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Ed Ruscha

Custom-Built Intrigue: Drawings 1974–1984

May 6–June 30, 2017
980 Madison Avenue, New York

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Installation video

Installation view Artwork © Ed Ruscha. Photo: Rob McKeever

Installation view

Artwork © Ed Ruscha. Photo: Rob McKeever

Installation view Artwork © Ed Ruscha. Photo: Rob McKeever

Installation view

Artwork © Ed Ruscha. Photo: Rob McKeever

Installation view Artwork © Ed Ruscha. Photo: Rob McKeever

Installation view

Artwork © Ed Ruscha. Photo: Rob McKeever

Installation view Artwork © Ed Ruscha. Photo: Rob McKeever

Installation view

Artwork © Ed Ruscha. Photo: Rob McKeever

Installation view Artwork © Ed Ruscha. Photo: Rob McKeever

Installation view

Artwork © Ed Ruscha. Photo: Rob McKeever

Installation view Artwork © Ed Ruscha. Photo: Rob McKeever

Installation view

Artwork © Ed Ruscha. Photo: Rob McKeever

Installation view Artwork © Ed Ruscha. Photo: Rob McKeever

Installation view

Artwork © Ed Ruscha. Photo: Rob McKeever

Installation view Artwork © Ed Ruscha. Photo: Rob McKeever

Installation view

Artwork © Ed Ruscha. Photo: Rob McKeever

Works Exhibited

About

Gagosian is pleased to present Custom-Built Intrigue: Drawings 1974–1984, an exhibition of key text drawings by Ed Ruscha. Many of these historical gems have been brought together thanks to generous loans from private and institutional collections.

Throughout decades of formal experimentation, Ruscha has explored the role of language in painting, drawing, photography, printmaking, and bookmaking through a singular, sometimes oblique use of words. From the mid-1970s to the mid-1980s, he honed his distinctive drawing practice to create some of the most compelling works of his career. The text drawings from this period, exquisitely rendered in pastel, dry pigment, and various edible substances, from spinach to carrot juice, bridge the spirited Pop art for which Ruscha first gained renown with the cerebral Conceptualism to which his work was essential.

The exhibition features a decade of drawings (1974–1984) towards the end of which Ruscha reintroduces the element of imagery. With the inclusion of one work on paper from 1986, we can see a clear shift to another stage of his drawing practice.

Drawing has long been considered the most direct process by which thought is transferred into image, but Ruscha almost completely conceptualizes his images prior to making them. Using a reverse-stenciling graphic technique, Ruscha cuts out stencils in the shape of letters and places them on paper. He then applies pigment around the covered area with unconventional tools, such as cotton puffs and Q-tips, to create his typography utilizing negative space rather than line. Selectively trawling words and phrases from the American vernacular with little regard to their prescribed meaning or intention, Ruscha subverts the symbolic system of language altogether. Words and phrases severed from specific time, location, or context resonate with just as much vitality and pathos as when the drawings were created.

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News

Photo: Kate Simon

Artist Spotlight

Ed Ruscha

September 16–22, 2020

At the start of his artistic career, Ed Ruscha called himself an “abstract artist . . . who deals with subject matter.” Abandoning academic connotations that came to be associated with Abstract Expressionism, he looked instead to tropes of advertising and brought words—as form, symbol, and material—to the forefront of painting. Working in diverse media with humor and wit, he oscillates between sign and substance, locating the sublime in landscapes both natural and artificial. Ruscha’s formal experimentations and clever use of the American vernacular have evolved in form and meaning as technology alters the essence of human communication.

Photo: Kate Simon

Ed Ruscha: Custom-Built Intrigue: Drawings 1974–1984 (New York: Gagosian, 2018)

Online Reading

Ed Ruscha
Custom-Built Intrigue: Drawings 1974–1984

Ed Ruscha: Custom-Built Intrigue: Drawings 1974–1984 is available for online reading from September 16 through October 15 as part of the From the Library series. Published on the occasion of the artist’s 2017 exhibition at Gagosian, 980 Madison Avenue, New York, this catalogue features over seventy-five text drawings by Ruscha, rendered in pastel, dry pigment, and various edible substances. An essay by Lisa Turvey, editor of the Ed Ruscha catalogue raisonné of works on paper, examines the artist’s use of humor in this body of work.

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Ed Ruscha: Custom-Built Intrigue: Drawings 1974–1984 (New York: Gagosian, 2018)

Installation view, Ed Ruscha: Drum Skins, Blanton Museum of Art, Austin, Texas, January 11–October 4, 2020. Artwork © Ed Ruscha

galleryplatform.la

Ed Ruscha
Drum Skins

May 28–June 30, 2020

Gagosian is pleased to present recent paintings by Ed Ruscha online for galleryplatform.laFifty years ago, Ruscha purchased a set of vellum drum skins from a leather shop in Los Angeles. He has continued to collect these vintage objects, and since 2011 he has used them as canvases for the works on view in his solo exhibition Drum Skins at the Blanton Museum of Art in Austin, Texas. 

Installation view, Ed Ruscha: Drum Skins, Blanton Museum of Art, Austin, Texas, January 11–October 4, 2020. Artwork © Ed Ruscha