Frieze London Online
Nathaniel Mary Quinn
October 7–16, 2020
Quinn’s “enhanced performance drawings” are created with both hands simultaneously and “enhanced” with colorful swipes and swaths of gouache and soft pastels. For the ambidextrous Quinn, the technique behind these works is a full-body performance in itself that expands upon his already spontaneous act of rendering visions—yet the end result is surprisingly representational. Depicting complete faces rather than patchwork body parts, these haunting portraits slip in and out of focus through a murky haze of black charcoal. Drawing is a foundational aspect of Quinn’s practice; raw, visceral, and intimately scaled, his works on paper inform the affective power and compositional rhythm of his larger paintings.
In addition, a presentation of paintings and a large-scale work on paper by Quinn is concurrently on view at Gagosian, Davies Street, London, through November 21. With its wide plate-glass window, this storefront exhibition space will act as the artist’s “solo booth” for Frieze London, while the Gagosian Quarterly online will present a time-lapse video documenting him making one of the exhibited paintings earlier this year, with added commentary from the artist about his process.
For more information on the works, please contact the gallery at email@example.com.
Nathaniel Mary Quinn. Photo: Ike Edeani
The Un-Private Collection
Nathaniel Mary Quinn and Donna Augustin-Quinn
Saturday, November 20, 2021, 2pm
The Broad, Los Angeles
As part of the Un-Private Collection, an ongoing series of public programs organized by the Broad, Los Angeles, Nathaniel Mary Quinn will be joined by actress, director, writer, and producer Donna Augustin-Quinn. The pair will discuss Quinn’s work in the Broad’s collection, as well as the artist’s practice at large. The talk is being held in conjunction with the exhibition Since Unveiling: Selected Acquisitions of a Decade, on view at the Broad through April 3, 2022. To attend the event, purchase tickets at ticketing.thebroad.org.
Nathaniel Mary Quinn. Photo: Kyle Dorosz
Nathaniel Mary Quinn
January 27–February 2, 2021
In his composite portraits derived from sources both personal and found, Nathaniel Mary Quinn probes the relationship between visual memory and perception. Fragments of images taken from online sources, fashion magazines, and family photographs come together to form hybrid faces and figures that are at once Dadaesque and adamantly realist, evoking the intimacy and intensity of a face-to-face encounter.
Photo: Eddie Lee
Show Me the Signs
November 10–30, 2020
Show Me the Signs is an online benefit auction hosted by Artfizz to support the families of Black women killed by the police. Over 100 artists have created pieces in the form of protest signs for the auction, with 100 percent of the proceeds going to the African American Policy Forum’s #SayHerName Mothers Network. Work by Louise Bonnet, Piero Golia, Meleko Mokgosi, Nathaniel Mary Quinn, and Nancy Rubins is included. To register to bid, visit artfizz.com.
Nathaniel Mary Quinn, Breonna Taylor, 2020 © Nathaniel Mary Quinn
Cy Gavin: On the Other Side
Tiana Reid reports on her encounter with Cy Gavin’s new paintings.
Gagosian Quarterly Winter 2022
The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.
Anselm Kiefer and Michael Govan
On the occasion of his exhibition Anselm Kiefer: Exodus at Gagosian at Marciano Art Foundation in Los Angeles, the artist spoke with Michael Govan about his works that elaborate on themes of loss, history, and redemption.
Louise Bonnet: On “Red Study” and Supporting Reproductive Rights
Louise Bonnet speaks with Freja Harrell about her new painting, her donation to Planned Parenthood Los Angeles, and the role of art in the fight for reproductive justice.
Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews
Join Jake Auerbach, Richard Calvocoressi, Bella Freud, Martin Gayford, and Florence Hallett as they discuss the work and legacy of four era-defining artists. Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews, on view at Gagosian, Grosvenor Hill, London, elucidates the connections between their respective practices, and also features some of the artists’ portraits of each other.
Languorous undulations (in the temple of my familiar)
Alexandria Smith and Akwaeke Emezi take up themes of queerness, hybridity, and embodied memory in their respective visual and literary works. Here, Emezi responds to Smith’s painting Languorous undulations (in the temple of my familiar) (2022) with an eponymous piece of flash fiction.
On Centering Latinx Video Art
In late 2022, Gagosian, in collaboration with Anthology Film Archives, presented a selection of videos by Latinx artists curated by Susan Breyer. Here, Quarterly film writer Carlos Valladares responds to each work in prose or with a poem.
Sterling Ruby: TURBINES
Join Sterling Ruby in his Los Angeles studio as he works on new abstract paintings ahead of his exhibition TURBINES at Gagosian in New York.
Jenny Saville: Latent
In this video, Jenny Saville describes the evolution of her practice inside her latest exhibition, Latent, at Gagosian, Paris. She addresses the genesis of the title and reflects on the anatomy of a painting.
Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent
In conjunction with his exhibition Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent at Gagosian in New York, the artist sits down to discuss his new paintings, sculptures, and drawings.
Duane Hanson at Fondation Beyeler
To celebrate their twenty-fifth anniversary, Fondation Beyeler, Riehen/Basel, Switzerland, staged an exhibition entitled Jubiläumsausstellung—Special Guest Duane Hanson. The presentation featured several sculptures by Duane Hanson alongside more than one hundred works from the foundation’s collection. Alice Godwin considers the fertile dialogues produced by these juxtapositions.
Fashion and Art: Madonna’s Sex and Saint Laurent Rive Droite
This year’s edition of Art Basel Miami Beach brought Saint Laurent to America for a special exhibition curated by creative director Anthony Vaccarello celebrating the thirtieth anniversary of the publication of Madonna’s groundbreaking book, Sex (1992). Staged on the Miami beachfront, the ephemeral exhibition was presented on the occasion of the reissue of Sex by Rive Droite and Callaway, New York, and featured large-format prints of Steven Meisel’s iconic photographs from the book, as well as unpublished images from the original photo shoots. Rennie McDougall reflects on the momentous impact of the publication, tracing Madonna’s ongoing influence on and provocation of popular culture.