From the outset of his career, Piero Golia has subverted the conventions of contemporary art through concept, form, and act. In January 2006 he vanished from New York, leaving no trace of his plans or whereabouts, only to resurface three weeks later at the Royal Academy of Arts in Copenhagen to give a lecture on his own disappearance. In 2008 he responded to the standardized brief of art fair booths by compacting a full-size passenger bus down to the six-meter width of the assigned space. Luminous Sphere (2010), a mysterious glowing orb installed on the roof of the Standard Hotel on Sunset Boulevard, lights up only when Golia is in Los Angeles; like a sacred presence expressed in LA vernacular, the mysterious cipher awaits projection of meaning from the casual passerby, and a contemporary urban legend is born.
Golia was born in 1974 in Naples, Italy. His work has been shown in major exhibitions in the United States and Europe, including Museo di Castel Sant’Elmo, Naples (2000); National Gallery of Arts, Tirana, Albania (2001); Fondazione Adriano Olivetti, Rome (2002); Fondazione Nicola Trussardi, Milan, Italy (2004); Astrup Fearnley Museet, Oslo (2005); Serpentine Gallery, London (2006); PS1 Contemporary Art Center, New York (2006); Moderna Museet, Stockholm (2007); Istituto Svizzero, Venice (2009); Museum of Contemporary Art, Los Angeles (2010); MAXXI, Rome (2010); Fondation d’Entreprise Ricard, Paris (2012); and Hammer Museum, Los Angeles (2014). Solo exhibitions include La Folie de la Villa Médicis, Académie de France à Rome, Villa Medici, Rome (2002); Double Tumble or the Awesome Twins, Stedelijk Museum, Amsterdam (2011); Chalet Hollywood, Los Angeles (2013–14); Chalet Dallas, Nasher Sculpture Center, Dallas (2015–16); Académie de France à Rome, Villa Medici, Rome (2016); and Kunsthaus Baselland, Basel (2017).
Golia participated in the 2nd Moscow Biennale (2007); SITE Santa Fe, New Mexico (2008–09); California Biennial, Orange County Museum of Art (2008); 55th Biennale di Venezia, Venice (2013); and Made in L.A. 2014, the Hammer Museum’s 4th biennial.
Golia lives and works in Los Angeles.
Suddenly, in the middle of the summer
July 19–August 24, 2018
Extended through September 10, 2015
June 9–September 10, 2015
The Dog and the Drop
July 14–September 3, 2014
Models, Monuments, and Sculptures on Pedestals
February 28–April 17, 2014
Concrete Cakes and Constellation Paintings
June 23–August 5, 2011
Gagosian Quarterly Fall 2019
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Piero Golia: Intermission Paintings
Andrew Berardini reflects on Piero Golia’s Intermission Paintings, relics from the first phase of the artist’s three-part sculptural performance The Comedy of Craft.
Sunday, September 22, 2019, 3pm
Centennial Mall, Lincoln, Nebraska
Piero Golia has been selected to participate in Lincoln PoPs, a contemporary art festival on P Street in downtown Lincoln. The festival will reflect on the voices and sounds of the world and how the auditory can create dialogue and community. Golia is creating a new performance piece titled EMOTIONAL, SPECTACULAR, BLOCKBUSTER! for the event.
Piero Golia’s performance for Art Club at the French Academy at Villa Medici, Rome, 2016. Photo: Sebastiano Luciano
June 3–November 11, 2018
Broeltoren Noord, Kortrijk, Belgium
As part of Play: City Circuit for Contemporary Art, Piero Golia is presenting Manifest Destiny, an installation that invites the visitor to leap from the top of a platform, in a kind of trust fall, onto a thick stunt pad.
Piero Golia, Manifest Destiny, 2008 © Piero Golia
Zona Maco 2018
February 7–11, 2018, booth F201
Centro Citibanamex, Mexico City
Gagosian is pleased to participate in Zona Maco México Arte Contemporáneo 2018, presenting works by Chris Burden, John Chamberlain, Dan Colen, Frank Gehry, Piero Golia, Douglas Gordon, Katharina Grosse, Adam McEwen, Takashi Murakami, Albert Oehlen, Giuseppe Penone, Pablo Picasso, Richard Prince, Sterling Ruby, Ed Ruscha, Jenny Saville, Rudolf Stingel, Robert Therrien, Blair Thurman, Adriana Varejão, Jeff Wall, Andy Warhol, and Tom Wesselmann. If you wish to receive a PDF with detailed information on the works, please contact us at email@example.com. Tickets are available at www.zsonamaco.com.
John Chamberlain, Untitled, 1993 © 2018 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York
Solutions to Mortality
January 20–April 1, 2018
Ulrich Museum of Art, Wichita, Kansas
Solutions to Mortality is the result of Piero Golia’s Grafly commission at the Ulrich Museum. This commission invites artists to respond to the museum’s large collection of artwork by Charles M. Grafly. For his exhibition Golia has placed three works in the sculpture park of the museum: a cast of George Washington’s nose copied from Mount Rushmore, an upside-down statue of Garibaldi, and a section of the wall that separates Los Angeles from Orange County.
Piero Golia, Solutions to Mortality (George Washington Nose), 2018. Photo by Manfredi Gioacchini
99 Cents or Less
May 19–August 6, 2017
Museum of Contemporary Art Detroit
A major group exhibition of ninety-nine artists based in the United States addresses Detroit’s ongoing economic crisis and its 2013 bankruptcy. Four years after a federal judge approved Detroit’s bankruptcy-exit plan, the city’s financial present and future are still in flux. This exhibition is a reflection on the realities of a city that was once one of the country’s wealthiest and most diverse. Work by Piero Golia, Alex Israel, Adam McEwen, Josephine Meckseper, and Sterling Ruby is included.
Sterling Ruby, 99/MK, 2017. Photo by Robert Wedemeyer
April 28–July 16, 2017
Kunsthaus Baselland, Switzerland
From the outset of his career, Piero Golia’s principal focus has been the theatrical and the conceptual in art, specifically supreme gestures and the completion of seemingly impossible acts. For this first institutional showing of his work in Switzerland, Golia will realize a new work developed specially for the Kunsthaus Baselland.
Piero Golia, The Painter, 2016. Photo: Daniele Molajoli