Tuesday, June 4, 2019, 6pm
Gagosian, Britannia Street, London
Michael Craig-Martin will lead a tour of his exhibition Sculpture at Gagosian, Britannia Street, London, which includes six new monumental sculptures, each standing between three and four meters high. This is the first time his sculptures have been shown indoors, and the first time they have been exhibited as a group in London. The event has reached capacity. To join the wait list, contact firstname.lastname@example.org.
Michael Craig-Martin, Corkscrew (orange), 2019 © Michael Craig-Martin. Photo: Lucy Dawkins
Saturday, October 5, 2019, 12pm
Regent’s Park, London
In conjunction with the retrospective display of his drawings at Frieze Masters, Michael Craig-Martin will be in conversation with Dr. Emilie Gordenker, director of the Mauritshuis at the Hague, Netherlands. The pair will discuss Craig-Martin’s work, with particular emphasis on the long-standing centrality of drawing in his practice, as well as the artist’s experience of the changing character of art and the art world over the past fifty years. To attend the free event, register at the Frieze Masters auditorium desk the day of the talk.
Michael Craig-Martin, Untitled (group I), 2017 © Michael Craig-Martin
The Connaught Christmas Tree
November 22, 2018–January 6, 2019
The Connaught, London
Inspired by the fairy lights typically used to decorate Christmas trees, Michael Craig-Martin has used 12,000 rainbow-hued lights to transform the Connaught’s Norwegian spruce, which stands almost 30 feet (9 meters) tall, into a dynamic and distinctive sight to celebrate the holiday season. The lights run in intricately placed single strands from the tree’s top to its bottom, and the colors continually change, shifting in a carefully choreographed pattern.
Artwork © Michael Craig-Martin
CityPlace, West Palm Beach, Florida
Michael Craig-Martin has transformed the exterior of a former Macy’s with his largest mural to date, Palm Beach Parade. The retailer abandoned the site earlier this year, and this project aims to transform the struggling shopping center in which the store was situated by putting culture at the forefront.
Michael Craig-Martin, Palm Beach Parade, 2017 © Michael Craig-Martin
Work in Progress
The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.
Gagosian Quarterly Winter 2019
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
Mansplaining: Figuring Masculinity in the Age of #MeToo
In light of recent developments around the definition of masculinity in American culture, Alison M. Gingeras, the curator of John Currin: My Life as a Man at Dallas Contemporary looks closely at the artist’s depictions of male subjects.
Reading Nam June Paik
Earlier this year, MIT Press released We Are in Open Circuits: Writings by Nam June Paik. Here Gregory Zinman, coeditor of the book along with John Hanhardt and Edith Decker-Phillips, writes about his first exposure to the artist’s archives, the discoveries made there, and the relationship between Paik’s writings and his larger practice.
Before the Smoke Has Cleared
Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.
Sarah Sze: Art That Explores Time and Memory
Join Sarah Sze as she talks about the questions that drive her work. She describes creating immersive experiences that blur the lines between time, memory, and space—and between art and life.
Abstract Climates: Helen Frankenthaler in Provincetown
Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.
Nathaniel Mary Quinn and Troy Carter
On the eve of the opening of his first exhibition with Gagosian, in Beverly Hills, Nathaniel Mary Quinn joined Troy Carter for a conversation at LA’s Hammer Museum. They spoke about deliverance, Quinn’s new work, and what drives him to make art.
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Sterling Ruby: Disjointed Monuments to Nothing
Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.
Behind the Art
Michael Craig-Martin: Ordinariness
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
The artist discusses her life and work with Alan Yentob.