Rachel Feinstein: Mirror
Join Rachel Feinstein in her New York studio as she addresses the genesis of her exhibition Mirror in London and the enduring power of religious iconography.
I’ve always been interested in portraying some kind of fantasy, then showing that it’s completely constructed. There are always dark messages hidden behind beauty, and the act of sculpting is about listening to that inner voice that warns you about something lurking beneath the surface.
—Rachel Feinstein
Gagosian is pleased to present Secrets, an exhibition of new work by Rachel Feinstein. This is Feinstein’s first solo exhibition in Los Angeles.
In richly detailed sculptures and multipart installations, Feinstein considers the sumptuous materiality of historical European luxury, updating its refined surfaces and edges with a gritty and approximate excess. Borrowing freely from Baroque and Rococo sculpture, religious iconography, Romantic landscapes, and mainstream media, she explores issues of taste and desire, synthesizing visual and societal opposites such as romance and pornography, elegance and kitsch, the marvelous and the utterly banal.
Secrets consists of new sculptures, wallpaper, and paintings in which Feinstein cannibalizes notions of beauty, belief, and spectacle to reveal perfection as a form of burlesque. The Secrets is a series of eight large-scale sculptures that reflects on the Victoria’s Secret phenomenon, with its trademark “Angels” in their jaw-dropping lingerie costumes—dressed as butterflies, firebirds, baby dolls, snow queens, and more—strutting their stuff at the brand’s annual fashion extravaganza that is broadcast to millions of ogling fans worldwide. Feinstein’s figures have been scaled up in hard foam from small clay maquettes, then individual hues applied piece by piece in hand-colored epoxy resins.
Join Rachel Feinstein in her New York studio as she addresses the genesis of her exhibition Mirror in London and the enduring power of religious iconography.
Famed photographer of the famous, Jean Pigozzi speaks with artist Rachel Feinstein about the publication of his new book, The 213 Most Important Men in My Life, and provides a sneak peek at what’s coming up next.
The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.
On the occasion of Frieze New York 2021, the two artists discuss remixing conventions, the allure of Rococo, and the importance of research and history within their respective practices.
The artist discusses her life and work with Alan Yentob.
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
A new sculpture by Rachel Feinstein has been unveiled on the grounds of Chatsworth, the celebrated Derbyshire estate, where Feinstein recently spent time as Gucci’s inaugural artist in residence. Alice Godwin tells the story of how it came to be.
Rachel Feinstein speaks about her outdoor installation for Frieze Sculpture 2018—a set of four majolica sculptures, inspired by Franz Anton Bustelli’s Rococo commedia dell’arte figurines.
Rachel Feinstein speaks to Gagosian’s Angela Brown about “bringing Rome to Paris,” for her exhibition at Le Mur.