Gagosian, in partnership with Bernard Ruiz-Picasso, is pleased to present Picasso and the Camera, the fifth in a series of major Picasso surveys, following Mosqueteros (2009), Picasso: The Mediterranean Years (1945–1962) (2010), Picasso and Marie-Thérèse: L’amour fou (2011), and Picasso and Françoise Gilot: Paris-Vallauris 1943–1953 (2012). Curated by Picasso biographer John Richardson, with the assistance of Gagosian directors Valentina Castellani and Michael Cary, the exhibition explores how Picasso used photography not only as a source of inspiration, but as an integral part of his studio practice. Spanning sixty years, this show—which includes many photographs taken by Picasso but never before seen or published, as well as related paintings, drawings, sculptures, prints, and films—will provide an unprecedented survey of his unique relationship with the camera. David Korins, acclaimed scenic and production designer for stage and screen, has transformed the 21st Street gallery with an innovative exhibition design that seamlessly incorporates the vast array of archival materials with Picasso’s own works in a variety of media.
The most famous visual artist of the twentieth century, Picasso was also the most photographed. His striking features made him an icon of his own time, recognized the world over. Yet this phenomenon was not a mere by-product of celebrity; his own practice set the precedent. Picasso engaged with photography and photographers in myriad ways, starting from his early days in Paris and continuing through the last years of his life. He used the camera to capture life in the studio and at home, to try out new ideas, to study his works and document their creation, and to shape his own image as an artist at work. He collaborated with Brassaï, his celebrated mistress Dora Maar, and André Villers to create wholly original works; filmed home movies of his family and friends; and worked with filmmakers such as Luciano Emmer and Henri-Georges Clouzot to capture his creative process. His life and work were documented by photographers as diverse as Jean Cocteau, Cecil Beaton, Man Ray, Lee Miller, Edward Quinn, Jacques-Henri Lartigue, Lucien Clergue, Michel Sima, and Arnold Newman. The resulting body of photographs and films, filled with fact, invention, and myth, is vital to an understanding of Picasso’s achievements across his entire artistic output. As Picasso said to Brassaï, one of his favorite photographers, “I want to leave as complete a record as possible for posterity.”
Picasso and the Camera is accompanied by a fully illustrated catalogue with new essays by Mary Ann Caws, Victoria Combalía, Marvin Heiferman, and John Richardson, as well as key texts by Jacques Prévert, Man Ray, and Paul Hayes Tucker.
A Foreigner Called Picasso
Cocurator of the exhibition A Foreigner Called Picasso, at Gagosian, New York, Annie Cohen-Solal writes about the genesis of the project, her commitment to the figure of the outsider, and Picasso’s enduring relevance to matters geopolitical and sociological.
Fashion and Art: Pieter Mulier
Pieter Mulier, creative director of Alaïa, presented his second collection for the legendary house in Paris in January 2022. After the presentation, Mulier spoke with Derek Blasberg about the show’s inspirations, including a series of ceramics by Pablo Picasso, and about his profound reverence for the intimacy and artistry of the atelier.
The Art of Biography: Sir John Richardson’s “The Minotaur Years”
Pepe Karmel celebrates the release of A Life of Picasso IV: The Minotaur Years, 1933–1943, the final installment of Sir John Richardson’s magisterial biography.
Michael Cary pays homage to the visionary dealer Daniel-Henry Kahnweiler (1884–1979).
Grace McCann Morley
Berit Potter pays homage to the ardent museum leader who transformed San Francisco’s relationship to modern art.
The New World of Charlotte Perriand
Inspired by a visit to the Fondation Louis Vuitton’s exhibition Charlotte Perriand: Inventing a New World, William Middleton explores the life of this modernist pioneer and her impact on the worlds of design, art, and architecture.
A Foreigner Called Picasso
Curated by Annie Cohen-Solal and Vérane Tasseau
November 10, 2023–February 10, 2024
West 21st Street, New York
Bustes de Femmes
Paris 10th Anniversary Exhibition
October 10–December 18, 2020
rue de Ponthieu, Paris
Extended through June 29, 2019
Picasso’s Women: Fernande to Jacqueline
A tribute to John Richardson
May 3–June 29, 2019
980 Madison Avenue, New York