As part of the retrospective URS FISCHER at the Museum of Contemporary Art, Los Angeles, the artist staged the interactive artwork YES (2013) at the Geffen Contemporary at MoCA from April 21 to August 19, 2013. To create this large-scale installation, Fischer invited 1,500 California residents into the gallery space to make clay sculptures which then proceeded to harden and crumble over the duration of the show.
November 11–December 14, 2019
Gagosian is pleased to celebrate the release of Urs Fischer: Sculptures 2013–2018, published by Kiito-San, with a special presentation of the book featuring a selection of recent sculptures, works from the Bandaids series, and other important publications made by the artist.
Featuring more than one hundred works as well as documentation of forty exhibitions and installations both public and private, Sculptures 2013–2018 presents six years of Fischer’s material explorations in a substantial volume. Arranged chronologically, the book allows the reader to follow his developments in form and his frequent adventure into whimsy. Fischer’s instinct for design is evident not only in individual works but also in his clarity of vision for a space. Encountering the immense and the minuscule, the ever-changing and the static, the viewer must reconcile with his or her own presence in time.
Urs Fischer: Sculptures 2013–2018 (New York: Kiito-San, LLC, 2019)
Shop Takeover and Book Signing
November 7–30, 2019
Book signing: Thursday, November 7, 6–7pm
Gagosian Shop, New York
Urs Fischer will take over the Gagosian Shop in New York, creating an immersive environment to celebrate the publication of Urs Fischer: Paintings 1998–2017. This three-volume monograph includes every painting produced by the artist from the beginning of his career through 2017.
Fischer will be signing copies of the new book on Thursday, November 7, from 6 to 7pm, in the shop. To attend the free event, RSVP to firstname.lastname@example.org.
Urs Fischer: Paintings 1998–2017 (New York: Kiito-San, LLC, 2019)
ART021 Shanghai 2019
November 9–10, 2019, booth C02
Shanghai Exhibition Center
Gagosian is pleased to participate in ART021 Shanghai 2019, presenting works by Urs Fischer, Helen Frankenthaler, Ellen Gallagher, Theaster Gates, Katharina Grosse, Simon Hantaï, Damien Hirst, Thomas Houseago, Robert Indiana, Jia Aili, Jeff Koons, Grant Levy-Lucero, Takashi Murakami, Nam June Paik, Ed Ruscha, Taryn Simon, Pierre Soulages, Rudolf Stingel, Sarah Sze, Mary Weatherford, and Tom Wesselmann, among others.
To receive a PDF with detailed information on the works, please contact the gallery at email@example.com.
Helen Frankenthaler, Eight in a Square, 1961 © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York
Mansplaining: Figuring Masculinity in the Age of #MeToo
In light of recent developments around the definition of masculinity in American culture, Alison M. Gingeras, the curator of John Currin: My Life as a Man at Dallas Contemporary looks closely at the artist’s depictions of male subjects.
Gagosian Quarterly Winter 2019
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
Reading Nam June Paik
Earlier this year, MIT Press released We Are in Open Circuits: Writings by Nam June Paik. Here Gregory Zinman, coeditor of the book along with John Hanhardt and Edith Decker-Phillips, writes about his first exposure to the artist’s archives, the discoveries made there, and the relationship between Paik’s writings and his larger practice.
Before the Smoke Has Cleared
Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.
Sarah Sze: Art That Explores Time and Memory
Join Sarah Sze as she talks about the questions that drive her work. She describes creating immersive experiences that blur the lines between time, memory, and space—and between art and life.
Abstract Climates: Helen Frankenthaler in Provincetown
Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.
Nathaniel Mary Quinn and Troy Carter
On the eve of the opening of his first exhibition with Gagosian, in Beverly Hills, Nathaniel Mary Quinn joined Troy Carter for a conversation at LA’s Hammer Museum. They spoke about deliverance, Quinn’s new work, and what drives him to make art.
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Sterling Ruby: Disjointed Monuments to Nothing
Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.
Behind the Art
Michael Craig-Martin: Ordinariness
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
Nathaniel Mary Quinn
Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.
Nina Simone, Our National Treasure
Text by Salamishah Tillet.