered in a different vivid color.

The Celebration series comprises twenty different sculptures and sixteen paintings inspired by Koons’s enduring preoccupation with childhood experiences and childlike consciousness. These paintings and sculptures isolate moments and objects associated with life’s celebratory events such as birthdays and holidays. With its impressive scale, pure lines, and flawless, highly reflective surface, Cracked Egg (Blue) resonates with iconic significance.

From the outset of his controversial career, Koons turned the traditional notion of the work of art and its context inside out. Focusing on some of the most unexpected objects as models for his work, from vacuum cleaners and inflatable flowers to novelty drink caddies, Koons eschewed typical standards of “good taste” in art, instead embracing conventional, distinctly American middle-class values to expose the vulnerabilities of hierarchies and value systems. Addressing various conceptual constructs including the new, the banal, and the heavenly, Koons has evolved his work from its literal, deadpan beginnings to baroque manifestations that oscillate between abstraction, sculpture, and pure spectacle.

Laws of Motion

Laws of Motion

Catalyzed by Laws of Motion—a group exhibition pairing artworks from the 1980s on by Jeff Koons, Cady Noland, Rosemarie Trockel, and Jeff Wall with contemporary sculptures by Josh Kline and Anicka Yi—Wyatt Allgeier discusses the convergences and divergences in these artists’ practices with an eye to the economic worlds from which they spring.

Gagosian Quarterly Fall 2019

Now available
Gagosian Quarterly Fall 2019

The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.

Intimate Grandeur: Glenstone Museum

Intimate Grandeur: Glenstone Museum

Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.

Visions of the Self: Jenny Saville on Rembrandt

Visions of the Self: Jenny Saville on Rembrandt

Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.

Jeff Koons: Easyfun-Ethereal

Jeff Koons: Easyfun-Ethereal

Learn more about Jeff Koons’s Easyfun-Ethereal series in this video featuring Rebecca Sternthal, one of the organizers behind the most recent exhibition of these works in New York.

RxART

The Bigger Picture
RxART

Derek Blasberg speaks with Diane Brown, president and founder of RxART, and with contributing artists Dan Colen, Urs Fischer, and Jeff Koons about the transformative power of visual art.

Jeff Koons

The Bigger Picture
Jeff Koons

Jeff Koons speaks with Alison McDonald and Maura Harty about his longstanding commitment to protecting the rights of children.

Jeff Koons Glenn Fuhrman

In Conversation
Jeff Koons Glenn Fuhrman

The FLAG Art Foundation hosted a conversation between Jeff Koons and FLAG founder Glenn Fuhrman, in which the two discuss the dichotomy between sexuality and childhood innocence in Koons’s oeuvre, remaking Made in Heaven with Lady Gaga, what drives Koons to make more work, and several works including Cat on a Clothesline (1994–2001) and Winter Bears (1988).

The Last 36 Hours

The Last 36 Hours

Derek Blasberg speaks with Scott Rothkopf, a curator at the Whitney Museum of American Art, about the last thirty-six hours of the Jeff Koons retrospective, which also marked the end of the museum’s tenure in uptown Manhattan.

Split-Rocker: A Landscaping Perspective

Split-Rocker: A Landscaping Perspective

Jeff Koons’s flowering sculpture Split-Rocker, at once imposing and adorable, has cast a spell on New York City’s Rockefeller Center. Derek Blasberg interviews Matt Donham, Koons’s landscape designer on the project, to find out more.

Jeff Koons: A Retrospective

Jeff Koons: A Retrospective

Jeff Koons’s first, mammoth one-man show opens at the Whitney today, which is also the last show at the museum’s Madison Avenue location.

Cover of the book Jeff Koons: Gazing Ball Paintings

Jeff Koons: Gazing Ball Paintings

$100
Cover of the book Jeff Koons, published in 2017

Jeff Koons

$80
Front of Jeff Koons: Split-Rocker Notecard Set

Jeff Koons: Split-Rocker Notecard Set

$15
Jeff Koons: Split-Rocker Plate

Jeff Koons: Split-Rocker Plate

$978
Jeff Koons: Banality Series Bread and Butter Plate

Jeff Koons: Banality Series Bread and Butter Plates

$558
Jeff Koons: Banality Series espresso cup

Jeff Koons: Banality Series Espresso Set

$1,174
Jeff Koons: Banality Series Platter

Jeff Koons: Banality Series Platter

$558
Jeff Koons: Play-Doh Plate

Jeff Koons: Play-Doh Plate

$978
Jeff Koons: Elephant Plate

Jeff Koons: Elephant Plate

$978