![Myth-Maker](https://gagosian.com/media/images/quarterly/essay-myth-maker/HCmXhZ6zN4fm_300x300.jpg)
Myth-Maker
Alexander Wolf explores the economic, social, and methodological concerns of Piero Golia’s art practice, revealing the real-world implications of the artist’s experiments with form and process.
Piero Golia's The Dog and the Drop (2013) is on view at Gagosian Gallery Rome.
Alexander Wolf explores the economic, social, and methodological concerns of Piero Golia’s art practice, revealing the real-world implications of the artist’s experiments with form and process.
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Andrew Berardini reflects on Piero Golia’s Intermission Paintings, relics from the first phase of the artist’s three-part sculptural performance The Comedy of Craft.