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Anselm Kiefer
Transition from Cool to Warm

Anselm Kiefer: Transition from Cool to Warm is available for online reading from May 31 through July 1 as part of the From the Library series. The catalogue documents the artist’s exhibition at Gagosian New York in 2017. Central to this publication are more than forty watercolors made between 2012 and 2016, marking Kiefer’s return to the medium after forty years. The exhibition also featured over forty unique artist books and nine monumental landscape paintings, which are included in the catalogue. Essays by novelist Karl Ove Knausgård and art historian James Lawrence are included, along with an interview by art journalist Louisa Buck and the artist.

Anselm Kiefer: Transition from Cool to Warm (New York: Gagosian, 2017)

Anselm Kiefer: Transition from Cool to Warm (New York: Gagosian, 2017)

Related News

Anselm Kiefer à La Tourette (New York: Gagosian, in association with Le Couvent Sainte-Marie de La Tourette, Bernard Chauveau Édition, and Atelier Anselm Kiefer, 2020)

Online Reading

Anselm Kiefer à La Tourette

Anselm Kiefer à La Tourette is available for online reading from June 22 through July 20 as part of Artist Spotlight: Anselm Kiefer. This book was published on the occasion of the artist’s 2019 exhibition Anselm Kiefer à La Tourette at the Couvent Sainte-Marie de La Tourette, Éveux, France. In 1966 Kiefer spent a few weeks at La Tourette, the monastery designed by Le Corbusier, where he was inspired by the materiality of the architecture. Fifty-two years later he was invited to return to exhibit his work in dialogue with the spiritual place. Anselm Kiefer à La Tourette documents the installations, paintings, sculptures, and artist’s books that were on view, and includes a series of photographs of the monastery taken by the artist. The publication also features a foreword by Larry Gagosian, an essay by Brother Marc Chauveau, and a text by Kiefer originally written in 1966 following his stay.

Anselm Kiefer à La Tourette (New York: Gagosian, in association with Le Couvent Sainte-Marie de La Tourette, Bernard Chauveau Édition, and Atelier Anselm Kiefer, 2020)

Photo: Georges Poncet

Artist Spotlight

Anselm Kiefer

June 22–28, 2022

Anselm Kiefer’s monumental body of work represents a microcosm of collective memory, visually encapsulating a broad range of cultural, literary, and philosophical allusions. Drawing from sources that range from the Old and New Testaments, Kabbalah mysticism, Norse mythology, and Wagner’s Ring Cycle to the poetry of Ingeborg Bachmann and Paul Celan, Kiefer makes palpable the complexities of human history.

Photo: Georges Poncet

Anselm Kiefer, Die Frauen der Antike, 1999–2002, installation view, La Ribaute, Barjac, France © Anselm Kiefer. Photo: Charles Duprat

Giveaway

Artist Spotlight: Anselm Kiefer
La Ribaute Private Tour and Lunch

Over the course of three decades, Anselm Kiefer has transformed La Ribaute—a 40-hectare site located in the south of France near Barjac, northwest of Avignon—into a uniquely immersive artistic environment.

Enter for a chance to join an exclusive tour of the grounds on Saturday, September 10, 2022, for you and a guest. The visit includes a guided walk-through led by Gagosian director Georges Armaos, featuring a talk with Kiefer studio director Waltraud Forelli, and a private lunch amid the artist’s monumental installations.

The giveaway begins on June 22 at 6am EDT and ends on June 29 at 6am EDT as part of Artist Spotlight: Anselm Kiefer. For terms and conditions, click here.

Enter to Win

Anselm Kiefer, Die Frauen der Antike, 1999–2002, installation view, La Ribaute, Barjac, France © Anselm Kiefer. Photo: Charles Duprat

Timothy Behrens, Lucian Freud, Francis Bacon, Frank Auerbach, andMichael Andrews (left to right) at Wheeler's restaurant in Soho,London, 1963. Photo: © John Deakin/John Deakin Archive/BridgemanImages

Frank Auerbach: Artist Friends

In this candid interview with Richard Calvocoressi, the painter Frank Auerbach reminisces on his friendships with Michael Andrews, Francis Bacon, and Lucian Freud. The two spoke during the planning of the exhibition Friends and Relations, a show that examines the interconnected lives and art practices of this group of London painters.

Anna Weyant’s Two Eileens (2022) on the cover of Gagosian Quarterly, Winter 2022

Now available
Gagosian Quarterly Winter 2022

The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.

Jim Shaw, The Master Mason (2020) is a large acrylic work painted on a section of found muslin backdrop. Donald Trump is dressed as a founding father—namely George Washington—complete with tricorne hat and Masonic ritual apron, an emblem of innocence, righteousness, and proper conduct.

“The Present Decline”: Jim Shaw’s Epic Parables

Catherine Taft examines Jim Shaw’s visionary work, which probes the American psyche through political, historical, and cultural allegory.

Sky High Farm Symposium at Judd Foundation: The Community Panel

Sky High Farm Symposium at Judd Foundation: The Community Panel

In this video, Thelma Golden, Chief Curator and Director of the Studio Museum in Harlem; Tremaine Emory, Founder of Denim Tears and Creative Director of Supreme; Father Mike Lopez, Founder of the Hungry Monk Rescue Truck; and artist Anicka Yi sit down to explore how the concept of community has shaped their work, and the power in seeing the places we live, our histories, and even our bodies as porous, interdependent, and alive.

Black and white image of Walter De Maria, 1961. Photo: George Maciunas

Walter De Maria: The Object, the Action, the Aesthetic Feeling

The definitive monograph on the work of Walter De Maria was published earlier this fall. To celebrate this momentous occasion, Elizabeth Childress and Michael Childress of the Walter De Maria Archive talk to Gagosian senior director Kara Vander Weg about the origins of the publication and the revelations brought to light in its creation.

Dimitris Papaioannou, Transverse Orientation, 2021, Théâtre du Châtelet – Théâtre de la ville de Paris. Performer: Michalis Theophanous. Photo: © Julian Mommert

Myths and Monsters

Mike Stinavage visits Dimitris Papaioannou in Athens as he closes one world tour and opens another.

Anna Weyant in her studio, New York, 2022

Anna Weyant: Baby, It Ain’t Over Till It’s Over

Novelist Emma Cline traces the boundaries between terror and hilarity in Anna Weyant’s new paintings.

Black and white image of Bruce Bernard, Lucian Freud Standing on His Head, with Daughter Bella, 1983

Bruce Bernard: Portraits Of Friends

Virginia Verran details the photographer’s friendships with the London painters.

Karin Kneffel, Untitled, 2021, oil on canvas, in two parts

The Actual Picture: On Karin Kneffel’s Painting

In 2021, Karin Kneffel embarked on a new series of oil paintings, different from anything she had made before. Derived from her photographic studies of early Northern Renaissance polychrome-painted wood sculptures, these portrait diptychs appear for the first time in the exhibition Face of a Woman, Head of a Child at Gagosian, Rome. Art historian Ulrich Wilmes provides a first look, noting how Kneffel links pictorial and empirical realities, past and present, in a topic of universal human significance.

The Émile Hermès Museum, Paris. Photo: Nathalia Baetens, courtesy Hermès

Fashion and Art: Pierre-Alexis Dumas

Pierre-Alexis Dumas, the artistic director of Hermès, speaks with curator Abby Bangser about the central role of the house’s art collection in its creative process.

Jim Shaw performing in the exhibition LEFT BEHIND at CAPC musée d’art contemporain de Bordeaux, France, 2010

Shortlist
Shaw Studio Sing-along Songs

In this Shortlist series we invite artists and writers to tell us about works of art, literature, film, or music that have influenced their work or are at the forefront of their minds today. Here Jim Shaw shares a selection of songs he listens to while working, from new discoveries to childhood staples. Shaw writes of the balance between delight and regret, hope and gloom in his playlist.

Ashley Bickerton, Grey Reflecting Heads No. 2, 2006, acrylic, ink, paper cutouts, felt, and steel pins on paper, 40 × 64 inches (101.1 × 162.5 cm)

Bickerton’s “Bickertons” in the Realm of the Fetish

Abigail Solomon-Godeau analyzes periodization, artistic persona, and fetishism in the expansive work of Ashley Bickerton.