Frieze London Online
Nathaniel Mary Quinn
October 7–16, 2020
Quinn’s “enhanced performance drawings” are created with both hands simultaneously and “enhanced” with colorful swipes and swaths of gouache and soft pastels. For the ambidextrous Quinn, the technique behind these works is a full-body performance in itself that expands upon his already spontaneous act of rendering visions—yet the end result is surprisingly representational. Depicting complete faces rather than patchwork body parts, these haunting portraits slip in and out of focus through a murky haze of black charcoal. Drawing is a foundational aspect of Quinn’s practice; raw, visceral, and intimately scaled, his works on paper inform the affective power and compositional rhythm of his larger paintings.
In addition, a presentation of paintings and a large-scale work on paper by Quinn is concurrently on view at Gagosian, Davies Street, London, through November 21. With its wide plate-glass window, this storefront exhibition space will act as the artist’s “solo booth” for Frieze London, while the Gagosian Quarterly online will present a time-lapse video documenting him making one of the exhibited paintings earlier this year, with added commentary from the artist about his process.
For more information on the works, please contact the gallery at email@example.com.
Nathaniel Mary Quinn. Photo: Ike Edeani
Nathaniel Mary Quinn
January 27–February 2, 2021
In his composite portraits derived from sources both personal and found, Nathaniel Mary Quinn probes the relationship between visual memory and perception. Fragments of images taken from online sources, fashion magazines, and family photographs come together to form hybrid faces and figures that are at once Dadaesque and adamantly realist, evoking the intimacy and intensity of a face-to-face encounter.
Photo: Eddie Lee
Show Me the Signs
November 10–30, 2020
Show Me the Signs is an online benefit auction hosted by Artfizz to support the families of Black women killed by the police. Over 100 artists have created pieces in the form of protest signs for the auction, with 100 percent of the proceeds going to the African American Policy Forum’s #SayHerName Mothers Network. Work by Louise Bonnet, Piero Golia, Meleko Mokgosi, Nathaniel Mary Quinn, and Nancy Rubins is included. To register to bid, visit artfizz.com.
Nathaniel Mary Quinn, Breonna Taylor, 2020 © Nathaniel Mary Quinn
Cecily Brown, Giuseppe Penone, and Nathaniel Mary Quinn in
100 Drawings from Now
October 7, 2020–January 17, 2021
Drawing Center, New York
The benefit exhibition 100 Drawings from Now features drawings made by an international group of artists since early 2020, providing a snapshot of artistic production during the period of profound global unrest that has resulted from the ongoing health and economic crises, as well as the surge of activism in response to systemic racism, social injustice, and police brutality in the United States. Together, the donated works spotlight the urgency, intimacy, and universality of drawing during moments of upheaval and isolation. Proceeds from the sales will support the Drawing Center and the artists. Work by Cecily Brown, Giuseppe Penone, and Nathaniel Mary Quinn is included.
Nathaniel Mary Quinn, Treasure Hunt #2, 2020 © Nathaniel Mary Quinn
Adriana Varejão: For a Poetics of Difference
Curator Luisa Duarte considers the artist’s oeuvre, writing on Varejão’s active engagement with theories of difference, as well as the cultural specters of the past.
Gagosian Quarterly Summer 2021
The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.
Artist to Artist: Rachel Feinstein and Ewa Juszkiewicz
On the occasion of Frieze New York 2021, the two artists discuss remixing conventions, the allure of Rococo, and the importance of research and history within their respective practices.
Larry Gagosian reflects on the incredible life and career of his friend Doris Ammann.
Glenn Brown and Jacky Klein
Glenn Brown speaks with art historian Jacky Klein about working between mediums, his first finished painting of 2021, and the evolution of his artistic voice.
A Body in Fukushima
Ten years after Fukushima’s nuclear meltdown of 2011, movement-based artist Eiko Otake and historian/photographer William Johnston discuss their visits to that irradiated landscape. The forthcoming book A Body in Fukushima documents their ongoing performance project.
Albert Oehlen: In the Studio
This film by Albert Oehlen, with music by Tim Berresheim, takes us inside the artist’s studio in Switzerland as he works on a new painting.
Fashion and Art: Anthony Vaccarello and Jim Jarmusch
Director Jim Jarmusch and Anthony Vaccarello, the creative director for Saint Laurent, discuss French Water, a new short film collaboration—starring Charlotte Gainsbourg, Indya Moore, Julianne Moore, Chloë Sevigny, and Leo Reilly—in this interview with the Quarterly’s Wyatt Allgeier.
Albert Oehlen and Mark Godfrey
Albert Oehlen speaks to Mark Godfrey about a recent group of abstract paintings, “academic” art, reversing habits, and questioning rules.
Hans Ulrich Obrist traces the history behind Richter’s Cage paintings and speaks with the artist about their creation.
The Grand Chalet: An interview with Setsuko
On the twentieth anniversary of Balthus’s death, Setsuko gives an intimate tour of the Grand Chalet and reflects on how the 1754 Swiss mountain home enriched their lives as artists.
Work in Progress
Adriana Varejão: In the Studio
Join Adriana Varejão at her studio in Rio de Janeiro as she prepares for her upcoming exhibition at Gagosian in New York. She speaks about the inspirations for her “tile” paintings, from Portuguese azulejos to the Brazilian Baroque to the Talavera ceramic tradition of Mexico, and reveals for the first time her unique process for creating these works.