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Harmony Korine

Harmony Korine, Strawb Circle, 2015 Oil on canvas, 84 × 102 inches (213.4 × 259.1 cm)© Harmony Korine, photo by Rob McKeever

Harmony Korine, Strawb Circle, 2015

Oil on canvas, 84 × 102 inches (213.4 × 259.1 cm)
© Harmony Korine, photo by Rob McKeever

Harmony Korine, Watermellon Circle, 2015 Oil on canvas, 64 × 70 inches (162.6 × 177.8 cm)© Harmony Korine, photo by Rob McKeever

Harmony Korine, Watermellon Circle, 2015

Oil on canvas, 64 × 70 inches (162.6 × 177.8 cm)
© Harmony Korine, photo by Rob McKeever

Harmony Korine, Scapp Willter Circle, 2015 Oil on canvas, 84 × 102 inches (213.4 × 259.1 cm)Photo by Rob McKeever

Harmony Korine, Scapp Willter Circle, 2015

Oil on canvas, 84 × 102 inches (213.4 × 259.1 cm)
Photo by Rob McKeever

Harmony Korine, Grugged Circle, 2015 Oil on canvas, 84 × 102 inches (213.4 × 259.1 cm)Photo by Rob McKeever

Harmony Korine, Grugged Circle, 2015

Oil on canvas, 84 × 102 inches (213.4 × 259.1 cm)
Photo by Rob McKeever

Harmony Korine, Caker Plino, 2015 Oil, acrylic, house paint, and ink on canvas, 101 × 72 inches (256.5 × 182.9 cm)Photo by Rob McKeever

Harmony Korine, Caker Plino, 2015

Oil, acrylic, house paint, and ink on canvas, 101 × 72 inches (256.5 × 182.9 cm)
Photo by Rob McKeever

Harmony Korine, Sinky Monk, 2014 House paint, acrylic, and oil on safety blanket, 124 × 93 inches (315 × 236.2 cm)Photo by Josh White

Harmony Korine, Sinky Monk, 2014

House paint, acrylic, and oil on safety blanket, 124 × 93 inches (315 × 236.2 cm)
Photo by Josh White

Harmony Korine, Skinamax Chex, 2014 Ink, house paint, oil, and collage on canvas, 124 × 93 inches (315 × 236.2 cm)

Harmony Korine, Skinamax Chex, 2014

Ink, house paint, oil, and collage on canvas, 124 × 93 inches (315 × 236.2 cm)

Harmony Korine, Flex Cemend Check, 2014 Oil, latex house paint, and collage on canvas, 70 × 64 inches (177.8 × 162.6 cm)Photo by Annik Wetter

Harmony Korine, Flex Cemend Check, 2014

Oil, latex house paint, and collage on canvas, 70 × 64 inches (177.8 × 162.6 cm)
Photo by Annik Wetter

Harmony Korine, Blue Checker, 2014 Oil on canvas, 102 × 84 inches (259.1 × 213.4 cm)Photo by Rob McKeever

Harmony Korine, Blue Checker, 2014

Oil on canvas, 102 × 84 inches (259.1 × 213.4 cm)
Photo by Rob McKeever

Harmony Korine, TBD, 2014 Oil, house paint, and acrylic on canvas, 32 × 25 inches (81.3 × 63.5 cm)

Harmony Korine, TBD, 2014

Oil, house paint, and acrylic on canvas, 32 × 25 inches (81.3 × 63.5 cm)

Harmony Korine, Blind Millsaps Line, 2014 House paint, oil, and collage on canvas, 102 × 84 inches (259.1 × 213.4 cm)

Harmony Korine, Blind Millsaps Line, 2014

House paint, oil, and collage on canvas, 102 × 84 inches (259.1 × 213.4 cm)

Harmony Korine, Stammer C Washington, 2014 Ink, house paint, acrylic, and collage on canvas, 64 × 41 inches (162.6 × 104.1 cm)Photo by Rob McKeever

Harmony Korine, Stammer C Washington, 2014

Ink, house paint, acrylic, and collage on canvas, 64 × 41 inches (162.6 × 104.1 cm)
Photo by Rob McKeever

Harmony Korine, Hekky Line Painting, 2014 House paint, acrylic, oil, and collage on canvas, 66 × 62 inches (167.6 × 157.5 cm)Photo by Rob McKeever

Harmony Korine, Hekky Line Painting, 2014

House paint, acrylic, oil, and collage on canvas, 66 × 62 inches (167.6 × 157.5 cm)
Photo by Rob McKeever

Harmony Korine, Tornado Check, 2014 Oil, latex house paint, and collage on canvas, 113 × 88 inches (287 × 223.5 cm)Photo by Rob McKeever

Harmony Korine, Tornado Check, 2014

Oil, latex house paint, and collage on canvas, 113 × 88 inches (287 × 223.5 cm)
Photo by Rob McKeever

Harmony Korine, Loop Dingy, 2014 Oil, latex house paint, spray paint, and collage on canvas, 102 × 84 inches (259.1 × 213.4 cm)Photo by Rob McKeever

Harmony Korine, Loop Dingy, 2014

Oil, latex house paint, spray paint, and collage on canvas, 102 × 84 inches (259.1 × 213.4 cm)
Photo by Rob McKeever

Harmony Korine, Gatekeppers, 2013 Oil, latex house paint, and spray paint on canvas, 82 × 71 inches (208.3 × 180.3 cm)Photo by Rob McKeever

Harmony Korine, Gatekeppers, 2013

Oil, latex house paint, and spray paint on canvas, 82 × 71 inches (208.3 × 180.3 cm)
Photo by Rob McKeever

Harmony Korine, Starburst, 2013 Ink on canvas, 114 × 91 inches (289.6 × 231.1 cm)© Harmony Korine

Harmony Korine, Starburst, 2013

Ink on canvas, 114 × 91 inches (289.6 × 231.1 cm)
© Harmony Korine

About

Harmony Korine’s cult films of the past twenty years—from the surreal Gummo (1997) to Spring Breakers (2012), a contemporary film noir in which four college freshwomen are drawn into a murderous labyrinth of events—merge reality with fiction and handheld camerawork with precise montage. This heady mix of the unplanned, the seductive, and the outlandish crystallizes in his lesser-known, highly tactile paintings. Eschewing brush and professional paint in favor of squeegees, leftover household paint, and masking tape, he creates loosely sequential images that echo the sonic and visual leitmotifs of his films. The accumulative hypnotic effect of his paintings is offset by lifelike randomness and impulsive energy.

Korine’s films include Kids (1995, written by Korine, directed by Larry Clark); Gummo (1997, written and directed by Korine); Julien Donkey-Boy (1999, written and directed by Korine); Ken Park (2002, written by Korine, directed by Larry Clark and Ed Lachman); Mister Lonely (2007, written by Korine, codirected with Avi Korine); Trash Humpers (2009, written and directed by Korine); Spring Breakers (2012, written and directed by Korine); and The Beach Bum (2019, written and directed by Korine).

Korine was born in 1973 in Bolinas, California. His work has been shown in major exhibitions worldwide, including Double Trouble: The Patchett Collection, Museum of Contemporary Art San Diego (1999, traveled to Instituto Cultural Cabañas and Museo de las Artes Universidad de Guadalajara, Mexico; and Auditorio de Galicia, Santiago de Compostela, Spain); Screen Memories, Contemporary Art Gallery, Art Tower Mito, Japan (2002); Beautiful Losers: Contemporary Art and Street Culture, Contemporary Arts Center, Cincinnati (2004, traveled to Yerba Buena Center for the Arts, San Francisco; Orange County Museum of Art, Newport Beach, California; The Contemporary, Baltimore; University of South Florida Contemporary Art Museum, Tampa; La Triennale di Milano, Milan, Italy; Le Tripostal, Lille, France; Muzeum Sztuki, Łódź, Poland; and La Casa Encendida, Madrid, through 2009); To Illustrate and Multiply: An Open Book, Museum of Contemporary Art Pacific Design Center, West Hollywood (2008); SONIC YOUTH etc.: SENSATIONAL FIX, Kunsthalle Düsseldorf, Germany (2009); and Altars of Madness, Casino Luxembourg—Forum d’art contemporain, Luxembourg (2013). Recent solo shows of his films, photographs, and paintings include Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (2000); Pigxote, Vanderbilt University Fine Arts Gallery, Nashville, Tennessee (2009); Shadows and Loops, Frist Center for the Visual Arts, Nashville, Tennessee (2016–17); and Centre Pompidou, Paris (2017).

Korine’s first novel, A Crack Up at the Race Riots, was published by Mainstreet/Doubleday in 1998. Pass the Bitch Chicken: Christopher Wool and Harmony Korine, a book of collaborative images, was released by Holzwarth Publications in 2002. Korine’s work was included in the 2000 Whitney Biennial and the 50th Biennale di Venezia, Venice in 2003.

Korine lives and works in Nashville and Miami.

Fairs, Events & Announcements

The Extreme Present

Exhibition

The Extreme Present

Opening reception: Tuesday, December 3, 5–8pm
December 4–8, 2019
Moore Building, Miami

Gagosian is pleased to announce The Extreme Present, the fifth in a series of annual exhibitions at the Moore Building in the Miami Design District during Art Basel Miami Beach, presented by Gagosian and Jeffrey Deitch. The Extreme Present will explore artists’ reactions to the conditions of our accelerating and increasingly complex world. The title is inspired by The Age of Earthquakes: A Guide to the Extreme Present, a book by Shumon Basar, Douglas Coupland, and Hans Ulrich Obrist, published in 2015. Their provocative thesis addresses the rapidly evolving digital era, half a century after Marshall McLuhan’s groundbreaking study on technology’s influence on culture, Understanding Media: The Extensions of Man, in which he coined the phrase “the medium is the message.” Works in this exhibition explore concepts of media, communication, togetherness, and isolation.

Download the full press release (PDF)

The Extreme Present

Jerry Schatzberg, Scarecrow, 1973 (still). Photo: courtesy Jerry Schatzberg Archive

Screening and Talk

Harmony Korine
Jerry Schatzberg

Sunday, November 3, 2019, 7:15–9:45pm
Metrograph, New York
www.metrograph.com

The gallery will present Jerry Schatzberg’s 1973 feature film Scarecrow, starring Gene Hackman and Al Pacino, at Metrograph, New York. Following the screening, Schatzberg and Harmony Korine will discuss the film, their influences, and the role of humor in their varied practices, in a conversation moderated by Carlos Valladares. Valladares recently wrote on Schatzberg’s prolific career in the Winter 2019 issue of the Gagosian Quarterly and Korine is curating an exhibition of works by H. R. Giger and Mark Prent opening at Gagosian, Park & 75, New York, on November 5.  The event has reached capacity.

Jerry Schatzberg, Scarecrow, 1973 (still). Photo: courtesy Jerry Schatzberg Archive

Gagosian at Galeries Lafayette Champs-Élysées, Paris, 2019

Visit

Gagosian at Galeries Lafayette Champs-Élysées

Opening reception: Saturday, October 12, 6:30–8pm
October 12–20, 2019
Galeries Lafayette Champs-Élysées, Paris
galerieslafayettechampselysees.com

In celebration of FIAC in Paris, Gagosian is pleased to collaborate with Galeries Lafayette Champs-Élysées on a two-floor pop-up takeover featuring products related to Gagosian artists. On the first floor, the Coin Culture section will feature catalogues, posters, apparel, and audio productions. The second floor, the Library, will house an additional selection of limited-edition books, publications, and catalogues raisonnés.

Download the full press release in English (PDF) or French (PDF)

Gagosian at Galeries Lafayette Champs-Élysées, Paris, 2019

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Museum Exhibitions

Installation view, Reflections: Matt Black × Gana Art, Gana Art Center and Gana Art Hannam, Seoul, November 1, 2019–January 5, 2020. Artwork © Sterling Ruby

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Reflections
Matt Black × Gana Art

November 1, 2019–January 5, 2020
Gana Art Center and Gana Art Hannam, Seoul
ganaart.com

In collaboration with filmmaker Matt Black, this exhibition is centered around his short film series titled Reflections, which features conversations with contemporary artists. Through his interviews, Black paints a picture of the rapidly changing contemporary art scene, revealing the stories behind the artworks. Following the film’s theme, Gana Art has curated this exhibition to feature works by these artists, which include Dan Colen, Rachel Feinstein, Jeff Koons, Harmony KorineSterling Ruby, Taryn Simon, and Blair Thurman, among others.

Installation view, Reflections: Matt Black × Gana Art, Gana Art Center and Gana Art Hannam, Seoul, November 1, 2019–January 5, 2020. Artwork © Sterling Ruby

Installation view, Harmony Korine, Centre Pompidou, Paris, October 6–November 5, 2017. Photo by Zarko Vijatovic  

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Harmony Korine

October 6–November 5, 2017
Centre Pompidou, Paris
www.centrepompidou.fr

A retrospective on the cinema, art, and creative world of Harmony Korine. The show gathers together many of his most significant projects, spanning film, writing, and art. Korine’s creative practice extends to photography and drawing as well as to figurative and abstract painting.

Installation view, Harmony Korine, Centre Pompidou, Paris, October 6–November 5, 2017. Photo by Zarko Vijatovic  

Press

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