FT Weekend Digital Festival 2020
Titus Kaphar and Jan Dalley
Friday, September 4, 2020, 8:42am edt (1:42pm BST)
As part of this year’s FT Weekend Digital Festival, Titus Kaphar will speak with Jan Dalley about the driving forces behind his work, as well as his nonprofit arts incubator, NXTHVN, which harnesses the power of creativity and education to change lives. During the conversation, a Gagosian Quarterly video about NXTHVN will premiere.
Gagosian is partnering to host the arts program throughout the three-day virtual event. Recent Gagosian Quarterly films on Dan Colen, Theaster Gates, Jenny Saville, Sarah Sze, and Stanley Whitney, will be screened between the sessions. To join, purchase tickets at ftweekend.live.ft.com.
Titus Kaphar at NXTHVN, New Haven, Connecticut, 2020. Photo: John Dennis
Artists for Biden
October 2–8, 2020
Artists for Biden is an online-only sale of works by leading contemporary artists to support the Biden Victory Fund—a joint fundraising committee authorized by Biden for President, the Democratic National Committee, and forty-seven state Democratic parties. All proceeds from the sale will provide resources needed to elect Joe Biden and Kamala Harris and support other Democratic candidates across the country in the lead up to Election Day. Work by Cecily Brown, Michael Heizer, Jeff Koons, Roy Lichtenstein, Brice Marden, Ed Ruscha, Richard Serra, Cindy Sherman, Sarah Sze, Stanley Whitney, and Christopher Wool will be available. To register for early access on October 1, visit secure.joebiden.com.
Sarah Sze, Afterimage, Silver, 2018 © Sarah Sze
June 29–July 12, 2020
Michael Craig-Martin has created a new digital work viewable around the clock on a three-story building on Oxford Street in London, presented by W1 Curates. The artist describes his work Cornucopia Galactica as “a celebration, a dynamic cornucopia, a galaxy of these great wonders of nature, constantly moving, turning, spinning through an intensely colored space like planets, satellites, and spaceships.” W1 Curates aims to bring art to the people by using state-of-the-art technology to transform the exterior of the Flannels London flagship store into a digital exhibition space.
Michael Craig-Martin, Cornucopia Galactica, 2020, installation view, Flannels, London © Michael Craig-Martin. Photo: courtesy W1 Curates
Adam McEwen, Bob Monk, and Lisa Turvey on Ed Ruscha
Tuesday, September 22, 2020, 5pm EDT
On the occasion of Artist Spotlight: Ed Ruscha, join artist Adam McEwen, Gagosian director Bob Monk, and Lisa Turvey, editor of the catalogue raisonné of Ed Ruscha’s works on paper, for an online conversation. The trio will discuss how Ruscha has experimented with the sound, appearance, and sense of language to imbue his works on paper with humor and pathos. To join, register at zoom.us.
Ed Ruscha, CERTAIN FACTS, 2020 © Ed Ruscha. Photo: Fredrik Nilsen
Gregory Crewdson: An Eclipse of Moths
Gregory Crewdson discusses his new work with actor Cate Blanchett.
Gagosian Quarterly Fall 2020
The Fall 2020 issue of Gagosian Quarterly is now available.
Mary Weatherford: Train Yards
Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.
Filmmaker and author Miranda July joined Louise Bonnet on a video call to discuss life during lockdown, the luminosity of oil paint, and Bonnet’s forthcoming exhibition of new work. Longtime friends—and newly neighbors—the two reflect on their shared history and shared interests in the unconscious, vagueness, and the mixture of humor and pain.
“Things Fall Apart”: Ed Ruscha’s Swiped Words
Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.
A short story by Emma Cline, published here on the occasion of her new collection of stories entitled Daddy.
Theaster Gates: Black Image Corporation
As a prelude to his first-ever solo exhibition in New York, Theaster Gates discusses his prescient work with the photographic archive of Chicago’s Johnson Publishing Company and his formation of Black Image Corporation as a conceptual project. In conversation with Louise Neri, he expands on his strategies as artist and social innovator in his quest to redeem and renew the sacred power of Black images and Black space.
Jacquelynn Baas profiles Isabelle Waldberg, writing on the sculptor’s many friendships and the influence of her singular creations.
Suzanne Hudson speaks with Leah Levy, executive director of the Jay DeFeo Foundation, about the artist’s life and work.
Lockdown: Henri Matisse’s Domestic Interiors
John Elderfield reexamines Matisse’s Piano Lesson (1916) and Music Lesson (1917), considering the works’ depictions of domestic space during the tumult of World War I.
Building a Legacy
The Helen Frankenthaler Foundation on COVID-19 Relief Funding
The Quarterly’s Alison McDonald speaks with Clifford Ross, Frederick J. Iseman, and Dr. Lise Motherwell, members of the board of directors of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director, about the foundation’s decision to establish a multiyear initiative dedicated to providing $5 million in covid-19 relief for artists and arts professionals.
Bebe Miller and Cynthia Oliver
The legendary choreographers discuss their history together, the evolution of Cynthia Oliver’s boom!, imposed boundaries on “Black dance,” and the choreographies of the pandemic.