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Permanent Installation

Anselm Kiefer
Panthéon

Anselm Kiefer has produced a new series of works for the Panthéon in Paris, including a permanent installation comprising six vitrines, as well as two monumental paintings that are currently on loan. Together with a composition by the French contemporary composer Pascal Dusapin, it forms an ensemble of new works commissioned by President Emmanuel Macron. This marks the first time since 1924 that such a commission has been produced for the Panthéon; the works’ unveiling coincided with Armistice Day, November 11, 2020.

Anselm Kiefer, Qu’est-ce que nous sommes. . . , 2020, installation view, Panthéon, Paris © Anselm Kiefer. Photo: Georges Poncet

Anselm Kiefer, Qu’est-ce que nous sommes. . . , 2020, installation view, Panthéon, Paris © Anselm Kiefer. Photo: Georges Poncet

Related News

Anselm Kiefer: Transition from Cool to Warm (New York: Gagosian, 2017)

Online Reading

Anselm Kiefer
Transition from Cool to Warm

Anselm Kiefer: Transition from Cool to Warm is available for online reading from May 31 through July 1 as part of the From the Library series. The catalogue documents the artist’s exhibition at Gagosian New York in 2017. Central to this publication are more than forty watercolors made between 2012 and 2016, marking Kiefer’s return to the medium after forty years. The exhibition also featured over forty unique artist books and nine monumental landscape paintings, which are included in the catalogue. Essays by novelist Karl Ove Knausgård and art historian James Lawrence are included, along with an interview by art journalist Louisa Buck and the artist.

Anselm Kiefer: Transition from Cool to Warm (New York: Gagosian, 2017)

Anselm Kiefer, Uraeus, 2017–18 (detail) © Anselm Kiefer. Photo: Georges Poncet

Public Installation

Anselm Kiefer
Uraeus

May 2–July 22, 2018
Rockefeller Center, New York
www.publicartfund.org

Uraeus is Anselm Kiefer’s first US site-specific public sculpture. Commissioned by Public Art Fund and Tishman Speyer, and presented by Gagosian, the work consists of a gigantic open book with eagle’s wings 30 feet in span, both made of lead, on top of a 20-foot-tall lead-clad stainless steel column. Clustered around the base are further outsize lead books, while a large snake coils up the column. Lead is one of the artist’s preferred materials owing to its soft, fluid properties traditionally associated with alchemical transformation, especially its second stage: dissolution.

Anselm Kiefer, Uraeus, 2017–18 (detail) © Anselm Kiefer. Photo: Georges Poncet

Anselm Kiefer, Uraeus, 2017–18 (detail) © Anselm Kiefer

Artist Talk

Anselm Kiefer

Monday, April 30, 2018, 6:30–8pm
New School, New York
www.publicartfund.org

Anselm Kiefer will speak with Richard Calvocoressi about his new work and past public art projects on the occasion of his new public installation Uraeus at Rockefeller Center, New York, on view May 2–July 22, 2018. To attend the event, purchase tickets at newschool.edu

Anselm Kiefer, Uraeus, 2017–18 (detail) © Anselm Kiefer

Alexander Calder, Flying Dragon, 1975, installation view, Place Vendôme, Paris © 2021 Calder Foundation, New York/Artists Rights Society (ARS), New York. Photo: Thomas Lannes

Behind the Art
Alexander Calder: Flying Dragon

In this video, Gagosian director Serena Cattaneo Adorno celebrates the installation of Alexander Calder’s monumental sculpture Flying Dragon (1975) in Paris at Place Vendôme, detailing the process and importance of this ambitious project.

Cover of Gagosian Quarterly with Jasper Johns’s Target with Four Faces (1955)

Now available
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Marta Kuzma, Eileen Costello, and Caitlin Murray in conversation surrounded by Donald Judd paintings.

In Conversation
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Still from "Sally Mann: Vinculum".

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Join Sally Mann at her studio in Lexington, Virginia. Filmed at work in her darkroom and within the surrounding landscape, she discusses her exploratory approach to making and printing pictures, what draws her to the landscape of the American South, and her newest body of work, Vinculum.

Peter Lindbergh photograph of four women

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Logo for Black Art Library

Asmaa Walton: Black Art Library

Asmaa Walton, independent curator and founder of the Black Art Library—a mobile living archive of global Black creativity—speaks with Gagosian director Antwaun Sargent about the origins of her book-based project. Walton tells Sargent about a recent collaboration with Bottega Veneta in a former Detroit firehouse and shares her hopes for the future of this endeavor, in terms of community and curation.

Manuel Mathieu, Siblings 2, 2021, mixed media, 70 × 62 inches (117.8 × 157.5 cm)

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Still from video, featuring artwork by Jonas Wood

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Lee “Scratch” Perry, c. 1980

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