Museum in the Artist’s Camera Obscura
This short film, produced by the Los Angeles County Museum of Art (LACMA), features rare behind-the-scenes footage of Vera Lutter, her assistants, and the LACMA staff, filmed during the artist’s residency at the institution. Lutter and museum curator Jennifer King offer their insights into the artistic process and discuss the meanings they find in these dreamlike photographs.
Friday, May 18, 2018, 2:30–3:30pm
Somerset House, London
On the occasion of Photo London, Vera Lutter and Martin Barnes, senior curator of photographs at the Victoria and Albert Museum, will speak about Lutter’s exploration of light, time, and movement and her use of a room-sized camera obscura to capture architecture, urban landscapes, and industrial sites. The pair will also discuss her decision to retain the negative image and refrain from multiplication or reproduction. To attend the event, purchase tickets at photolondon.org.
Vera Lutter, Cold Spring, IX: February 17, 2014, 2014
Monday, March 12, 2018, 7:30pm
Los Angeles County Museum of Art
The Los Angeles County Museum of Art’s Director Michael Govan will speak with Vera Lutter about her ongoing artist residency at LACMA. Since January 2017, Lutter has been documenting the museum using camera obscura, creating photographs that examine the museum’s exterior architecture, gallery interiors, and permanent collection. Govan and Lutter will discuss the artist’s process, and how her project offers a unique perspective on LACMA’s history and future. To attend the free event, reserve tickets at www.lacma.org.
Vera Lutter, The Death of Lucretia: February 10, 2017, 2017 © Vera Lutter
October 28–November 1, 2017
TEFAF New York
The Los Angeles County Museum of Art will present a special exhibition of Vera Lutter’s new body of work from her residency at the museum. Lutter has been creating photographs that examine the museum’s exterior architecture, gallery interiors, and permanent collection, and this exhibition will mark the first public display of these new photographs.
Vera Lutter, The Death of Lucretia: February 10, 2017, 2017
Rachel Whiteread and Ann Gallagher
Rachel Whiteread speaks to Ann Gallagher about a new group of resin sculptures for an upcoming exhibition at Gagosian in London. They discuss the works’ emphasis on surface texture, light, and reflection.
Gagosian Quarterly Fall 2020
The Fall 2020 issue of Gagosian Quarterly is now available.
Rachel Whiteread on Piero della Francesca
Rachel Whiteread writes about the Italian artist’s Baptism of Christ (after 1437) and what has drawn her to this painting, from her first experience of it at a young age to the present day.
Titus Kaphar: From a Tropical Space
Join the artist in his studio in New Haven, Connecticut, where he speaks about his latest paintings.
Nathaniel Mary Quinn: In the Studio
Hear the painter describe the creation of a new work in this time-lapse documentation of his process.
Theaster Gates: Black Vessel
Join Theaster Gates in his studio as he prepares for an upcoming exhibition at Gagosian, New York. In this video, shot on location in Chicago during the tumultuous weeks of protest in late spring 2020, Gates reflects on the metaphorical power of materials and process, and on the redemptive potential of art.
Gregory Crewdson: An Eclipse of Moths
Gregory Crewdson discusses his new work with actor Cate Blanchett.
Mary Weatherford: Train Yards
Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.
Filmmaker and author Miranda July joined Louise Bonnet on a video call to discuss life during lockdown, the luminosity of oil paint, and Bonnet’s forthcoming exhibition of new work. Longtime friends—and newly neighbors—the two reflect on their shared history and shared interests in the unconscious, vagueness, and the mixture of humor and pain.
“Things Fall Apart”: Ed Ruscha’s Swiped Words
Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.
Bebe Miller and Cynthia Oliver
The legendary choreographers discuss their history together, the evolution of Cynthia Oliver’s boom!, imposed boundaries on “Black dance,” and the choreographies of the pandemic.
Suzanne Hudson speaks with Leah Levy, executive director of the Jay DeFeo Foundation, about the artist’s life and work.