Installation view
Photo: Rob McKeever
Installation view
Photo: Rob McKeever
Installation view
Photo: Rob McKeever
Installation view
Photo: Rob McKeever
Installation view
Photo: Rob McKeever
Installation view
Photo: Rob McKeever
Installation view
Photo: Rob McKeever
Joe Bradley
Mother and Child, 2016
Oil on canvas, 83 × 101 inches (210.8 × 256.5 cm)
© Joe Bradley. Photo: Rob McKeever
Joe Bradley
Day World, 2016
Oil on canvas, 77 × 101 inches (195.6 × 256.5 cm)
© Joe Bradley. Photo: Rob McKeever
Joe Bradley
Baba, 2016
Oil on canvas, 79 ⅛ × 93 ⅛ inches (201 × 236.5 cm)
© Joe Bradley. Photo: Rob McKeever
Joe Bradley
Dreadlocks in Moonlight, 2016
Spray enamel, wax, and pigment, 27 × 18 × 11 ¼ inches (68.6 × 45.7 × 28.6 cm), edition of 4 + 1 AP
© Joe Bradley. Photo: Rob McKeever
Joe Bradley
On the Road Again, 2016
Wood, 13 ½ × 18 ½ × 7 ½ inches (34.3 × 47 × 19.1 cm), edition of 4 + 1 AP
© Joe Bradley. Photo: Rob McKeever
Joe Bradley
For Arthur Doyle, 2016
Wood, lamp, and acrylic paint, 10 ½ × 17 ⅝ × 7 ¾ inches (26.7 × 44.8 × 19.7 cm)
© Joe Bradley. Photo: Rob McKeever
I like the idea of a work of art containing both irony and sincerity. Let ’em fight it out.
I think that painting relates very neatly to inner travel and the exploration of inner worlds. With painting, I always get the impression that you’re sort of entering into a shared space. There’s everyone who has painted in the past, and everyone who is painting in the present.
—Joe Bradley
Gagosian is pleased to present new paintings, drawings, and sculptures by Joe Bradley at 980 Madison Avenue and to announce our representation of the artist. This is his first solo exhibition with the gallery.
The Winter 2020 issue of Gagosian Quarterly is now available, featuring Jenny Saville’s Prism (2020) on its cover.
With preparations underway for his 2018 exhibition at Gagosian in London, Phyllis Tuchman visited the artist’s studio in Long Island City, New York, to learn more about this new body of work.
The Winter 2018 issue of Gagosian Quarterly is now available. Our cover this issue comes from High Times, a new body of work by Richard Prince.
Joe Bradley talks with Carroll Dunham on the occasion of his first mid-career survey in the United States.
Lauren Mahony reflects on the themes and artworks presented in the artist’s mid-career survey at the Albright-Knox Art Gallery.
