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Gagosian Quarterly

December 15, 2020

ewa Juszkiewicz:In vain her feet in sparkling laces glow

“Through the transformation and modification of historical portraits, I want to deprive them of their obviousness and disrupt the familiar order. I want to create a new story based on them.” The artist elaborates on the creation of her first solo exhibition in New York.

Ewa Juszkiewicz: In vain her feet in sparkling laces glowGagosian, Park & 75, New York, November 17, 2020–January 4, 2021

Artwork © Ewa Juszkiewicz; video: Pushpin Films

Jenny Saville’s Prism (2020) on the cover of Gagosian Quarterly magazine.

Now available
Gagosian Quarterly Winter 2020

The Winter 2020 issue of Gagosian Quarterly is now available, featuring Jenny Saville’s Prism (2020) on its cover.

Ewa Juszkiewicz, Untitled (after Elisabeth Vigée Le Brun), 2020, oil on canvas, 63 × 47 ¼ inches (160 × 120 cm)

Ewa Juszkiewicz

Lisa Small, senior curator of European art at the Brooklyn Museum, considers the historical precedents for Ewa Juszkiewicz’s painting practice.

Behind the scenes photograph of Miranda July's short-film, Nichols Canyon Road.

Miranda July on Nichols Canyon

A new short film and essay by Miranda July, inspired by David Hockney’s painting Nichols Canyon (1980).

Installation view, Edmund de Waal: some winter pots, Gagosian, Davies Street

Edmund de Waal: some winter pots

Join the artist in his ceramics studio as he describes the impetus behind his exhibition in London and the importance of touch in the creation of these new works.

Titus Kaphar at NXTHVN, New Haven, Connecticut

NXTHVN

NXTHVN is a new national arts model that empowers emerging artists and curators of color through education and access. Through intergenerational mentorship, professional development, and cross-sector collaboration, NXTHVN accelerates professional careers in the arts. Join Titus Kaphar and Jason Price on a tour of the organization’s headquarters in New Haven, Connecticut. They discuss the founding and vision for this singular arts space.

Edmund de Waal working in his studio.

Edmund de Waal: cold mountain clay

At his studio in London, Edmund de Waal speaks about his new body of work, created in the silence and solitude of lockdown. Composed of layers of porcelain slip inscribed with lines of verse by the poet Hanshan, these works are presented in cold mountain clay, de Waal’s first exhibition in Hong Kong.

Tom Eccles and Kiki Smith on Rachel Whiteread

In Conversation
Tom Eccles and Kiki Smith on Rachel Whiteread

On the occasion of Artist Spotlight: Rachel Whiteread, curator Tom Eccles and artist Kiki Smith speak about the work of Rachel Whiteread through the lens of their personal friendships with her. They discuss her public projects from the early 1990s to the present, the relationship between drawing and sculpture in her practice, and the way her works reveal the memories embedded in familiar everyday objects.

Installation view, Louise Bonnet: The Hours, Gagosian, Park & 75

Louise Bonnet: The Hours

The artist describes her new body of work from her Los Angeles studio.

Still from the video "In Conversation: Rachel Whiteread and Ann Gallagher"

In Conversation
Rachel Whiteread and Ann Gallagher

Rachel Whiteread speaks to Ann Gallagher about a new group of resin sculptures for an upcoming exhibition at Gagosian in London. They discuss the works’ emphasis on surface texture, light, and reflection.

Nathaniel Mary Quinn in his studio

Nathaniel Mary Quinn: In the Studio

Hear the painter describe the creation of a new work in this time-lapse documentation of his process.

Titus Kaphar in his studio, touching his painting.

Titus Kaphar: From a Tropical Space

Join the artist in his studio in New Haven, Connecticut, where he speaks about his latest paintings.

Jenny Saville in her studio.

In Conversation
Jenny Saville and Nicholas Cullinan

Jenny Saville speaks with Nicholas Cullinan, the director of the National Portrait Gallery, London, from her studio. They discuss portraiture, her latest work, and her art historical influences, as well as the shifting nature of perception in the age of digital communication.