Wednesday, May 8, 2019, 6–7:15pm
Sheldonian Theatre, University of Oxford, England
Jeff Koons will speak with Martin Kemp, emeritus professor of art history at the University of Oxford, England, about the inspiration behind the artist’s bold and provocative works, and what role they play in the world of contemporary art more broadly.
Jeff Koons. Photo: David Fisher
Tuesday, June 5, 2018, 5:30pm
New York Institute of Technology
Jeff Koons will participate in the David Rockefeller Lecture Series. As a successful artist who has partnered with businesses, Jeff Koons sits at the intersection between the two industries. He will speak about his past collaborations and how, by navigating the space between business and the arts, he has encouraged the integration of the arts in different spaces. To attend the event, purchase tickets at secture.artusa.org.
Photo: Branislav Jankic
Wednesday, May 30, 2018, 5–7pm
Gagosian Shop, New York
Gagosian Shop will unveil one hundred editions of Jeff Koons’s Puppy (Vase) (1998), available for sale. Koons will be in attendance to celebrate the twentieth anniversary of one of his most popular early editions. Combining Koons’s interest in domestic objects, classical beauty, and childlike joy, Puppy (Vase) is a glazed porcelain vase in the shape of a small white Highland terrier, its wiry hair expertly articulated. The editions were produced in 1998, only a few years after the completion of Puppy (1992), Koons’s monumental topiary sculpture that is permanently installed at the Guggenheim Museum Bilbao. To attend the free event, RSVP to email@example.com.
Jeff Koons, Puppy (Vase), 1998 © Jeff Koons
December 2017–January 2019
Los Angeles County Museum of Art
Jeff Koons’s monumental Balloon Monkey (Orange) (2006–13) is on view in the Los Angeles Times Central Court through January 2019. Koons’s meticulous reproduction of the twisted balloon shape in mirror-polished stainless steel plays with and confounds our natural material association of the pliable, air-filled form. Through these transformations and enlargements of scale, Koons makes familiar objects become alternately strange, humorous, and surreal.
Jeff Koons, Balloon Monkey (Orange), 2006–13 © Jeff Koons
Jeff Wall: The Space of Photography
Jeff Wall leads a tour through his most recent exhibition in New York.
Gagosian Quarterly Summer 2019
The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.
Text by Richard Hell.
Visions of the Self: Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Marc Newson and Derek Blasberg
Marc Newson tells Derek Blasberg about his newest creations, explaining the backstory of these ornate works.
An exhibition at Gagosian, Paris, is raising funds to aid in the reconstruction of the Cathédrale Notre-Dame de Paris following the devastating fire of April 2019. Gagosian directors Serena Cattaneo Adorno and Jean-Olivier Després spoke to Jennifer Knox White about the generous response of artists and others, and what the restoration of this iconic structure means across the world.
Andy Warhol: Everything Is Good
Richard Hell writes about the “transcendentally camp” Pop artist, portraitist of daily life.
Frieze Sculpture New York: An Interview with Brett Littman
The inaugural presentation of Frieze Sculpture New York at Rockefeller Center opened on April 25, 2019. Before the opening, Brett Littman, the director of the Isamu Noguchi Foundation and Garden Museum and the curator of this exhibition, told Wyatt Allgeier about his vision for the project and detailed the artworks included.
Roy Lichtenstein: 1961 to 1965
Gillian Pistell examines Roy Lichtenstein’s aesthetic developments in the years 1961 to 1965.
Arakawa: Diagrams for the Imagination
The exhibition Arakawa: Diagrams for the Imagination receives a closer look by Gagosian director Ealan Wingate. In this video, he discusses the artist’s arrival in New York and examines the importance of maps and language in Arakawa’s work.
Jeff Wall: The World as It Appears
The artist speaks with David Rimanelli about his newest works, the physicality of photography, and the persistence of certain motifs throughout his career.
Time by Dance by Paik
Gillian Jakab considers the role of choreography in Nam June Paik’s 1989 video installation Fin de Siècle II.