Installation video
Installation view
Artwork © Harmony Korine. Photo: Rob McKeever
Installation view
Artwork © Harmony Korine. Photo: Rob McKeever
Installation view
Artwork © Harmony Korine. Photo: Rob McKeever
Installation view
Artwork © Harmony Korine. Photo: Rob McKeever
Installation view
Artwork © Harmony Korine. Photo: Rob McKeever
Installation view
Artwork © Harmony Korine. Photo: Rob McKeever
Harmony Korine
Twitchy Kodak Flack, 2018
Oil on canvas, 60 ⅜ × 48 ⅜ inches (153.4 × 122.9 cm)
© Harmony Korine. Photo: Rob McKeever
The works were re-created in oil paint on canvas from images I constructed on my iPhone. I usually took these photographs around my home in Florida, and then painted over them with different characters. These light creatures hang out with the dogs, or dance on the abandoned boat dock. I would sit outside alone by the water and create alien-like friends on a low-key cosmic tropical playground.
—Harmony Korine
Gagosian is pleased to present Young Twitchy, an exhibition of new paintings by Harmony Korine.
The artists chat about Korine’s luminous new paintings based on teddy bears, touching upon the color yellow, the fresh smell of gas, and the relationship among presidents, golf, and little stuffed animals.
Derek Blasberg speaks with Lazaro Hernandez and Jack McCollough, the designers behind the New York fashion brand Proenza Schouler, about their influences and collaborations, from Mark Rothko to Harmony Korine.
The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.
From Kids to his new film The Beach Bum, Harmony Korine has continually revolutionized the art of cinema. In a wide-ranging discussion with film critic Emmanuel Burdeau, Korine reflects on the rewards and challenges of filmmaking and reveals what’s in store for the future.
The artist discusses his latest exhibition in New York with the Gagosian Quarterly, telling the story behind the works and their connection to his larger practice.
The artist sat down with Alicia Knock, curator of his exhibition at the Centre Pompidou, to discuss the power of mistakes, outsiders, and the marginal.
