Transition from Cool to Warm
Anselm Kiefer: Transition from Cool to Warm is available for online reading from May 31 through July 1 as part of the From the Library series. The catalogue documents the artist’s exhibition at Gagosian New York in 2017. Central to this publication are more than forty watercolors made between 2012 and 2016, marking Kiefer’s return to the medium after forty years. The exhibition also featured over forty unique artist books and nine monumental landscape paintings, which are included in the catalogue. Essays by novelist Karl Ove Knausgård and art historian James Lawrence are included, along with an interview by art journalist Louisa Buck and the artist.
Anselm Kiefer: Transition from Cool to Warm (New York: Gagosian, 2017)
Anselm Kiefer has produced a new series of works for the Panthéon in Paris, including a permanent installation comprising six vitrines, as well as two monumental paintings that are currently on loan. Together with a composition by the French contemporary composer Pascal Dusapin, it forms an ensemble of new works commissioned by President Emmanuel Macron. This marks the first time since 1924 that such a commission has been produced for the Panthéon; the works’ unveiling coincided with Armistice Day, November 11, 2020.
Anselm Kiefer, Qu’est-ce que nous sommes. . . , 2020, installation view, Panthéon, Paris © Anselm Kiefer. Photo: Georges Poncet
May 2–July 22, 2018
Rockefeller Center, New York
Uraeus is Anselm Kiefer’s first US site-specific public sculpture. Commissioned by Public Art Fund and Tishman Speyer, and presented by Gagosian, the work consists of a gigantic open book with eagle’s wings 30 feet in span, both made of lead, on top of a 20-foot-tall lead-clad stainless steel column. Clustered around the base are further outsize lead books, while a large snake coils up the column. Lead is one of the artist’s preferred materials owing to its soft, fluid properties traditionally associated with alchemical transformation, especially its second stage: dissolution.
Anselm Kiefer, Uraeus, 2017–18 (detail) © Anselm Kiefer. Photo: Georges Poncet
Monday, April 30, 2018, 6:30–8pm
New School, New York
Anselm Kiefer will speak with Richard Calvocoressi about his new work and past public art projects on the occasion of his new public installation Uraeus at Rockefeller Center, New York, on view May 2–July 22, 2018. To attend the event, purchase tickets at newschool.edu.
Anselm Kiefer, Uraeus, 2017–18 (detail) © Anselm Kiefer
Behind the Art
Rick Lowe: In the Studio
Join Rick Lowe in his Houston studio as he speaks about his recent paintings, describing their connections to his long engagement with the activity of dominoes and to his community-based projects created in the tradition of social sculpture.
Gagosian Quarterly Fall 2021
The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.
Georg Baselitz: Pulling Up the Image
In celebration of five recent projects related to Georg Baselitz, Richard Calvocoressi, Max Hollein, and Katy Siegel speak with the artist and look at his prolific career.
Social Works II: Kahlil Robert Irving
Antwaun Sargent speaks with Kahlil Robert Irving in advance of the opening of Social Works II and presents a portfolio of Irving’s sculptures.
The Destination Is Latinx
Susan Breyer surveys the dynamic state of contemporary Latinx art in the United States. Highlighting seven artists who are rewriting cultural narratives, Breyer calls for sustained attention to this growing group beyond National Hispanic Heritage Month.
Christopher Rudd’s pas de deux Touché, choreographed for American Ballet Theatre during the onset of the pandemic, follows dancers João Menegussi and Calvin Royal III through a charged, vulnerable, and ultimately tender love story. In conversation with scholar Clare Croft, the artists reflect on the politics, poetics, and process of bringing this groundbreaking duet to life.
Behind the Art
Tatiana Trouvé: In the Studio
Join the artist in her studio as she speaks about her new series of drawings, From March to May. Trouvé describes the genesis of the project and the essential role its creation played in keeping her connected with the outside world during the difficult months of pandemic-related lockdown.
Historian Victoria Phillips speaks with the artist about his new paintings, memory and its relationship to media, and the continuing impact of the Cold War.
Bourse de Commerce
William Middleton traces the development of the new institution, examining the collaboration between the collector François Pinault and the architect Tadao Ando in revitalizing the historic space. Middleton also speaks with artists Tatiana Trouvé and Albert Oehlen about Pinault’s passion as a collector, and with the Bouroullec brothers, who created design features for the interiors and exteriors of the museum.
Jacquelynn Baas celebrates the choreographer, dancer, and teacher, tracing the profound influence she had on the worlds of dance and art.
Katy Hessel, Matthew Holman, and Eleanor Nairne on Helen Frankenthaler
Broadcaster and art historian Katy Hessel; Matthew Holman, associate lecturer in English at University College London; and Eleanor Nairne, curator at the Barbican Art Gallery, London, discuss Helen Frankenthaler’s early training, the development of her signature soak-stain technique and subsequent shifts in style, and her connections to the London art world.
Gagosian Quarterly Films
Katharina Grosse: Think Big!
From October 21 to 23, 2021, Gagosian Quarterly presented a special English-language online screening of Claudia Müller’s Katharina Grosse: Think Big!