Rudolf Polanszky: Translinear Structures
KA21/Cast Your Art
Rudolf Polanszky speaks about his art in this video from KA21, produced on the occasion of his retrospective exhibition presented by Zeit Kunst Niederösterreich in 2015. Installed in a historical church in Krems, Austria, the exhibition reflected the artist’s ongoing engagement with philosophy, mathematics, and epistemology, articulated through abstract and poetic visual forms.
Rudolf Polanszky is available for online reading from July 1 through July 30 as part of Artist Spotlight: Rudolf Polanszky. Published on the occasion of his first exhibition with Gagosian, the book highlights recent paintings and sculptures by the Viennese artist dating from 2014 to 2019. To make his richly textured assemblages, Polanszky uses salvaged industrial materials such as acrylic glass, aluminum, mirrored foil, silicone, and wire, recombining them into purely aesthetic forms divorced from their original contexts. An essay by Francesco Stocchi considers the artist’s work in relation to the concept of the void, while an illuminating conversation with the artist by Hans Ulrich Obrist offers an overview of Polanszky’s career.
Rudolf Polanszky (New York: Gagosian, 2020)
July 1–7, 2020
An important contributor to the artistic landscape of Vienna, Rudolf Polanszky makes cerebral multidisciplinary works that embrace chance occurrence. His fundamentally improvisational practice marries conceptual philosophies with varied modes of production, resulting in compositions that oscillate between dual identities as concrete objects and symbols of subjective perception.
Photo: Xandra M. Linsin
One Artist, One Work, One Week
Launching April 8, 2020
As arts institutions worldwide temporarily close their doors to support efforts to contain the COVID-19 pandemic, exhibitions everywhere are being canceled, postponed, or curtailed. For artists who have invested time, energy, and resources preparing shows now directly affected by the health crisis, Gagosian is launching Artist Spotlight—a new, multifaceted program that invites individual artists to use the gallery’s online channels as an open platform, to present their work to the world and continue generating support for their studios.
Clockwise from top left: Sarah Sze, photo: courtesy MacArthur Foundation; Urs Fischer, photo: Chad Moore; Jennifer Guidi, photo: Brica Wilcox; Titus Kaphar, photo: John Lucas; and Jenny Saville, photo: Pal Hansen/Getty Images
Mike Milken and Larry Gagosian
Mike Milken interviews Larry Gagosian about their shared histories, the important role of art in moments of crisis, and the long-term impact of creative visions.
Gagosian Quarterly Summer 2020
The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.
Titus Kaphar: Can Beauty Open Our Hearts to Difficult Conversations?
In this TED talk, presented during the sweeping protests against racism and police violence following the killing of George Floyd, Titus Kaphar describes how the beauty of a painting can draw the viewer in and allow difficult conversations to emerge. Kaphar discusses his own work and shares the idea behind NXTHVN, a new national arts model he founded to empower artists of color through education and access.
Jenny Saville and Nicholas Cullinan
Jenny Saville speaks with Nicholas Cullinan, the director of the National Portrait Gallery, London, from her studio. They discuss portraiture, her latest work, and her art historical influences, as well as the shifting nature of perception in the age of digital communication.
Five Preoccupations: Jenny Saville
Jenny Saville shares a selection of the books, films, and more that have been her companions in the quiet of the shutdowns in recent months and as she looks ahead to a new exhibition next year.
Casa Malaparte: Furniture
Featuring interviews with Tommaso Rositani Suckert and Serena Cattaneo Adorno, this video presents a unique look at the history of Casa Malaparte in Capri and documents the fabrication of new editions of the iconic furniture pieces from the house, designed in the late 1930s by avant-garde writer Curzio Malaparte.
The Bigger Picture
Gagosian’s Sarah Hoover sat down with Allison Freedman Weisberg, founder and executive director of Recess, and Anaïs Duplan, Recess program manager, to discuss the community arts organization’s evolution, recent programs, and dreams for the future.
In the Studio: Damien Hirst’s Veil Paintings
Damien Hirst speaks about his Veil paintings with Gagosian’s Alison McDonald. “I wanted to make paintings that were a celebration,” he says, “and that revealed something and obscured something at the same time.”
Theaster Gates: Black Vessel
Join Theaster Gates in his studio as he prepares for his upcoming exhibition at Gagosian, New York, this fall. In this video, shot entirely on location in Chicago during the recent tumultuous weeks, Gates reflects on the metaphorical power of materials and process, and on the redemptive potential of art.
Rainer Maria Rilke: Duino Elegies
Bobbie Sheng explores the symbiotic relationship between the poet and visual artists of his time and tracks the enduring influence of his poetry on artists working today.
Mary Weatherford: Train Yards
Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.
Uncanny Delights: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray
Catalyzed by the exhibition Crushed, Cast, Constructed: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray, Alice Godwin examines the legacy and development of a Surrealist ethos in selected works from three contemporary sculptors.