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Documenta 14 was subtitled Learning from Athens; I felt that I had been learning from Athens for a long time even before ever having been there.
—Rick Lowe

Gagosian is pleased to announce two exhibitions of paintings and works on paper by Rick Lowe in Athens: Hic Sunt Dracones (Here Lay Dragons). Mapping the Unknown: A project by Rick Lowe at the Benaki Museum / Pireos 138, which takes the form of a dialogue with the institution’s historical collection, and Still Learning from Athens, Lowe’s first exhibition at the gallery’s location in the city.

Lowe is known for works of “social sculpture,” in which he exercises skills in civic organization, political agitation, real estate development, and architectural criticism, and for related paintings and works on paper. Since reading Aristotle, he has maintained a fascination with Greek culture, and upon first visiting Greece in 2015 as a guest of the Stavros Niarchos Foundation, he immersed himself in the locale by walking from the suburb of Vouliagmeni to central Athens. Upon returning the following year to begin preparations for his participation in Documenta 14: Learning from Athens, he reengaged with the city as an urban space by working on Victoria Square Project (2016–), an ongoing participatory and collaborative intervention exploring interactions of Greek natives with immigrants and refugees. “After two years of Documenta planning and hosting exhibitions,” writes Lowe, “most artists and visitors moved on; I continued to learn from and build relationships with Greeks and immigrants.”

Lowe’s exhibition at the Benaki Museum / Pireos 138 includes works related to both Victoria Square Project and Project Row Houses (1993–2018). In these collaged paintings and works on paper, the artist emphasizes the links between his practical strategies and their visual aspects, combining interpretations of the public initiatives’ realization with variations on mark, palette, and surface texture. Lowe and curators Yorgos Tzirtzilakis and Polina Kosmadaki have also selected historical materials from the museum’s collection, focusing on clothing, jewelry, and other bodily adornments. By juxtaposing his paintings with these items, they explore interpretations of mapping and the resonance of folk handicrafts.

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Notes to Selves, Trains of Thought

Notes to Selves, Trains of Thought

Dieter Roelstraete, curator at the Neubauer Collegium for Culture and Society at the University of Chicago and coeditor of a recent monograph on Rick Lowe, writes on Lowe’s journey from painting to community-based projects and back again in this essay from the publication. At the Museo di Palazzo Grimani, Venice, during the 60th Biennale di Venezia, Lowe will exhibit new paintings that develop his recent motifs to further explore the arch in architecture.

Black Futurity: Lessons in (Art) History to Forge a Path Forward

Black Futurity: Lessons in (Art) History to Forge a Path Forward

Jon Copes asks, What can Black History Month mean in the year 2024? He looks to a selection of scholars and artists for the answer.

Rick Lowe, Tom Finkelpearl, and Eugenie Tsai

In Conversation
Rick Lowe, Tom Finkelpearl, and Eugenie Tsai

Join Gagosian for a conversation between Rick Lowe and his longtime friends Tom Finkelpearl, author and former commissioner of the New York City Department of Cultural Affairs, and Eugenie Tsai, senior curator of contemporary art at the Brooklyn Museum, New York, inside Lowe’s exhibition Meditations on Social Sculpture, at Gagosian, New York. The trio discusses their shared interest in transforming social structures and the evolution of Lowe’s new paintings from his ongoing community projects.

David Adjaye, Rick Lowe, and Thelma Golden

In Conversation
David Adjaye, Rick Lowe, and Thelma Golden

Rick Lowe and Sir David Adjaye join Thelma Golden, director and chief curator of the Studio Museum in Harlem, New York, for a conversation on the occasion of the exhibition Social Works at Gagosian, New York. The trio explore Adjaye and Lowe’s shared interests in architecture, community building, and the relationship between space and the Black body.

Rick Lowe: In the Studio

Behind the Art
Rick Lowe: In the Studio

Join Rick Lowe in his Houston studio as he speaks about his recent paintings, describing their connections to his long engagement with the activity of dominoes and to his community-based projects created in the tradition of social sculpture.

Social Works: Rick Lowe and Walter Hood

Social Works: Rick Lowe and Walter Hood

Rick Lowe and Walter Hood speak about Black space, the built environment, and history as a footing for moving forward as part of “Social Works,” a supplement guest edited by Antwaun Sargent for the Summer 2021 issue of the Quarterly.

Gagosian Quarterly Summer 2021

Now available
Gagosian Quarterly Summer 2021

The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.

Rick Lowe: The Arch within the Arc poster

Rick Lowe: The Arch within the Arc

$20
Cover of the Rick Lowe monograph

Rick Lowe

$100
Cover of the Gagosian Quarterly: Summer 2024 Issue featuring artwork by Roy Lichtenstein

Gagosian Quarterly: Summer 2024 Issue

$20
Cover of the Winter 2021 issue of Gagosian Quarterly magazine, featuring artwork by Jasper Johns

Gagosian Quarterly: Winter 2021 Issue

$20
Cover of the Summer 2021 issue of Gagosian Quarterly magazine, featuring artwork by Carrie Mae Weems

Gagosian Quarterly: Summer 2021 Issue

$20