Taipei Art Book Fair 2020
November 13–15, 2020
Huashan 1914 Creative Park, Taipei
Gagosian is pleased to participate in the Taipei Art Book Fair 2020 as a guest of Taipei Dangdai. Taipei Dangdai has invited its 2020 exhibitors to each showcase three new publications in its booth. Gagosian will present Georg Baselitz: Years Later, which documents a recent exhibition of new works by the artist at Gagosian, Hong Kong; an exhibition catalogue on Brice Marden’s latest paintings and works on paper, which continue the Letter series he initiated in 2006; and Mary Weatherford: I’ve Seen Gray Whales Go By, which documents the artist’s 2018 exhibition at Gagosian, New York, featuring large paintings onto which neon light tubes are attached. To attend the fair, purchase tickets at taipeiartbookfair.com.
Georg Baselitz: Years later (New York: Gagosian, 2020)
The Brice Marden Catalogue Raisonné is announcing a call for works for the preparation of a catalogue of all of Brice Marden’s paintings and works on paper. The project is now accepting submissions for unique works of art on canvas and on paper. If you are an owner of an artwork by Brice Marden, please visit the catalogue raisonné website to access the submission form.
Initiated in 2019, the completed publication will document Brice Marden’s oeuvre with an entry for each work that includes descriptive information and a comprehensive provenance, exhibition history, and bibliography. Tiffany Bell is the editor of the catalogue raisonné, working closely with the artist’s studio, Plane Image, and with the support of Gagosian.
Brice Marden, Rivers, 2020–21 © Brice Marden/Artists Rights Society (ARS), New York
Art Basel 2022
June 16–19, 2022, hall 2, booth B15
Gagosian is pleased to participate in Art Basel 2022 with modern and contemporary works by gallery artists, as well as special entries in the Unlimited section of the fair.
Gagosian’s booth in the main section of the fair represents the full breadth and depth of the gallery’s programming through work by many of its represented artists. On view are new works by Mark Grotjahn, Rudolf Stingel, and Jonas Wood; works by newly represented artists including Ashley Bickerton, Rick Lowe, and Jordan Wolfson; and works by Theaster Gates and Brice Marden, both of whom are also exhibiting at other venues in Basel—Gagosian’s gallery at Rheinsprung 1 and Kunstmuseum Basel, respectively—during the fair.
Gagosian’s booth at Art Basel 2022. Artwork, left to right: © Brice Marden/Artists Rights Society (ARS), New York; © Succession Picasso 2022; © John Currin; © Jonas Wood; © Mark Tansey; © 2022 Judd Foundation/Artists Rights Society (ARS), New York; © Ellsworth Kelly Foundation. Photo: Sebastiano Pellion di Persano
This video takes the viewer through Georg Baselitz: Archinto, an exhibition of new and recent paintings and sculptures by the artist at Museo di Palazzo Grimani, Venice, on view May 19, 2021–November 27, 2022. In this show, Baselitz pays homage to Venice and its rich artistic tradition, establishing art historical continuity while also signaling a rupture between the Renaissance portrait tradition and its contemporary equivalents.
Still from “Georg Baselitz: Archinto”
Titus Kaphar and Zoé Whitley
Join Titus Kaphar and Zoé Whitley as they discuss the artist’s recent exhibition New Alte̲rs: Reworking Devotion, featuring paintings and sculptures in which Kaphar examines the history of representation by altering the work’s supports to reveal oft unspoken social and political truths.
Gagosian Quarterly Summer 2022
The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).
Cristina Iglesias and Iwona Blazwick
Join Gagosian for a conversation between Cristina Iglesias and Iwona Blazwick, former director of Whitechapel Gallery in London, on the occasion of the artist’s exhibition at Davies Street, London and concurrent outdoor commissions for the Annenberg Courtyard of the Royal Academy of Arts in London, and Madison Square Park in New York.
Nam June Paik: Art in Process: Part One
On the occasion of Nam June Paik: Art in Process: Part One, curator John G. Hanhardt and Nam June Paik Estate curator Jon Huffman discuss the survey of works spanning the artist’s career.
Amanda Williams: CANDYLADYBLACK
Jasmine Sanders addresses the economic, architectural, and chromatic roots of Amanda Williams’s new paintings.
Y.Z. Kami and Steven Henry Madoff
Y.Z. Kami and curator Steven Henry Madoff sit down in Kami’s studio to discuss the artist’s exhibition at the Museo de Arte Contemporáneo de Castilla y León, Spain. Entitled Y.Z. Kami: De forma silenciosa/In a Silent Way, the survey features portraits; images of buildings, both sacred and ordinary; a sculptural installation of loose bricks inscribed with texts; and recent dreamlike abstractions.
Brutalisten: An Interview with Carsten Höller
This spring, Carsten Höller launched Brutalisten, a new restaurant concept in Stockholm and the latest embodiment of his long-term culinary and artistic project called the Brutalist Kitchen. The twenty-eight-seat restaurant features a menu overseen by chef Stefan Eriksson that adheres to three classifications: “semi-brutalist” dishes (using oil or minimal ingredients), “brutalist” dishes (using salt and water), and “orthodox-brutalist” dishes (no additional ingredients). For the Quarterly, Höller speaks with Gagosian directors Serena Cattaneo Adorno and Mark Francis about this terminology, the importance of experimentation, and the fortuitous side effects of brutalist cuisine.
On the Dot
In the first installment of a two-part feature, John Elderfield discusses how dots found a special place in the vocabulary of painting with the work of the French artist Georges Seurat and continue to be used to this day, most famously by Damien Hirst and Yayoi Kusama. Elderfield asks: what is it about dots that attracted modern artists, and what functions do they serve?
The filmmaker sat down with Carlos Valladares to talk her chief inspirations, the countercultural radicality of being a nun, and the shifting landscape of the documentary.
Aria Darcella pays homage to the founder of Details magazine, enumerating the many ways in which Flanders changed discourses around fashion, nightlife, and photography.
Amanda Williams and Derrick Adams
On the occasion of her exhibition Amanda Williams: CANDYLADYBLACK at Gagosian in New York, the artist spoke with artist Derrick Adams about the way she uses color as a tool to examine the complex ways in which race informs our assignment of value to physical, social, and conceptual spaces.
Anselm Kiefer: Architect of Landscape and Cosmology
Jérôme Sans visits La Ribaute in Barjac, France, the vast studio-estate transformed by Anselm Kiefer over the course of decades. The labyrinthine site, now open to the public, stands as a total work of art, reflecting through its grounds, pavilions, and passageways major themes in Kiefer’s oeuvre: regeneration, mythology, memory, and more.