Everywhere Light
Jake Skeets reflects on Richard Avedon’s series In the American West, focusing on the portrait of his uncle, Benson James.
I function more as an editor. In other words, I could draw people out, maybe in the way a director does with a performer. And bring them into the circle of creative work.
—Richard Avedon
Gagosian Athens is pleased to present photographs by Richard Avedon, following the career-spanning exhibition “Avedon: Women” at Gagosian Beverly Hills in late 2013.
Avedon’s reportage, portraiture, and fashion work dissolved the lines between photographic genres and covered a breadth of subjects, from figures both famous and anonymous to historic moments of the American Civil Rights Movement and the fall of the Berlin Wall. From the beginning of his career as a fashion photographer in the 1940s, he was particularly renowned for his distinctive and transformative imagery of women.
Avedon’s images are imbued with unconventional allure and formidable intelligence. An iconic photograph from 1948 focuses on a fur-trimmed shoe by Perugia, worn by a model walking among others in a busy street, the Eiffel Tower looming in the distant background. In 1955, Dovima, wearing an elegant white hat by Balenciaga, peers through a car window. In an image from Avedon’s late career, the statuesque Malgosia Bela and Gisele Bündchen brace themselves, perhaps against unseen danger, in edgy Dior couture.
Jake Skeets reflects on Richard Avedon’s series In the American West, focusing on the portrait of his uncle, Benson James.
The Summer 2023 issue of Gagosian Quarterly is now available, featuring Richard Avedon’s Marilyn Monroe, actor, New York, May 6, 1957 on its cover.
In celebration of the centenary of Richard Avedon’s birth, more than 150 artists, designers, musicians, writers, curators, and representatives of the fashion world were asked to select a photograph by Avedon for an exhibition at Gagosian, New York, and to elaborate on the ways in which image and artist have affected them. We present a sampling of these images and writings.
Wyatt Allgeier discusses the 1984 Arion Press edition of John Ashbery’s Self-Portrait in a Convex Mirror, featuring prints by Richard Avedon, Alex Katz, Elaine and Willem de Kooning, and more.
Picasso biographer Sir John Richardson sits down with Claude Picasso to discuss Claude’s photography, his enjoyment of vintage car racing, and the future of scholarship related to his father, Pablo Picasso.