Weight is a value for me—not that it is any more compelling than lightness, but I simply know more about weight than about lightness and therefore I have more to say about it, more to say about the balancing of weight, the diminishing of weight, the addition and subtraction of weight, the concentration of weight, the rigging of weight, the propping of weight, the placement of weight, the locking of weight, the psychological effects of weight, the disorientation of weight, the disequilibrium of weight, the rotation of weight, the movement of weight, the directionality of weight, the shape of weight.
Gagosian is pleased to present recent sculptures and drawings by Richard Serra.
At 980 Madison Avenue, a series of new diptych and triptych drawings will be on view.
Four new works from Serra’s Rounds series will fill the entire West 24th Street gallery. Each forged-steel sculpture is composed of multiple 50-ton elements of differing diameters and heights.
Bisecting the West 21st Street gallery space will be Reverse Curve (2005/19), a sculpture measuring 99 feet long and 13 feet high. Originally conceived in 2005 for a public project in Reggio Emilia, Italy, Reverse Curve is finally being realized for the first time.
In conjunction with these exhibitions, Gagosian and Anthology Film Archives will present a three-day retrospective of Serra’s films and videos from October 17 through 19, drawn from the collections of the Museum of Modern Art, Anthology Film Archives, Joan Jonas, and Stiftung Situation Kunst. This is the first time that all of the artist’s film and video work will be shown together. The screening on October 19 will be followed by a panel discussion between curators Søren Grammel, Chrissie Iles, and Jeffrey Weiss, moderated by art historian Benjamin Buchloh. Additional screenings of the full program will take place on October 20 and 23.
The exhibition will be accompanied by a fully illustrated catalogue with an essay by Julian Rose.
From Richard Serra: Trevor Noah’s Message Against Racial Injustice
In response to enduring racial injustices and the recent widespread civil unrest, Richard Serra urges people to watch this video commentary by Trevor Noah, host of The Daily Show.
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Gagosian Quarterly Fall 2019
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Intimate Grandeur: Glenstone Museum
Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.
Triptychs and Diptychs, Forged Rounds, Reverse Curve
Richard Serra: Triptychs and Diptychs, Forged Rounds, Reverse Curve is available for online reading from June 14 through July 13 as part of the From the Library series. Housed in a slipcase, this two-volume set documents Serra’s three concurrent 2019 New York exhibitions, which presented five new sculptures and more than twenty drawings by the artist. An essay by Julian Rose provides an in-depth examination of the monolithic nature of Serra’s work, and its engagement with architecture on its own terms.
Richard Serra: Triptychs and Diptychs, Forged Rounds, Reverse Curve (New York: Gagosian, 2020)
The Films and Videos of Richard Serra
January 27–February 9, 2020
Harvard Film Archive, Cambridge, Massachusetts
Over four evenings—January 27 and February 3, 7, and 9—Harvard Film Archive will screen Richard Serra’s films and videos, drawn from the collections of the Museum of Modern Art, New York; Anthology Film Archives; and Joan Jonas. Benjamin Buchloh will introduce the screening on Monday, January 27. To attend the event, purchase tickets at the box office. The box office opens forty-five minutes prior to the screening time.
Richard Serra, Hands Tied, 1968 (still), Museum of Modern Art, New York © 2020 Richard Serra/Artists Rights Society (ARS), New York
Music in Conversation with Reverse Curve
Saturday, December 14, 2019, 8pm
Gagosian, West 21st Street, New York
Join Gagosian for a concert featuring new music inspired by Richard Serra’s Reverse Curve (2005/19) and other works that engage with questions of weight, timbre, volume, and form. Some of the compositions will test the acoustical properties of the sculpture within the room, while others will produce sound masses in the shadow of the sculpture, creating dialogues between sound and space. The range of musical strategies will illustrate a historical path from the 1970s through the present day. Musicians Lea Bertucci, Miguel Frasconi, Joan La Barbara, Chris McIntyre, Chris Nappi, and Danny Tunick are all major players in the world of experimental music and collaborate in addition to their solo projects. As well as their own compositions they will perform a 1973 piece by Michael Byron. The event has reached capacity.
Richard Serra, Reverse Curve, 2005/19 © 2019 Richard Serra/Artists Rights Society (ARS), New York. Photo: Cristiano Mascaro
Hal Foster and Julian Rose on Richard Serra
Thursday, November 7, 2019, 6–8pm
Gagosian, West 24th Street, New York
Hal Foster and Julian Rose will discuss Richard Serra’s recent sculptures and drawings exhibited at Gagosian, New York. Foster recently coauthored Conversations about Sculpture (2018) with Serra, and Rose is writing for the forthcoming exhibition catalogue on the three concurrent Gagosian exhibitions. A question-and-answer session will follow the talk. The event has reached capacity. To join the wait list, contact email@example.com.
Richard Serra, Nine, 2019 © 2019 Richard Serra/Artists Rights Society (ARS), New York. Photo: Rob McKeever
The Complete Films and Videos
October 17–23, 2019
Anthology Film Archives, New York
In conjunction with a trio of Gagosian exhibitions of Richard Serra’s work in New York, the gallery and Anthology Film Archives will present a three-day retrospective of the artist’s films and videos from October 17 through 19, drawn from the collections of the Museum of Modern Art, New York; Anthology Film Archives; Joan Jonas; and Stiftung Situation Kunst, Bochum, Germany. This is the first time that all of the artist’s film and video work will be shown together. The screening on October 19 will be followed by a panel discussion between curators Søren Grammel, Chrissie Iles, and Jeffrey Weiss, moderated by art historian Benjamin Buchloh. Additional screenings of the full program will take place on October 20 and 23. To attend the event, purchase tickets at www.brownpapertickets.com or at the box office on the day of the show.
Richard Serra, Railroad Turnbridge, 1976 (still), Museum of Modern Art, New York © 2019 Richard Serra/Artists Rights Society (ARS), New York
Extended through January 11, 2020
September 17, 2019–January 11, 2020
555 West 24th Street, New York