Installation Views

Works Exhibited

About

Gagosian Gallery is pleased to present "Endless Night," a series of new paintings by Dexter Dalwood.

The title of the exhibition is taken from a line in William Blake's poem"Auguries of Innocence" — "Some are born to sweet delight, some are born to endless night." In these new paintings Dalwood explores a rather morbid fascination with the latter via the death scenarios of famous public figures both real and fictional— from the tragic suicide of photographer Diane Arbus to the graphic homicides in novels such as F. Scott Fitzgerald's The Great Gatsby.

Merging real history with art history, Dalwood incorporates distinctive painterly elements or devices borrowed from other artists. In Gorky's Studio, a thickly painted black rectangle evoking Clifford Still's dense abstract fields blocks the scene of the artist's suicide; The Crash conjures W.G. Sebald's fatal road accident in the English countryside, as seen from inside a car whose shattered windscreen is a whorl of expressionist paintwork; in Under Blackfriars, dangling feet protrude from the top of the image above the waters of a Monet-esque river scene, referring to the mysterious death of Italian banker Roberto Calvi, who was found hanged beneath the bridge in 1982.

Dalwood's approach embodies both the manner and matter of historical memory from which the history of painting is itself inextricable. He begins by making drawings and collages constructed from images culled from all manner of printed matter. Mixing references to the history of art and painterly language that are by turn direct and obscure, his paintings suggest an equivalence between real or imagined historical events and historically indexed artistic styles while constructing a rhetorical system for examining the many lives and deaths of painting.

Dexter Dalwood was born in Bristol in 1960 and studied at St Martins School of Art and the Royal College of Art. This is his fifth solo show for the Gagosian Gallery. He has exhibited throughout Europe, including participation in "The Triumph of Painting", Leeds City Art Gallery (2006); "Days Like These: Tate Triennial Exhibition of Contemporary British Art, Tate Britain (2003) and Remix: Contemporary Art and Pop, Tate Liverpool (2002). In 2010, Tate St Ives, will mount a mid career survey of the artist's paintings. The exhibition will travel to FRAC Champagne–Ardenne in Reims, France and then CAC Malaga in Spain. He lives and works in London.

Gagosian Quarterly Fall 2024

Now available
Gagosian Quarterly Fall 2024

The Fall 2024 issue of Gagosian Quarterly is now available, featuring Andy Warhol’s Mao (1972) on the cover.

Fashion and Art: Grace Coddington

Fashion and Art: Grace Coddington

Grace Coddington, fashion editor and former creative-director-at-large for American Vogue, meets with the Quarterly’s Derek C. Blasberg to reminisce on some of her most iconic collaborations with photographers and artists.

Jayden Ali: Beyond the Building

Jayden Ali: Beyond the Building

Architect and designer Jayden Ali joins Gagosian associate director Péjú Oshin for a conversation about false notions of failure, four-day workweeks, and the connective power of building together.

The Bold Stroke: Spencer Sweeney & Lizzi Bougatsos

The Bold Stroke: Spencer Sweeney & Lizzi Bougatsos

Old friends chat about their love of music, nightclub paintings, life lessons from aikido, and Sweeney’s upcoming exhibition The Painted Bride, at Gagosian, New York.

“I Can’t Accept to Act Like a Zombie”: Enzo Mari and Design’s Utopian Impulse

“I Can’t Accept to Act Like a Zombie”: Enzo Mari and Design’s Utopian Impulse

The exhibition Enzo Mari, curated by Hans Ulrich Obrist with Francesca Giacomelli at the Design Museum, London, runs through September 8. Taking a cue from this major retrospective, Bartolomeo Sala delves into Mari’s practice and convictions.

Honoring Aegean Memories: Ekaterina Juskowski and Salomé Gómez-Upegui

Honoring Aegean Memories: Ekaterina Juskowski and Salomé Gómez-Upegui

The Warp of Time celebrates a hundred years of shared history between the Old Carpet Factory, a historical mansion located on the Greek island of Hydra, and Soutzoglou Carpets. Here, Salomé Gómez-Upegui interviews curator Ekaterina Juskowski about Helen Marden’s woven works within the context of the exhibition, touching upon themes of history, memory, and creative expression.

Picture by Picture: Revisiting Frankenthaler

Picture by Picture: Revisiting Frankenthaler

John Elderfield and Lauren Mahony of Gagosian speak with the National Gallery of Art’s Harry Cooper about the new and expanded version of Elderfield’s 1989 monograph on Helen Frankenthaler that Gagosian, in collaboration with the Helen Frankenthaler Foundation, will publish this summer. The conversation traces Elderfield’s long interest in Frankenthaler’s work—from his time as a young curator at the Museum of Modern Art, New York, to the present—and reveals some of the new perspectives and discoveries awaiting readers.

Remembering Brice Marden

Remembering Brice Marden

In conjunction with the memorial service for Brice Marden held at the Museum of Modern Art, New York, Mirabelle and Melia Marden produced a short film directed by Chiara Clemente to honor the late artist. Featuring interviews, archival photographs, and family videos, this film captures Marden’s vibrant life and enduring cultural impact.

Artist, Audience, Accomplice

Artist, Audience, Accomplice

Sydney Stutterheim has published Artist, Audience, Accomplice: Ethics and Authorship in Art of the 1970s and 1980s (Duke University Press, 2024), a survey of performance art and related practices that involve, in various manners, the figure of the accomplice. To celebrate the publication, the Quarterly is publishing an excerpt that examines Chris Burden’s Deadman (1972).

Roy

Roy

Michael Ovitz, cofounder of Creative Artists Agency (CAA), looks back to 1989, the year he and the architect I. M. Pei commissioned Roy Lichtenstein to create the Bauhaus Stairway Mural for the then new CAA Building in Los Angeles. Through the experience of working with Lichtenstein, Ovitz formed a meaningful friendship with the artist.

Sophia Heriveaux and Roger Guenveur Smith on Jean-Michel Basquiat

In Conversation
Sophia Heriveaux and Roger Guenveur Smith on Jean-Michel Basquiat

Join Gagosian for a conversation between director, producer, and writer Sophia Heriveaux and actor, director, and writer Roger Guenveur Smith inside the exhibition Jean-Michel Basquiat: Made on Market Street, at Gagosian, Beverly Hills. Heriveaux and Guenveur Smith both share a personal connection to Basquiat: Heriveaux is the artist’s niece and Guenveur Smith was one of his friends and collaborators. The pair discuss Basquiat’s work and legacy, as well as his lasting impact on contemporary art and culture.

On Anselm Kiefer’s Photography

On Anselm Kiefer’s Photography

Sébastien Delot is director of conservation and collections at the Musée national Picasso–Paris and the organizer of the first retrospective to focus on Anselm Kiefer’s use of photography, which was held at Lille Métropole Musée d’art moderne, d’art contemporain et d’art brut (Musée LaM) in Villeneuve-d’Ascq, France. He recently sat down with Gagosian director of photography Joshua Chuang to discuss the exhibition Anselm Kiefer: Punctum at Gagosian, New York. Their conversation touched on Kiefer’s exploration of photography’s materials, processes, and expressive potentials, and on the alchemy of his art.