Gagosian is pleased to present new works by Nathaniel Mary Quinn for the online edition of Frieze London. These works will premiere simultaneously on the Frieze Viewing Room.

Quinn’s “enhanced performance drawings” are created with both hands simultaneously and “enhanced” with colorful swipes and swaths of gouache and soft pastels. For the ambidextrous Quinn, the technique behind these works is a full-body performance in itself that expands upon his already spontaneous act of rendering visions—yet the end result is surprisingly representational. Depicting complete faces rather than patchwork body parts, these haunting portraits slip in and out of focus through a murky haze of black charcoal. Drawing is a foundational aspect of Quinn’s practice; raw, visceral, and intimately scaled, his works on paper inform the affective power and compositional rhythm of his larger paintings.

In addition, a presentation of paintings and a large-scale work on paper by Quinn is concurrently on view at Gagosian, Davies Street, London, through November 21. With its wide plate-glass window, this storefront exhibition space will act as the artist’s “solo booth” for Frieze London, while the Gagosian Quarterly online will present a time-lapse video documenting him making one of the exhibited paintings earlier this year, with added commentary from the artist about his process.

For more information on the works, please contact the gallery at inquire@gagosian.com.

Nathaniel Mary Quinn. Photo: Ike Edeani

Nathaniel Mary Quinn

Nathaniel Mary Quinn

A statement from the artist.

Nathaniel Mary Quinn and Troy Carter

In Conversation
Nathaniel Mary Quinn and Troy Carter

On the evening before the opening of his first exhibition with Gagosian, in Beverly Hills, Nathaniel Mary Quinn joined Troy Carter for a conversation at LA’s Hammer Museum. They spoke about deliverance, Quinn’s new work, and what drives him to make art.

Nathaniel Mary Quinn

Nathaniel Mary Quinn

Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.

Nathaniel Mary Quinn: What You See Is Grace

Nathaniel Mary Quinn: What You See Is Grace

On the eve of ECHOES FROM COPELAND, an exhibition of new paintings at Gagosian, New York, Nathaniel Mary Quinn met with Ashley Stewart Rödder to discuss the genesis of the works he’s been creating, their literary origins, and his evolving approach to the practices—and intersections—of painting and drawing.

Exalt: Youth Justice Can’t Stop

The Bigger Picture
Exalt: Youth Justice Can’t Stop

As 2020 came to a close, Nathaniel Mary Quinn spoke with Gisele Castro, executive director of exalt, a New York City nonprofit dedicated to transforming the lives of court-involved youth by providing a path to success through effective educational engagement. Quinn is a former educator at exalt and now serves as a member of the organization’s board.

Nathaniel Mary Quinn: In the Studio

Nathaniel Mary Quinn: In the Studio

Hear the painter describe the creation of a new work in this time-lapse documentation of his process.

Gagosian Quarterly Fall 2019

Now available
Gagosian Quarterly Fall 2019

The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.

Visions of the Self: Jenny Saville on Rembrandt

Visions of the Self: Jenny Saville on Rembrandt

Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.