Now available
Gagosian Quarterly Fall 2021
The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.
I don’t see being an artist as a heavy burden. I think it’s an artist’s obligation to emotionally connect.
—Thomas Houseago
Gagosian is pleased to announce ABUNDANCE, an exhibition of new still-life and landscape paintings by Thomas Houseago. This is the artist’s second exhibition with the gallery in Hong Kong, following Psychedelic Brothers – Drawn Paintings in 2016.
Abundance Paintings is a new body of work produced en plein air, and in a new studio in Malibu, California, which reflects on cosmic and spiritual interconnectedness and the transcendental power of nature. The works’ titles and expressive imagery evoke ocean waves and the flora of Malibu at sunrise and sunset, with suns, moons, rocks, and skies rendered in vibrant color and undulating lines.
Houseago first achieved widespread recognition through his original and vigorous approach to the subject of the human body. Utilizing mediums associated with classical and modernist sculpture alongside less traditional materials like rebar and hemp, he builds monumental figures whose surfaces and structures reveal the processes of their making. In works on canvas and paper that he describes as a cross between “drawing and mapping,” Houseago also explores the emotional and spatial power of saturated color and dynamic form. ABUNDANCE sees him further extend this aspect of his practice.
Gagosian
press@gagosian.com
Toby Kidd
tkidd@gagosian.com
+44 20 7495 1500
Sutton
Carol Lo
carol@suttoncomms.com
+852 2528 0792
The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.
Thomas Houseago and Amélie Simier, director of the Musée Rodin, Paris, talk with Gagosian director Richard Calvocoressi about contemporary sculpture and its foundation in the radical forms of Auguste Rodin.
With preparations for Houseago’s Los Angeles exhibition in progress, Deborah McLeod brings us a glimpse inside the artist’s studio.