Alexander Wolf explores the economic, social, and methodological concerns of Piero Golia’s art practice, revealing the real-world implications of the artist’s experiments with form and process.
Gagosian Quarterly Fall 2019
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Piero Golia: Intermission Paintings
Andrew Berardini reflects on Piero Golia’s Intermission Paintings, relics from the first phase of the artist’s three-part sculptural performance The Comedy of Craft.
Suddenly, in the middle of the summer
July 19–August 24, 2018
Extended through September 10, 2015
June 9–September 10, 2015
Models, Monuments, and Sculptures on Pedestals
February 28–April 17, 2014
Concrete Cakes and Constellation Paintings
June 23–August 5, 2011