Menu

News / Events

In Conversation

Meleko Mokgosi
Isaac Julien

Thursday, December 17, 2020, 1pm est

Gagosian is pleased to partner with the Decolonising Arts Institute of the University of the Arts London (ual) in hosting a dialogue between Meleko Mokgosi and Isaac Julien, moderated by Zoé Whitley, director of Chisenhale Gallery, London. The two artists will discuss narrative and montage strategies in their respective practices as painter and filmmaker. The event will be introduced by Gagosian director Louise Neri and ual Decolonising Arts Institute director susan pui san lok. To join, register at zoom.us.

This is the third and final event in a season of weekly online dialogues with Mokgosi and selected partners during the artist’s first solo exhibition in the United Kingdom and Europe at Gagosian, Britannia Street, London.

Meleko Mokgosi (left). Photo: courtesy Vilcek Foundation. Isaac Julien (right). Photo: Thierry Bal

Meleko Mokgosi (left). Photo: courtesy Vilcek Foundation. Isaac Julien (right). Photo: Thierry Bal

Related News

Meleko Mokgosi (left). Photo: courtesy the artist. Michael Armitage (right). Photo: Theo Christelis © White Cube

In Conversation

Meleko Mokgosi
Michael Armitage

Thursday, December 10, 2020, 1pm est

Gagosian is pleased to partner with the Centre for the Study of Contemporary Art at University College London (ucl) in presenting a dialogue between artists Meleko Mokgosi and Michael Armitage. The two African artists will discuss the politics of contemporary figurative painting and their concurrent exhibitions—Meleko Mokgosi: Democratic Intuition at Gagosian, London, and Michael Armitage: Paradise Edict at Haus der Kunst, Munich. The conversation will be introduced by Gagosian directors Louise Neri and Jona Lueddeckens, and moderated by Tamar Garb, professor of art history at ucl, whose research focuses on gender and sexuality, race and representation, and contemporary art in southern Africa. To join, register at zoom.us.

Meleko Mokgosi (left). Photo: courtesy the artist. Michael Armitage (right). Photo: Theo Christelis © White Cube

Meleko Mokgosi: Democratic Intuition (New York: Pacific Publishing, 2020). Photo: Dan Bradica © Pacific

In Conversation

Meleko Mokgosi
Antwaun Sargent

Thursday, November 19, 2020, 1pm EST

To mark the publication of Meleko Mokgosi: Democratic Intuition, Gagosian and Jack Shainman Gallery will host a dialogue between the artist and critic Antwaun Sargent. Published by Pacific with Jack Shainman Gallery, the book documents Mokgosi’s epic painting project Democratic Intuition (2013–20), which explores the internal contradictions of the theory that the function of democracy is dependent upon accessible education. Compelling genre scenes, often involving prominent figures from African public life, jump-cut between the confines of manual work, the freedoms of intellectual enterprise, and their ties to gender and race. In a conversation introduced by Gagosian director Louise Neri and moderated by Jack Shainman Gallery director Joeonna Bellorado-Samuels, Mokgosi and Sargent will discuss the artist’s interdisciplinary investigation of postcolonial nationhood and the democratic process. To join, register at zoom.us.

Meleko Mokgosi: Democratic Intuition (New York: Pacific Publishing, 2020). Photo: Dan Bradica © Pacific

Meleko Mokgosi

Honor

Meleko Mokgosi
2020 Soros Arts Fellowship

Meleko Mokgosi has been selected to receive the 2020 Soros Arts Fellowship, alongside nine other cultural practitioners working at the intersection of migration, public space, and the arts. He will receive a stipend to realize an ambitious project titled Pan-African Pulp over the next eighteen months. Through publications, murals, posters, and a digital archive, Mokgosi will explore histories of Pan-Africanism in southern African pulp photo-novels of the 1960s and 1970s, with the aim of reviving ideas of Pan-Africanism and Black consciousness to build transcontinental alliances between groups fighting systems of oppression today.

Meleko Mokgosi

Black and orange graphic title page

The Iconoclasts: Part 1

The first installment of a four-part story cycle by Anne Boyer.

Jenny Saville’s Prism (2020) on the cover of Gagosian Quarterly magazine.

Now available
Gagosian Quarterly Winter 2020

The Winter 2020 issue of Gagosian Quarterly is now available, featuring Jenny Saville’s Prism (2020) on its cover.

From left to right: Carolyn Christov-Bakargiev, Elvira Dyangani Ose, and Sarah Cosulich

Leaders in the Arts: Italy Edition

We invited Carolyn Christov-Bakargiev to select two outstanding arts professionals to join her in a conversation about their career trajectories, current projects, and goals for the future.

Installation view, Ewa Juszkiewicz: In vain her feet in sparkling laces glow, Gagosian, Park & 75

Ewa Juszkiewicz: In vain her feet in sparkling laces glow

The artist elaborates on the creation of her first solo exhibition in New York.

Behind the scenes photograph of Miranda July's short-film, Nichols Canyon Road.

Miranda July on Nichols Canyon

A new short film and essay by Miranda July, inspired by David Hockney’s painting Nichols Canyon (1980).

Installation view, Meleko Mokgosi: Democratic Intuition, Gagosian, Britannia Street, London, September 29–December 12, 2020. Artwork

Meleko Mokgosi: Democratic Intuition

Meleko Mokgosi writes about his eight-chapter painting cycle Democratic Intuition (2013–20), an epic of southern African life and folklore, on view at Gagosian in London in his first solo exhibition in the United Kingdom and Europe. Introduction by Louise Neri.

Installation view, Edmund de Waal: some winter pots, Gagosian, Davies Street

Edmund de Waal: some winter pots

Join the artist in his ceramics studio as he describes the impetus behind his exhibition in London and the importance of touch in the creation of these new works.

Francesca Woodman, Untitled, Providence, Rhode Island, 1976, gelatin silver print, 5 ¼ × 5 ¼ inches (12.7 × 12.7 cm) © Woodman Family Foundation/Artists Rights Society (ARS), New York

Living Death

As part of “New Interiorities,” a supplement guest edited by Alison M. Gingeras and Jamieson Webster for the Winter 2020 issue of the Quarterly, Jacqueline Rose writes powerfully and soberly on the future of feminism in the time of covid.

Takashi Murakami with works from his ceramics collection.

Murakami on Ceramics

Takashi Murakami writes about his commitment to the work of Japanese ceramic artists associated with the seikatsu kōgei, or lifestyle crafts, movement.

Takashi Murakami with his dog, Pom, Full Steam Ahead, Dark Matter in the Farthest Black Reaches of Visible Space, and Blue Flowers & Skulls (all 2012), Kaikai Kiki Co., Ltd., studio, Saitama, Japan, 2012

In Conversation
Takashi Murakami and Hans Ulrich Obrist

Hans Ulrich Obrist interviews the artist on the occasion of his 2012 exhibition Takashi Murakami: Flowers & Skulls at Gagosian, Hong Kong.

Titus Kaphar at NXTHVN, New Haven, Connecticut

NXTHVN

NXTHVN is a new national arts model that empowers emerging artists and curators of color through education and access. Through intergenerational mentorship, professional development, and cross-sector collaboration, NXTHVN accelerates professional careers in the arts. Join Titus Kaphar and Jason Price on a tour of the organization’s headquarters in New Haven, Connecticut. They discuss the founding and vision for this singular arts space.

Yellow and black graphic title page

The Iconoclasts: Part 4

The final installment of a four-part story cycle by Anne Boyer.