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Piero Golia

Piero Golia, Intermission painting #4 red to gold, 2014 EPS foam, hard coat and pigment, 48 × 38 × 8 ½ inches (121.9 × 96.5 × 21.6 cm)Photo by Josh White

Piero Golia, Intermission painting #4 red to gold, 2014

EPS foam, hard coat and pigment, 48 × 38 × 8 ½ inches (121.9 × 96.5 × 21.6 cm)
Photo by Josh White

Piero Golia, Intermission painting #5 red to gold, 2014 EPS foam, hard coat and pigment, 95 × 50 × 9 inches (241.3 × 127 × 22.9 cm)Photo by Josh White

Piero Golia, Intermission painting #5 red to gold, 2014

EPS foam, hard coat and pigment, 95 × 50 × 9 inches (241.3 × 127 × 22.9 cm)
Photo by Josh White

Installation view, Piero Golia: Models, Monuments, and Sculptures on Pedestals, Gagosian, Paris, 2014 Artwork © Piero Golia. Photo: Zarko Vijatovic

Installation view, Piero Golia: Models, Monuments, and Sculptures on Pedestals, Gagosian, Paris, 2014

Artwork © Piero Golia. Photo: Zarko Vijatovic

Installation view, Piero Golia: Models, Monuments, and Sculptures on Pedestals, Gagosian, Paris, 2014 Artwork © Piero Golia. Photo: Zarko Vijatovic

Installation view, Piero Golia: Models, Monuments, and Sculptures on Pedestals, Gagosian, Paris, 2014

Artwork © Piero Golia. Photo: Zarko Vijatovic

Piero Golia, The Dog and the Drop, 2013 Animatronic dog , solenoids and sync devicePhoto by Zarko Vijatovic

Piero Golia, The Dog and the Drop, 2013

Animatronic dog , solenoids and sync device
Photo by Zarko Vijatovic

Piero Golia, Studio (4/13/2013), 2013 Bronze, brass, aluminum, zinc alloy, copper, and stainless steel, 10 ½ × 38 ¾ × 39 inches (26.7 × 98.4 × 99.1 cm)

Piero Golia, Studio (4/13/2013), 2013

Bronze, brass, aluminum, zinc alloy, copper, and stainless steel, 10 ½ × 38 ¾ × 39 inches (26.7 × 98.4 × 99.1 cm)

Piero Golia, Upside down equestrian figure as public sculpture, 2013 Bronze and copper, 13 × 13 × 8 inches (33 × 33 × 20.3 cm)

Piero Golia, Upside down equestrian figure as public sculpture, 2013

Bronze and copper, 13 × 13 × 8 inches (33 × 33 × 20.3 cm)

Piero Golia, Untitled (My Gold is Yours), 2013 Gold and concrete, 98 3/16 × 98 3/16 × 98 3/16 inches (249.4 × 249.4 × 249.4 cm)

Piero Golia, Untitled (My Gold is Yours), 2013

Gold and concrete, 98 3/16 × 98 3/16 × 98 3/16 inches (249.4 × 249.4 × 249.4 cm)

Piero Golia, Gold and Concrete Cube at the Venice Biennale, 2013 Bronze, tin, and anodized aluminum, 30 × 30 × 8 inches (76.2 × 76.2 × 20.3 cm)

Piero Golia, Gold and Concrete Cube at the Venice Biennale, 2013

Bronze, tin, and anodized aluminum, 30 × 30 × 8 inches (76.2 × 76.2 × 20.3 cm)

Piero Golia, Clone, 2011 Stainless steel, glass, marble and light, 28 × 9 ⅞ × 9 ⅞ inches (71.1 × 25.1 × 25.1 cm), edition of 5Photo by Douglas M. Parker Studio

Piero Golia, Clone, 2011

Stainless steel, glass, marble and light, 28 × 9 ⅞ × 9 ⅞ inches (71.1 × 25.1 × 25.1 cm), edition of 5
Photo by Douglas M. Parker Studio

Piero Golia, Untitled #11, 2011 Cast concrete, 3 ¾ × 8 ¾ × 8 ¾ inches (9.5 × 22.2 × 22.2 cm)

Piero Golia, Untitled #11, 2011

Cast concrete, 3 ¾ × 8 ¾ × 8 ¾ inches (9.5 × 22.2 × 22.2 cm)

Piero Golia, Constellation Painting #8, 2011 Resin and debris, 60 × 48 × 10 inches (152.4 × 121.9 × 25.4cm)Photo by Joshua White

Piero Golia, Constellation Painting #8, 2011

Resin and debris, 60 × 48 × 10 inches (152.4 × 121.9 × 25.4cm)
Photo by Joshua White

Installation view, Piero Golia: Concrete Cakes and Constellation Paintings, Gagosian, Beverly Hills, 2011 Artwork © Piero Golia. Photo: © Douglas M. Parker Studio

Installation view, Piero Golia: Concrete Cakes and Constellation Paintings, Gagosian, Beverly Hills, 2011

Artwork © Piero Golia. Photo: © Douglas M. Parker Studio

Piero Golia, Piero Golia: Posters 2003–2010, 2010 24 posters in artist's frame, Dimensions variable

Piero Golia, Piero Golia: Posters 2003–2010, 2010

24 posters in artist's frame, Dimensions variable

About

From the outset of his career, Piero Golia has subverted the conventions of contemporary art through concept, form, and act. In January 2006 he vanished from New York, leaving no trace of his plans or whereabouts, only to resurface three weeks later at the Royal Academy of Arts in Copenhagen to give a lecture on his own disappearance. In 2008 he responded to the standardized brief of art fair booths by compacting a full-size passenger bus down to the six-meter width of the assigned space. Luminous Sphere (2010), a mysterious glowing orb installed on the roof of the Standard Hotel on Sunset Boulevard, lights up only when Golia is in Los Angeles; like a sacred presence expressed in LA vernacular, the mysterious cipher awaits projection of meaning from the casual passerby, and a contemporary urban legend is born.

Golia was born in 1974 in Naples, Italy. His work has been shown in major exhibitions in the United States and Europe, including Museo di Castel Sant’Elmo, Naples (2000); National Gallery of Arts, Tirana, Albania (2001); Fondazione Adriano Olivetti, Rome (2002); Fondazione Nicola Trussardi, Milan, Italy (2004); Astrup Fearnley Museet, Oslo (2005); Serpentine Gallery, London (2006); PS1 Contemporary Art Center, New York (2006); Moderna Museet, Stockholm (2007); Istituto Svizzero, Venice (2009); Museum of Contemporary Art, Los Angeles (2010); MAXXI, Rome (2010); Fondation d’Entreprise Ricard, Paris (2012); and Hammer Museum, Los Angeles (2014). Solo exhibitions include La Folie de la Villa Médicis, Académie de France à Rome, Villa Medici, Rome (2002); Loser, Statements, Art Basel Miami Beach (2003); Double Tumble or the Awesome Twins, Stedelijk Museum, Amsterdam (2011); Chalet Hollywood, Los Angeles (2013–14); Chalet Dallas, Nasher Sculpture Center, Dallas (2015–16); Académie de France à Rome, Villa Medici, Rome (2016); and Kunsthaus Baselland, Basel (2017).

Golia participated in the 2nd Moscow Biennale (2007); SITE Santa Fe, New Mexico (2008–09); California Biennial, Orange County Museum of Art (2008); 55th Biennale di Venezia, Venice (2013); and Made in L.A. 2014, the Hammer Museum’s 4th biennial.

Golia lives and works in Los Angeles.

Piero Golia

Photo: Nicole Miller

Website

pierogolia.com

Fairs, Events & Announcements

Piero Golia, Manifest Destiny, 2008 © Piero Golia

Installation

Piero Golia
Manifest Destiny

June 3–November 11, 2018
Broeltoren Noord, Kortrijk, Belgium
www.playkortrijk.be

As part of Play: City Circuit for Contemporary Art, Piero Golia is presenting Manifest Destiny, an installation that invites the visitor to leap from the top of a platform, in a kind of trust fall, onto a thick stunt pad.

Piero Golia, Manifest Destiny, 2008 © Piero Golia

John Chamberlain, Untitled, 1993 © 2018 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York

Art Fair

Zona Maco

February 7–11, 2018, booth F201
Centro Citibanamex, Mexico City
www.zsonamaco.com

Gagosian is pleased to participate in Zona Maco México Arte Contemporáneo 2018, presenting works by Chris Burden, John Chamberlain, Dan Colen, Frank Gehry, Piero Golia, Douglas Gordon, Katharina Grosse, Adam McEwen, Takashi Murakami, Albert Oehlen, Giuseppe Penone, Pablo Picasso, Richard Prince, Sterling Ruby, Ed Ruscha, Jenny Saville, Rudolf Stingel, Robert Therrien, Blair Thurman, Adriana Varejão, Jeff Wall, Andy Warhol, and Tom Wesselmann. If you wish to receive a PDF with detailed information on the works, please contact us at losangeles@gagosian.com. Tickets are available at www.zsonamaco.com.

John Chamberlain, Untitled, 1993 © 2018 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York

Mark Grotjahn, Untitled (African II, Gated Front and Back Mask M44.e), 2015 © Mark Grotjahn. Photo: Douglas M. Parker Studio

Art Fair

Fog Design+Art

January 11–14, 2018, booth 209
Fort Mason Center, San Francisco
www.fogfair.com

Gagosian is pleased to participate in FOG Design+Art Fair 2018, presenting a selection of works by Davide Balula, Alexander Calder, Helen Frankenthaler, Piero Golia, Mark Grotjahn, Andreas Gursky, Thomas Houseago, Mike Kelley, Giuseppe Penone, Sterling Ruby, Ed Ruscha, Taryn Simon, Jeff Wall, and others.

Contact sanfrancisco@gagosian.com 
if you wish to receive a PDF with detailed information on the works. Tickets available at www.eventbrite.com.

Mark Grotjahn, Untitled (African II, Gated Front and Back Mask M44.e), 2015 © Mark Grotjahn. Photo: Douglas M. Parker Studio

Museum Exhibitions

Piero Golia, Solutions to Mortality (George Washington Nose), 2018. Photo by Manfredi Gioacchini

Closed

Piero Golia
Solutions to Mortality

January 20–April 1, 2018
Ulrich Museum of Art, Wichita, Kansas
webs.wichita.edu

Solutions to Mortality is the result of Piero Golia’s Grafly commission at the Ulrich Museum. This commission invites artists to respond to the museum’s large collection of artwork by Charles M. Grafly. For his exhibition Golia has placed three works in the sculpture park of the museum: a cast of George Washington’s nose copied from Mount Rushmore, an upside-down statue of Garibaldi, and a section of the wall that separates Los Angeles from Orange County.

Piero Golia, Solutions to Mortality (George Washington Nose), 2018. Photo by Manfredi Gioacchini

Sterling Ruby, 99/MK, 2017. Photo by Robert Wedemeyer

Closed

99 Cents or Less

May 19–August 6, 2017
Museum of Contemporary Art Detroit
mocadetroit.org

A major group exhibition of ninety-nine artists based in the United States addresses Detroit’s ongoing economic crisis and its 2013 bankruptcy. Four years after a federal judge approved Detroit’s bankruptcy-exit plan, the city’s financial present and future are still in flux. This exhibition is a reflection on the realities of a city that was once one of the country’s wealthiest and most diverse. Work by Piero Golia, Alex Israel, Adam McEwen, Josephine Meckseper, and Sterling Ruby is included.

Sterling Ruby, 99/MK, 2017. Photo by Robert Wedemeyer

Piero Golia, The Painter, 2016. 
Photo by Daniele Molajoli

Closed

Piero Golia

April 28–July 16, 2017
Kunsthaus Baselland, Switzerland
www.kunsthausbaselland.ch

www.kunsthausbaselland.ch

From the outset of his career, Golia’s principal focus has been the theatrical and the conceptual in art, specifically supreme gestures and the completion of seemingly impossible acts. For this first institutional showing of his work in Switzerland, Golia will realize a new work developed specially for the Kunsthaus Baselland

Piero Golia, The Painter, 2016. 

Photo by Daniele Molajoli