Friday, February 12, 2021, 3pm est
Theaster Gates will speak with Hawai‘i Triennial 2022 curatorial director Melissa Chiu as part of the inaugural Hawai‘i Contemporary Art Summit 2021. The pair will discuss the coalescence of art, craft, architecture, and urban planning in Gates’s artistic practice. The four-day virtual summit, which begins on February 10, brings together renowned keynote speakers, artists, curators, and thinkers from Hawai‘i and around the world for a series of talks, panels, performance-based events, and educational programming focused on art and ideas. To join the talk, register for the summit at hawaiicontemporary.org.
Photo: John R. Boehm
Thursday, February 25, 2021, 4pm EST
Theaster Gates will be in dialogue with Massimiliano Gioni, artistic director of the New Museum, New York, on the occasion of Grief and Grievance: Art and Mourning in America, an exhibition originally conceived by curator Okwui Enwezor (1963–2019). The show brings together thirty-seven artists who have addressed the concept of mourning, commemoration, and loss as a direct response to the national emergency of racist violence experienced by Black communities across America. This is the first program in a series of conversations highlighting the practices of artists participating in the New Museum exhibition. To attend the online event, register at www.tfaforms.com.
Theaster Gates, Gone Are the Days of Shelter and Martyr, 2014 (still) © Theaster Gates
Monday, January 25, 2021, 6:30pm EST
Gagosian and the Studio Museum in Harlem are pleased to present Theaster Gates in conversation with Thelma Golden, director and chief curator of the Studio Museum in Harlem, New York. This event marks the closing of Black Vessel, Gates’s first-ever solo exhibition in New York, which opened to the public on October 10, 2020, at Gagosian, 555 West 24th Street. The speakers will be introduced by Gagosian director Louise Neri. To join, register at eventbrite.com or watch live on Gagosian’s YouTube channel.
Theaster Gates (left). Photo: Sara Pooley. Thelma Golden (right). Photo: Julie Skarratt
Black Vessel for a Saint
The Walker Art Center in Minneapolis has permanently installed Theaster Gates’s Black Vessel for a Saint (2017) in the Minneapolis Sculpture Garden. In 2014, St. Laurence Church, located just a few blocks from Theaster Gates’s Chicago studio and considered an architectural beacon in the neighborhood for more than a century, was demolished. Among the objects and materials that Gates collected from the building was a life-size stone statue of St. Laurence, a venerated Roman martyr and the patron saint of librarians and archivists. Gates included the statue in several exhibitions in Europe, revealing new meanings in each location, before placing it in its permanent home in the Sculpture Garden in 2017, within a shrine built from custom-made black bricks.
Theaster Gates, Black Vessel for a Saint, 2017 © Theaster Gates. Photo: Gene Pittman
Albert Oehlen: In the Studio
This film by Albert Oehlen, with music by Tim Berresheim, takes us inside the artist’s studio in Switzerland as he works on a new painting.
Gagosian Quarterly Spring 2021
The Spring 2021 issue of Gagosian Quarterly is now available, featuring Gerhard Richter’s Helen (1963) on its cover.
Albert Oehlen and Mark Godfrey
Albert Oehlen speaks to Mark Godfrey about a recent group of abstract paintings, “academic” art, reversing habits, and questioning rules.
Hans Ulrich Obrist traces the history behind Richter’s Cage paintings and speaks with the artist about their creation.
The Grand Chalet: An interview with Setsuko
On the twentieth anniversary of Balthus’s death, Setsuko gives an intimate tour of the Grand Chalet and reflects on how the 1754 Swiss mountain home enriched their lives as artists.
Work in Progress
Adriana Varejão: In the Studio
Join Adriana Varejão at her studio in Rio de Janeiro as she prepares for her upcoming exhibition at Gagosian in New York. She speaks about the inspirations for her “tile” paintings, from Portuguese azulejos to the Brazilian Baroque to the Talavera ceramic tradition of Mexico, and reveals for the first time her unique process for creating these works.
A short story by Cleyvis Natera, published here on the occasion of the Quarterly’s collaboration with pen America.
The Art of Biography: Mark Stevens and Annalyn Swan
Mark Stevens and Annalyn Swan, coauthors of the 2005 Pulitzer Prize–winning biography of Willem de Kooning, speak with Michael Cary about the research and revelations that went into their forthcoming biography of Francis Bacon.
On Ming Smith: A Life of Magical Thinking
An interview by Nicola Vassell.
Sir David Adjaye OBE and Zoë Ryan
Architect David Adjaye discusses his archival project Adjaye Africa Architecture: A Photographic Survey of Metropolitan Architecture with Zoë Ryan, Daniel W. Dietrich, II Director of the Institute of Contemporary Art at the University of Pennsylvania. For this decade-long project, published in seven volumes, Adjaye traveled to the capital city of every major African country to photograph the continent’s built environment.
Twombly and the Poets
Anne Boyer, the inaugural winner of the Cy Twombly Award in Poetry, composes a poem in response to Twombly’s Aristaeus Mourning the Loss of His Bees (1973) and introduces a portfolio of the painter’s works accompanied by the poems that inspired them.
A Day in the Life of The Lightning Field
In the first of a two-part feature, John Elderfield recounts his experiences at The Lightning Field (1977), Walter De Maria’s legendary installation in New Mexico. Elderfield considers how this work requires our constantly finding and losing a sense of symmetry and order in shifting perceptions of space, scale, and distance, as the light changes throughout the day.