Custom-Built Intrigue: Drawings 1974–1984
Ed Ruscha: Custom-Built Intrigue: Drawings 1974–1984 is available for online reading from September 16 through October 15 as part of the From the Library series. Published on the occasion of the artist’s 2017 exhibition at Gagosian, 980 Madison Avenue, New York, this catalogue features over seventy-five text drawings by Ruscha, rendered in pastel, dry pigment, and various edible substances. An essay by Lisa Turvey, editor of the Ed Ruscha catalogue raisonné of works on paper, examines the artist’s use of humor in this body of work.
Ed Ruscha: Custom-Built Intrigue: Drawings 1974–1984 (New York: Gagosian, 2018)
Adam McEwen, Bob Monk, and Lisa Turvey on Ed Ruscha
Tuesday, September 22, 2020, 5pm EDT
On the occasion of Artist Spotlight: Ed Ruscha, join artist Adam McEwen, Gagosian director Bob Monk, and Lisa Turvey, editor of the catalogue raisonné of Ed Ruscha’s works on paper, for an online conversation. The trio will discuss how Ruscha has experimented with the sound, appearance, and sense of language to imbue his works on paper with humor and pathos. To join, register at zoom.us.
Ed Ruscha, CERTAIN FACTS, 2020 © Ed Ruscha. Photo: Fredrik Nilsen
September 16–22, 2020
At the start of his artistic career, Ed Ruscha called himself an “abstract artist . . . who deals with subject matter.” Abandoning academic connotations that came to be associated with Abstract Expressionism, he looked instead to tropes of advertising and brought words—as form, symbol, and material—to the forefront of painting. Working in diverse media with humor and wit, he oscillates between sign and substance, locating the sublime in landscapes both natural and artificial. Ruscha’s formal experimentations and clever use of the American vernacular have evolved in form and meaning as technology alters the essence of human communication.
Photo: Kate Simon
Ed Ruscha has created a limited-edition print and an accompanying poster, titled EE-NUF!, to support the People for the American Way’s (PFAW) campaign ENOUGH of Trump. The design features a “fast track” display at how Trump has worked to destroy our democracy. PFAW is a progressive advocacy organization founded to fight right-wing extremism and build a democratic society that implements the ideals of freedom, equality, opportunity, and justice for all.
Ed Ruscha, EE-NUF!, 2020 © Ed Ruscha
Gregory Crewdson: An Eclipse of Moths
Gregory Crewdson discusses his new work with actor Cate Blanchett.
Gagosian Quarterly Fall 2020
The Fall 2020 issue of Gagosian Quarterly is now available.
Mary Weatherford: Train Yards
Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.
Filmmaker and author Miranda July joined Louise Bonnet on a video call to discuss life during lockdown, the luminosity of oil paint, and Bonnet’s forthcoming exhibition of new work. Longtime friends—and newly neighbors—the two reflect on their shared history and shared interests in the unconscious, vagueness, and the mixture of humor and pain.
“Things Fall Apart”: Ed Ruscha’s Swiped Words
Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.
A short story by Emma Cline, published here on the occasion of her new collection of stories entitled Daddy.
Theaster Gates: Black Image Corporation
As a prelude to his first-ever solo exhibition in New York, Theaster Gates discusses his prescient work with the photographic archive of Chicago’s Johnson Publishing Company and his formation of Black Image Corporation as a conceptual project. In conversation with Louise Neri, he expands on his strategies as artist and social innovator in his quest to redeem and renew the sacred power of Black images and Black space.
Jacquelynn Baas profiles Isabelle Waldberg, writing on the sculptor’s many friendships and the influence of her singular creations.
Suzanne Hudson speaks with Leah Levy, executive director of the Jay DeFeo Foundation, about the artist’s life and work.
Lockdown: Henri Matisse’s Domestic Interiors
John Elderfield reexamines Matisse’s Piano Lesson (1916) and Music Lesson (1917), considering the works’ depictions of domestic space during the tumult of World War I.
Building a Legacy
The Helen Frankenthaler Foundation on COVID-19 Relief Funding
The Quarterly’s Alison McDonald speaks with Clifford Ross, Frederick J. Iseman, and Dr. Lise Motherwell, members of the board of directors of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director, about the foundation’s decision to establish a multiyear initiative dedicated to providing $5 million in covid-19 relief for artists and arts professionals.
Bebe Miller and Cynthia Oliver
The legendary choreographers discuss their history together, the evolution of Cynthia Oliver’s boom!, imposed boundaries on “Black dance,” and the choreographies of the pandemic.