Walton Ford on Eugène Delacroix
Friday, December 14, 2018, 7–8pm
Metropolitan Museum of Art, New York
As part of the Met’s Artists on Artworks and MetFridays programs, Walton Ford will discuss Eugène Delacroix’s images of animals, a subject important to his own practice, in conjunction with the exhibitions Delacroix and Devotion to Drawing: The Karen B. Cohen Collection of Eugène Delacroix currently on view at the museum.
Top: Walton Ford, Un Homme Qui Reve, 2018 © Walton Ford. Photo: Tom Powell Imaging. Bottom: Eugène Delacroix, Young Tiger Playing with Its Mother, 1830, Musée du Louvre, Paris. Photo: RMN-Grand Palais (Musée du Louvre)/Franck Raux
West Bund Art & Design 2018
November 8–11, 2018, booth A120
West Bund Art Center, Shanghai
Gagosian is pleased to participate in West Bund Art & Design for the first time, with a booth of modern and contemporary works by artists including Glenn Brown, Dan Colen, John Currin, Jean Dubuffet, Rachel Feinstein, Urs Fischer, Walton Ford, Ellen Gallagher, Douglas Gordon, Jennifer Guidi, Hao Liang, Damien Hirst, Thomas Houseago, Alex Israel, Y.Z. Kami, Takashi Murakami, Yoshitomo Nara, Nam June Paik, Richard Prince, Sterling Ruby, Ed Ruscha, Rudolf Stingel, and Jonas Wood.
Additionally, a large-scale painting by Takashi Murakami, Dragon in Clouds – Indigo Blue (2010), will be installed in a special presentation at the entrance to Hall N. To receive a PDF with detailed information on the works, please contact the gallery at firstname.lastname@example.org. To preview our booth, go to artsy.net.
Thomas Houseago, Untitled (Colored Skull I), 2018 © Thomas Houseago
Art Basel Hong Kong 2018
March 29–31, 2018, booth 1C18
Hong Kong Convention and Exhibition Centre
Gagosian is pleased to participate in Art Basel Hong Kong. To view highlights from the booth in advance of the fair visit www.artsy.com. Our presentation will include works by Georg Baselitz, Jean-Michel Basquiat, Joe Bradley, Cecily Brown, Glenn Brown, Alexander Calder, John Currin, Willem de Kooning, Edmund De Waal, Jean Dubuffet, Urs Fischer, Lucio Fontana, Walton Ford, Katharina Grosse, Mark Grotjahn, Andreas Gursky, Damien Hirst, Jia Aili, Anish Kapoor, Yves Klein, Karen Kneffel, Jeff Koons, Harmony Korine, Roy Lichtenstein, Takashi Murakami, Takashi Murakami & Virgil Abloh, Albert Oehlen, Nam June Paik, Francis Picabia, Pablo Picasso, Sterling Ruby, Ed Ruscha, Jenny Saville, Richard Serra, Rudolf Stingel, Mark Tansey, Cy Twombly, Andy Warhol, Jonas Wood, Christopher Wool, and Zeng Fanzhi. Tickets are available at www.artbasel.com.
Zeng Fanzhi, 8, 2018 © Zeng Fanzhi 2018
Thursday, November 30, 2017, 6pm
Gagosian Shop, New York
Walton Ford will sign copies of his new books Paleoart: Visions of the Prehistoric Past and Calafia. Published by Taschen, Paleoart: Visions of the Prehistoric Past presents the history of paleoart from 1830 to 1990 with an essay by Zoë Lescaze and a preface by Ford. Calafia, published by Gagosian, presents Ford’s latest body of work currently being exhibited in Beverly Hills, along with a text by author Emma Cline. To attend the free event, RSVP to email@example.com.
Paleoart: Visions of the Prehistoric Past (Cologne, Germany: Taschen, 2017)
Edmund de Waal and Jan Dalley
At the FT Weekend Festival 2019 in London, Edmund de Waal sat down for a conversation with Financial Times arts editor Jan Dalley. They spoke about the relationship between words and sculpture in his practice, and about two recent projects: the two-part exhibition psalm, in Venice, and Elective Affinities, at the Frick Collection, New York.
Gagosian Quarterly Winter 2019
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
Discovering Dora Maar
Brigitte Benkemoun’s book Je suis le carnet de Dora Maar takes a novel approach to the art of biography. For the Quarterly, Benkemoun recounts her discovery of a mysterious Hermès address book, the subsequent realization of its genius former owner, and her journey to learn more about the life, friends, and art of Dora Maar.
The artist discusses her life and work with Alan Yentob.
Work in Progress
The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.
Mansplaining: Figuring Masculinity in the Age of #MeToo
In light of recent developments around the definition of masculinity in American culture, Alison M. Gingeras, the curator of John Currin: My Life as a Man at Dallas Contemporary looks closely at the artist’s depictions of male subjects.
Reading Nam June Paik
Earlier this year, MIT Press released We Are in Open Circuits: Writings by Nam June Paik. Here Gregory Zinman, coeditor of the book along with John Hanhardt and Edith Decker-Phillips, writes about his first exposure to the artist’s archives, the discoveries made there, and the relationship between Paik’s writings and his larger practice.
Before the Smoke Has Cleared
Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.
Abstract Climates: Helen Frankenthaler in Provincetown
Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Giuseppe Penone: Foglie di bronzo / Leaves of Bronze
Gagosian director Pepi Marchetti Franchi speaks about Giuseppe Penone’s recent exhibition in San Francisco, detailing the various works and their relationships to the artist’s long-standing sculptural practice.
Eilshemius and Me: An Interview with Ed Ruscha
Ed Ruscha tells Viet-Nu Nguyen and Leta Grzan how he first encountered Louis Michel Eilshemius’s paintings, which of the artist’s aesthetic innovations captured his imagination, and how his own work relates to and differs from that “Neglected Marvel,” Eilshemius.