Menu

Fairs & Collecting

Art Fair

Frieze New York 2021
Rachel Feinstein and Ewa Juszkiewicz

May 5–9, 2021, booth B7
The Shed, New York
frieze.com

Gagosian is pleased to announce its participation in Frieze New York at the Shed, the first in-person art fair of 2021 in the United States, with sculptures by Rachel Feinstein and paintings by Ewa Juszkiewicz.

Inspired by Baroque and Rococo sculpture, religious iconography, Romantic landscapes, and popular culture, Feinstein explores taste and desire, synthesizing elegance and kitsch. Having once visited the Nymphenburg Porcelain Manufactory in Munich, she later located an online image of Rococo sculptor Franz Anton Bustelli’s commedia dell’arte figurines, posed on unique shell-like pedestals. In response, she worked with the legendary factory to produce scaled-up majolica porcelain versions of the pedestals. In Feinstein’s works, viewers can imagine taking the place of the commedia dell’arte characters and trying on their removable porcelain shoes for size. The sensual abstract forms of Chinoiserie, Corine, and Mezzetino (all 2018), titled after Bustelli figurines, suggest the human form through its conscious omission. Built to the scale of Feinstein’s own body, they allude to the greatness of the Rococo era and the demise of European high craftsmanship.

Corine was included—along with Octavio, another sculpture from the same series—in Feinstein’s exhibition Secrets at Gagosian Beverly Hills in 2018; all four works were installed in Regent’s Park for Frieze London later the same year. Corine was also featured in Feinstein’s recent major survey exhibition, Maiden, Mother, Crone, at the Jewish Museum, New York.

Juszkiewicz’s meticulously precise oil portraits also draw on traditions of classical European painting—her sources date from the Renaissance through the nineteenth century—but with added touches of the surreal, the fantastical, and the grotesque. By obscuring her subjects’ faces—a strategy that recalls René Magritte’s painting Le fils de l’homme (The Son of Man) (1964)—she deconstructs conventional ideals of feminine beauty to evoke the suppression of female identity that permeates the Western canon. In five new paintings, Juszkiewicz “paraphrases” portraits by Johann Ender, Rembrandt Peale, Joseph Karl Stieler, and Elisabeth Louise Vigée Le Brun, rendering richly colored leaves and flowers—mixed with hair, wigs, and heavy fabrics—in startling detail. The resultant hybrid figures teeter between reserve and uninhibitedness, nature and culture, human and nonhuman. They relocate—as do Feinstein’s sculptures—the ghosts of women past firmly in the present.

To receive a pdf with detailed information on the works, please contact the gallery at inquire@gagosian.com.

Download the full press release (pdf)

Left: Rachel Feinstein, Corine, 2018 © Rachel Feinstein. Photo: Jeff McLane. Right: Ewa Juszkiewicz, Untitled (after Elisabeth Vigée Le Brun), 2021 © Ewa Juszkiewicz

Left: Rachel Feinstein, Corine, 2018 © Rachel Feinstein. Photo: Jeff McLane. Right: Ewa Juszkiewicz, Untitled (after Elisabeth Vigée Le Brun), 2021 © Ewa Juszkiewicz

Related News

Rachel Feinstein, Cliff House, 2014, installation view, Madison Square Park, New York © Rachel Feinstein. Photo: James Ewing

Panel Discussion

This Long Year
In the Studio

Tuesday, February 9, 2021, 11am EST

Join Madison Square Park Conservancy for a conversation between artists Rachel Feinstein, Rafael Lozano-Hemmer, and Alison Saar, moderated by art journalist Jacoba Urist. The three artists, who have all presented installations in Madison Square Park in New York, will discuss creativity as it relates to studio life during the pandemic, political turmoil, and protests. The event is part of series of live conversations amongst artists, curators, writers, and art professionals reflecting on the challenges and magnitude of the last year. To attend the online event, register at madisonsquarepark-org.zoom.us.

Rachel Feinstein, Cliff House, 2014, installation view, Madison Square Park, New York © Rachel Feinstein. Photo: James Ewing

Rachel Feinstein: Secrets (Beverly Hills: Gagosian, 2019)

Online Reading

Rachel Feinstein
Secrets

Rachel Feinstein: Secrets is available for online reading from July 19 through August 17 as part of the From the Library series. Secrets documents Feinstein’s 2018 exhibition at Gagosian, Beverly Hills, which included a series of oversize, flamboyantly colored sculptures of women inspired by the Victoria’s Secret “Angels,” as well as mirror paintings, majolica sculptures, and a panoramic wallpaper that allude to both the European decorative arts and West Coast modernist luxury. A sculptural object in its own right, the book unites these distinct bodies of work—along with an essay by curator Pamela Golbin and a conversation between Feinstein and designer Tom Ford—within a single volume bound in a Z-fold cover, embodying the dichotomies present in the artist’s work.

Rachel Feinstein: Secrets (Beverly Hills: Gagosian, 2019)

Adam McEwen, Escape from New York, 2014 (still from “Battery Tunnel”) © Adam McEwen

Exhibition

Broadcast
Alternate Meanings in Film and Video

You’re only as young as the last time you changed your mind.
—Timothy Leary

Gagosian is pleased to present Broadcast: Alternate Meanings in Film and Video, an online exhibition of artists’ films and videos viewable exclusively on gagosian.com. The exhibition will be organized into a series of “chapters,” each lasting two weeks. The first chapter begins on Tuesday, May 19, 2020.

Broadcast: Alternate Meanings in Film and Video employs the innate immediacy of time-based art to spark reflection on the here and now, taking the words of famed psychologist and countercultural icon Timothy Leary as its starting point. 

Adam McEwen, Escape from New York, 2014 (still from “Battery Tunnel”) © Adam McEwen

Portrait of the painter with the spray gun.

Gagosian Quarterly Films
Katharina Grosse: Think Big!

To mark the closing of Katharina Grosse’s exhibition Repetitions without Origin, on view at Gagosian, Beverly Hills, we present a special English-language online screening of Claudia Müller’s Katharina Grosse: Think Big! through Saturday, October 23, at 9pm EDT.

Damien Hirst's Reclining Woman on the cover of Gagosian Quarterly, Fall 2021

Now available
Gagosian Quarterly Fall 2021

The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.

Rick Lowe painting in his studio.

Behind the Art
Rick Lowe: In the Studio

Join Rick Lowe in his Houston studio as he speaks about his recent paintings, describing their connections to his long engagement with the activity of dominoes and to his community-based projects created in the tradition of social sculpture.

Georg Baselitz working on Madame Demoisielle weit weg von der Küste (Madame Demoiselle a long way from the coast)

Georg Baselitz: Pulling Up the Image

In celebration of five recent projects related to Georg Baselitz, Richard Calvocoressi, Max Hollein, and Katy Siegel speak with the artist and look at his prolific career.

Kahlil Robert Irving, Downtown Norfolk, Nebraska (1998), 2017, unglazed and glazed ceramic, enamel, luster, and image transfers.

Social Works II: Kahlil Robert Irving

Antwaun Sargent speaks with Kahlil Robert Irving in advance of the opening of Social Works II and presents a portfolio of Irving’s sculptures.

Rachelle Mozman Solano, Las Damas, 2010, chromogenic print,

The Destination Is Latinx

Susan Breyer surveys the dynamic state of contemporary Latinx art in the United States. Highlighting seven artists who are rewriting cultural narratives, Breyer calls for sustained attention to this growing group beyond National Hispanic Heritage Month.

João Menegussi and Calvin Royal III in Touché (2020), choreographed by Christopher Rudd

Touché

Christopher Rudd’s pas de deux Touché, choreographed for American Ballet Theatre during the onset of the pandemic, follows dancers João Menegussi and Calvin Royal III through a charged, vulnerable, and ultimately tender love story. In conversation with scholar Clare Croft, the artists reflect on the politics, poetics, and process of bringing this groundbreaking duet to life.

Tatiana Trouvé in her Paris studio.

Behind the Art
Tatiana Trouvé: In the Studio

Join the artist in her studio as she speaks about her new series of drawings, From March to May. Trouvé describes the genesis of the project and the essential role its creation played in keeping her connected with the outside world during the difficult months of pandemic-related lockdown.

Kon Trubkovich in his studio, Brooklyn, New York, 2021.

Kon Trubkovich

Historian Victoria Phillips speaks with the artist about his new paintings, memory and its relationship to media, and the continuing impact of the Cold War.

Installation view of Urs Fischer’s Untitled (2011) in the exhibition Ouverture, Bourse de Commerce – Pinault Collection, Paris, 2021. Artwork © Urs Fischer, courtesy Galerie Eva Presenhuber, Zurich; Bourse de Commerce – Pinault Collection © Tadao Ando Architect & Associates, Niney et Marca Architectes, Agence Pierre-Antoine Gatier. Photo: Stefan Altenburger

Bourse de Commerce

William Middleton traces the development of the new institution, examining the collaboration between the collector François Pinault and the architect Tadao Ando in revitalizing the historic space. Middleton also speaks with artists Tatiana Trouvé and Albert Oehlen about Pinault’s passion as a collector, and with the Bouroullec brothers, who created design features for the interiors and exteriors of the museum.

Anna Halprin in The Prophetess, 1955.

Game Changer
Anna Halprin

Jacquelynn Baas celebrates the choreographer, dancer, and teacher, tracing the profound influence she had on the worlds of dance and art.

Tatiana Trouvé, The Residents, installation view, sculpture with jacket on water, Orford Ness, Suffolk, England

Tatiana Trouvé: The Residents

Tatiana Trouvé discusses her installation The Residents (2021), commissioned by Artangel for the exhibition Afterness on Orford Ness, a former military testing site in Suffolk, England