Menu

Picasso and Marie-Thérèse

L’amour fou

April 14–July 15, 2011
West 21st Street, New York

Installation view Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation video Play Button

Installation video

About

You have an interesting face. I would like to do your portrait. I have a feeling we will do great things together.
—Pablo Picasso

Following the critical and popular success of Picasso: Mosqueteros in New York in 2009 and Picasso: The Mediterranean Years in London in 2010, Gagosian is pleased to present the next chapter in an ongoing exploration of Picasso’s principal themes. Picasso and Marie-Thérèse: L’amour fou brings together the paintings, drawings, sculptures, and prints inspired by one of Picasso’s most ideal models and enduring passions. The exhibition is curated by the eminent Picasso biographer, John Richardson, together with Marie-Thérèse’s granddaughter, art historian Diana Widmaier Picasso, who is currently preparing a catalogue raisonné of Picasso’s sculptures.

In 1927, on a street in Paris, Picasso encountered the unassuming girl, just shy of eighteen years old, who would become his lover and one of modern art’s most famous muses. “I am Picasso,” he announced. The name meant nothing to Marie-Thérèse so he took her to a bookshop to show her a monograph of his paintings and asked if he could see her again. Flattered and curious, she agreed, and thus began a secret love affair that would establish Marie-Thérèse as the primary inspiration for Picasso’s most daring aesthetic experiments in the decade to come.

More than any other woman that Picasso desired and painted, Marie-Thérèse, with her statuesque body and strong, pure profile, fueled his imagination with a luminous dream of youth. Although her first appearances in his work were veiled references with her initials forming spare linear compositions, such as in the earliest work in the exhibition, Guitare à la main blanche (1927), the arrival of the blond goddess’s likeness in his art announced a new love in his life. In portrayals, Picasso would stretch her robust athletic form to new extremes, metamorphosing her in endlessly inventive ways. She became the catalyst for some of his most exceptional work, from groundbreaking paintings to an inspired return to sculpture in the 1930s, according her an almost mythic stature and earning her immortality as an art-historical subject. Yet her true identity remained a secret from even Picasso’s closest friends. Even after Marie-Thérèse bore their daughter Maya in 1935, Picasso would continue to divide his time between his professional life as the most famous artist in the world, and his secret family life, spending Thursdays and weekends with her and Maya and amassing a trove of love letters and snapshots exchanged while they were apart.

Read more

A black-and-white portrait of Daniel-Henry Kahnweiler seated at a desk in front of a painting by Pablo Picasso.

Game Changer
Daniel-Henry Kahnweiler

Michael Cary pays homage to the visionary dealer Daniel-Henry Kahnweiler (1884–1979).

Grace McCann Morley, c. 1950s.

Game Changer
Grace McCann Morley

Berit Potter pays homage to the ardent museum leader who transformed San Francisco’s relationship to modern art.

Charlotte Perriand in her studio on place Saint-Sulpice, Paris, 1928. The hands holding a plate halolike behind her head are Le Corbusier’s.

The New World of Charlotte Perriand

Inspired by a visit to the Fondation Louis Vuitton’s exhibition Charlotte Perriand: Inventing a New World, William Middleton explores the life of this modernist pioneer and her impact on the worlds of design, art, and architecture.

Diana Widmaier-Picasso standing in front of a bookcase

Picasso and Maya: An Interview with Diana Widmaier-Picasso

Diana Widmaier-Picasso curated a presentation at Gagosian, Paris, to celebrate the publication of Picasso and Maya: Father and Daughter at the end of 2019. This comprehensive reference publication explores the figure of Maya Ruiz-Picasso, Pablo Picasso’s beloved eldest daughter, throughout Picasso’s work and chronicles the loving relationship between the artist and his daughter. In this video, Widmaier-Picasso details her ongoing interest in the subject and reflects on the process of making the book.

Still from video Visions of the Self: Jenny Saville on Rembrandt

Visions of the Self: Jenny Saville on Rembrandt

Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.

Claude Picasso and John Richardson

In Conversation
Claude Picasso and John Richardson

Picasso biographer Sir John Richardson sits down with Claude Picasso to discuss Claude’s photography, his enjoyment of vintage car racing, and the future of scholarship related to his father, Pablo Picasso.