7/F Pedder Building
12 Pedder Street
Central, Hong Kong
+852 2151 0555
hongkong@gagosian.com
Hours: Tuesday–Saturday 11–7
This gallery will be closed on October 1, 2022.
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Note to Visitors
In accordance with government guidelines, a limited number of visitors will be permitted within the exhibition spaces. Advance appointments are encouraged but not required. Visitors will be asked to follow recommended protocols as well as to respect instructions given by gallery staff. Please contact hongkong@gagosian.com for specific information about the guidelines for this location or to schedule your visit.
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訪客須知
順應香港政府的社交接觸指引，畫廊展覽空間內只允許接待少量訪客。如欲參觀，建議但不強求與畫廊提前聯繫預約。訪客必須遵循畫廊的衛生指引及職員的指示。如欲索取畫廊的衛生指引或預約參觀，請聯繫hongkong@gagosian.com。
There is No Neutral Space: The Architecture of Donald Judd, Part 2
In this second installment of a two-part essay, Julian Rose continues his exploration of Donald Judd’s engagement with architecture. Here, he examines the artist’s proposals for projects in Bregenz, Austria, and in Basel, arguing that Judd’s approach to shaping space provides a model for contemporary architectural production.
Now available
Gagosian Quarterly Fall 2022
The Fall 2022 issue of Gagosian Quarterly is now available, featuring Jordan Wolfson’s House with Face (2017) on its cover.
Picture Books: Sam Lipsyte and Jordan Wolfson
The third book published by Picture Books, an imprint organized by Emma Cline and Gagosian, is Sam Lipsyte’s Novella Friend of the Pod. Accompanying the text is a new artwork by Jordan Wolfson. In celebration of this forthcoming publication, Lipsyte and Wolfson speak with their mutual friend Joey Frank about the year 1993, eroticism and art, and what the proliferation of podcasts is doing to the ego.
In Conversation
Chloe Barter, John Kasmin, and Paul Moorhouse on Anthony Caro
Join Chloe Barter, John Kasmin, and Paul Moorhouse as they discuss the work and legacy of Anthony Caro. Their conversation took place in conjunction with the exhibition Caro and North American Painters, which included sculptures by Anthony Caro from the 1960s and 1970s, shown together with contemporaneous paintings by his friends and peers.
In Conversation
Setsuko and Y.Z. Kami
The artists address their shared ardor for poetry, the surfaces of painting, and nature.
The Iron Curtain: Christo & Jeanne-Claude
To mark the sixtieth anniversary of Christo and Jeanne-Claude’s seminal installation The Iron Curtain, author William Middleton addresses the radicality of this work and its enduring relevance to the artists’ subsequent projects.
Katy Hessel: The Story of Art without Men
Author, curator, and podcaster Katy Hessel met with the artist Somaya Critchlow to discuss Hessel’s latest publication, The Story of Art without Men.
Tyler Mitchell: This Side of Paradise
Brendan Embser reports on his encounter with Tyler Mitchell’s newest series of photographs, addressing their aesthetic motifs and art-historical references, while charting the development of these works in relation to the photographer’s earlier projects.
Minnette De Silva
Amie Corry traces the trailblazing Sri Lankan architect’s biography, philosophy, and achievements.
Tatiana Trouvé: Le grand atlas de la désorientation
In this video, Tatiana Trouvé provides an overview of her latest installation, presented at the Centre Pompidou, Paris. The exhibition, whose title translates to The Great Atlas of Disorientation, includes a selection of drawings and sculptures that create fantastical landscapes where reality engages in infinite exchanges with its doubles.
Giuseppe Penone À La Tourette
Le Couvent Sainte-Marie de La Tourette, in Éveux, France, is both an active Dominican priory and the last building designed by Le Corbusier. As a result, the priory, completed in 1961, is a center both religious and architectural, a site of spiritual significance and a magnetic draw for artists, writers, architects, and others. This fall, at the invitation of Frère Marc Chauveau, Giuseppe Penone will be exhibiting a selection of existing sculptures at La Tourette alongside new work directly inspired by the context and materials of the building. Here, Penone and Frère Chauveau discuss the power and peculiarities of the space, as well as the artwork that will be exhibited there.
Mehdi Ghadyanloo
Negar Azimi speaks with the artist about his murals in Tehran, his preoccupation with slides, and his inspirations from Giorgio de Chirico to Alfred Hitchcock.