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Permanent Installation

Anselm Kiefer
Panthéon

Anselm Kiefer has produced a new series of works for the Panthéon in Paris, including a permanent installation comprising six vitrines, as well as two monumental paintings that are currently on loan. Together with a composition by the French contemporary composer Pascal Dusapin, it forms an ensemble of new works commissioned by President Emmanuel Macron. This marks the first time since 1924 that such a commission has been produced for the Panthéon; the works’ unveiling coincided with Armistice Day, November 11, 2020.

Anselm Kiefer, Qu’est-ce que nous sommes. . . , 2020, installation view, Panthéon, Paris © Anselm Kiefer. Photo: Georges Poncet

Anselm Kiefer, Qu’est-ce que nous sommes. . . , 2020, installation view, Panthéon, Paris © Anselm Kiefer. Photo: Georges Poncet

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Anselm Kiefer: Transition from Cool to Warm (New York: Gagosian, 2017)

Online Reading

Anselm Kiefer
Transition from Cool to Warm

Anselm Kiefer: Transition from Cool to Warm is available for online reading from May 31 through July 1 as part of the From the Library series. The catalogue documents the artist’s exhibition at Gagosian New York in 2017. Central to this publication are more than forty watercolors made between 2012 and 2016, marking Kiefer’s return to the medium after forty years. The exhibition also featured over forty unique artist books and nine monumental landscape paintings, which are included in the catalogue. Essays by novelist Karl Ove Knausgård and art historian James Lawrence are included, along with an interview by art journalist Louisa Buck and the artist.

Anselm Kiefer: Transition from Cool to Warm (New York: Gagosian, 2017)

Anselm Kiefer, Uraeus, 2017–18 (detail) © Anselm Kiefer. Photo: Georges Poncet

Public Installation

Anselm Kiefer
Uraeus

May 2–July 22, 2018
Rockefeller Center, New York
www.publicartfund.org

Uraeus is Anselm Kiefer’s first US site-specific public sculpture. Commissioned by Public Art Fund and Tishman Speyer, and presented by Gagosian, the work consists of a gigantic open book with eagle’s wings 30 feet in span, both made of lead, on top of a 20-foot-tall lead-clad stainless steel column. Clustered around the base are further outsize lead books, while a large snake coils up the column. Lead is one of the artist’s preferred materials owing to its soft, fluid properties traditionally associated with alchemical transformation, especially its second stage: dissolution.

Anselm Kiefer, Uraeus, 2017–18 (detail) © Anselm Kiefer. Photo: Georges Poncet

Anselm Kiefer, Uraeus, 2017–18 (detail) © Anselm Kiefer

Artist Talk

Anselm Kiefer

Monday, April 30, 2018, 6:30–8pm
New School, New York
www.publicartfund.org

Anselm Kiefer will speak with Richard Calvocoressi about his new work and past public art projects on the occasion of his new public installation Uraeus at Rockefeller Center, New York, on view May 2–July 22, 2018. To attend the event, purchase tickets at newschool.edu

Anselm Kiefer, Uraeus, 2017–18 (detail) © Anselm Kiefer

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Jenny Saville’s Prism (2020) on the cover of Gagosian Quarterly magazine.

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Installation view, Ewa Juszkiewicz: In vain her feet in sparkling laces glow, Gagosian, Park & 75

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Behind the scenes photograph of Miranda July's short-film, Nichols Canyon Road.

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Installation view, Meleko Mokgosi: Democratic Intuition, Gagosian, Britannia Street, London, September 29–December 12, 2020. Artwork

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Installation view, Edmund de Waal: some winter pots, Gagosian, Davies Street

Edmund de Waal: some winter pots

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Francesca Woodman, Untitled, Providence, Rhode Island, 1976, gelatin silver print, 5 ¼ × 5 ¼ inches (12.7 × 12.7 cm) © Woodman Family Foundation/Artists Rights Society (ARS), New York

Living Death

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Takashi Murakami with works from his ceramics collection.

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Takashi Murakami with his dog, Pom, Full Steam Ahead, Dark Matter in the Farthest Black Reaches of Visible Space, and Blue Flowers & Skulls (all 2012), Kaikai Kiki Co., Ltd., studio, Saitama, Japan, 2012

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Titus Kaphar at NXTHVN, New Haven, Connecticut

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