December 6–10, 2017
Moore Building, Miami
On the occasion of Art Basel Miami Beach 2017, Gagosian and Jeffrey Deitch are pleased to present Abstract/Not Abstract, their third collaboration at the Moore Building in the Miami Design District. One of the great innovations of modernism, abstract painting continues to inspire and challenge artists. To make a fresh abstraction today following all the remarkable achievements of the School of Paris and the New York School is a daunting proposition. Yet through the use of innovative approaches, techniques, and technologies, this generation of artists is creating complex and astonishing new work that revitalizes the abstract tradition. Abstract/Not Abstract will include work by contemporary artists who redefine abstraction for our time.
Steven Parrino, Untitled, 1988 © Steven Parrino
Tuesday, June 15, 2021, 1pm edt
Join Gagosian for a conversation between Thomas Houseago and Amélie Simier, director of the Musée Rodin, Paris, appointed in May 2021. Moderated by art historian and Gagosian director Richard Calvocoressi, the discussion will look at contemporary sculpture and its foundation in Auguste Rodin’s radical forms, Houseago’s ongoing exploration of both human representation and abstraction, and process in both artists’ practices, including their common use of classical materials such as bronze and plaster. The trio will also discuss a forthcoming exhibition pairing sculptures by both artists at Gagosian in London. To join, register at eventbrite.com.
Left: Thomas Houseago. Photo: Ari Marcopoulos. Right: Amélie Simier. Photo: © Agence Photographique du Musée Rodin, J. Manoukian
Thursday, June 17, 2021, 1pm edt
Join Gagosian for a dialogue between Adriana Varejão and Brazilian critic and curator Luisa Duarte on the occasion of Varejão’s exhibition Talavera, on view at Gagosian, New York, through June 26. The pair will discuss Varejão’s unique approach to painting in the context of Latin American history, culture, and politics. Duarte’s new essay on Varejão’s oeuvre, “For a Poetics of Difference,” appears in the Summer issue of the Gagosian Quarterly, and she curated the 2019 survey exhibition Adriana Varejão: Por uma retórica canibal, presented in both Salvador and Recife, Brazil. Organized in partnership with Fortes D’Aloia & Gabriel, the conversation will be conducted in Portuguese and streamed online with English subtitles. This is the first of two events presented in conjunction with the exhibition, hosted over the course of two consecutive days. To join, register at eventbrite.com.
Left: Adriana Varejão. Photo: Vicente de Mello. Right: Luisa Duarte
Friday, June 18, 2021, 1pm edt
Join Gagosian for a walkthrough of the exhibition Adriana Varejão: Talavera at Gagosian, New York, led by the artist together with Mexican curator Pedro Alonzo. In 2017, Varejão and Alonzo made a research trip to Mexico to study Talavera poblana, the richly diverse ceramic tradition that inspired the current exhibition. While guiding viewers through the exhibition, the pair will recount their experiences and the many references—from Indigenous and pre-Hispanic to colonial and modernist—for this body of work, revealing some of the potent narratives inherent in material culture, global trade, art history, and the corresponding power dynamics in Mexico and Brazil. This is the second of two events presented in conjunction with the exhibition, hosted over the course of two consecutive days. To join, register at eventbrite.com.
Left: Adriana Varejão. Photo: Vicente de Mello. Right: Pedro Alonzo. Photo: René Castelán Foglia
Helen Frankenthaler: A Painter’s Sculptures
On the occasion of three exhibitions in London exploring different aspects of Helen Frankenthaler’s work, Lauren Mahony introduces texts by the sculptor Anthony Caro and by the artist herself on her relatively unfamiliar first body of sculpture, made in the summer of 1972 in Caro’s London studio.
Gagosian Quarterly Summer 2021
The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.
Vicomtesse Marie-Laure de Noailles
Ariella Wolens explores the patron’s role in fostering the legendary art world of early twentieth-century France.
Building a Legacy
Famously Unknown: Legacy Building in the Art World
In this video, Raymond Foye and Rani Singh discuss the general principles and methodologies of archiving, editing, and presenting the work of overlooked artists and writers. They share firsthand accounts and learning experiences from working with artists and poets such as Jordan Belson, Gregory Corso, Rene Ricard, and Harry Smith.
Work in Progress
Jia Aili: In the Studio
This video presents a behind-the-scenes look at Jia Aili’s studio in Beijing. He elaborates on his in-progress works, the complexity of his compositions, as well as his philosophies of and motivations for painting.
Adriana Varejão: For a Poetics of Difference
Curator Luisa Duarte considers the artist’s oeuvre, writing on Varejão’s active engagement with theories of difference, as well as the cultural specters of the past.
Dr. David Driskell
Taylor Aldridge reflects on the enduring legacy of the artist, educator, curator, and scholar.
Louise Bonnet: Sphinxes
Ali Subotnick investigates the artist’s surreal new series of drawings.
Albert Oehlen: Terrifying Sunset
The artist speaks with Mark Godfrey about his new paintings, touching on the works’ relationship to John Graham, the Rothko Chapel, and Leigh Bowery.
A Body in Fukushima
Ten years after Fukushima’s nuclear meltdown of 2011, movement-based artist Eiko Otake and historian/photographer William Johnston discuss their visits to that irradiated landscape. The forthcoming book A Body in Fukushima documents their ongoing performance project.
To Create a Vision: Jia Aili in Conversation with Philip Tinari
Jia Aili speaks with curator Philip Tinari about his arts education, his working process, and his desire to expand the talking points around painting.
Artist to Artist: Rachel Feinstein and Ewa Juszkiewicz
On the occasion of Frieze New York 2021, the two artists discuss remixing conventions, the allure of Rococo, and the importance of research and history within their respective practices.