Artists’ Legacy Foundation Artist Award
Nancy Rubins has won the Artists’ Legacy Foundation (ALF) Artist Award for 2021. Since 2007, ALF has recognized and honored the accomplishments of an outstanding visual artist whose primary medium is painting or sculpture. Each year ten artists are nominated for the ALF Artist Award by five anonymous nominators selected by the board, and a jury of three peers makes the final selection. Juror Mary Ceruti, executive director of the Walker Art Center in Minneapolis, noted that Rubins “brings an expansive and experimental approach to monumental sculptures that inspire wonder while also being genuinely grounded in our lived experience and material world.”
Nancy Rubins, Mattresses and Cakes, 1993, installation view, 45th Biennale di Venezia © Nancy Rubins
Friday, October 22, 2021, 7pm EDT
Join the Artists’ Legacy Foundation (ALF) for a conversation between Nancy Rubins and author, historian, and critic Tyler Green. The pair will discuss Rubins’s innovative sculptural practice on the occasion of her recent receipt of the 2021 ALF Artist Award, which honors an outstanding artist working primarily in painting or sculpture. To join the online event, register at eventbrite.com.
Installation view, Nancy Rubins: Fluid Space, Gagosian, Beverly Hills, June 24–August 6, 2021. Artwork © Nancy Rubins
Tuesday, August 3, 2021, 1pm edt
Join Gagosian for an online conversation between Nancy Rubins and Eric Shiner inside the artist’s exhibition Fluid Space, on view at Gagosian, Beverly Hills, through August 6. The pair will discuss Rubins’s unique approach to sculpture, in which industrial and found objects—such as television sets, airplane parts, and carousel animals—are transformed into engineered abstractions that are at once otherworldly and familiar. To join, register at eventbrite.com.
Left: Nancy Rubins. Photo: Joel Searles. Right: Eric Shiner. Photo: Walker Olesen
Nancy Rubins’s Monochrome II (2010–18) has been permanently installed in the North Forest of Crystal Bridges Museum of American Art in Bentonville, Arkansas. In this video Rubins speaks about her thought process around the work, which is composed of recycled aluminum canoes and small boats, anchored around a steel armature.
Nancy Rubins, Monochrome II, 2010–18, installation view, Crystal Bridges Museum of American Art, Bentonville, Arkansa © Nancy Rubins
Sally Mann: Vinculum
Join Sally Mann at her studio in Lexington, Virginia. Filmed at work in her darkroom and within the surrounding landscape, she discusses her exploratory approach to making and printing pictures, what draws her to the landscape of the American South, and her newest body of work, Vinculum.
Gagosian Quarterly Winter 2021
The Winter 2021 issue of Gagosian Quarterly is now available, featuring Jasper Johns’s Target with Four Faces (1955) on its cover.
Behind the Art
Jonas Wood in Hong Kong
Join Jonas Wood on a virtual tour through the creation of his first solo exhibition in Hong Kong. Wood narrates the genesis and development of the new paintings, drawings, and wallpaper.
Jasper Johns: Mind/Mirror
Carlos Basualdo, the Keith L. and Katherine Sachs Senior Curator of Contemporary Art at the Philadelphia Museum of Art, and Scott Rothkopf, Senior Deputy Director and Nancy and Steve Crown Family Chief Curator at the Whitney Museum of American Art, New York, spoke with the Quarterly’s Alison McDonald ahead of the opening of the unprecedented collaborative retrospective Jasper Johns: Mind/Mirror to discuss the goals, revelations, and unique structure of the project.
Picture Books: Ottessa Moshfegh and Issy Wood
Emma Cline introduces her new publication project, Picture Books, with a conversation between author Ottessa Moshfegh and artist Issy Wood.
Jenny Saville: A cyclical rhythm of emergent forms
An exhibition curated by Sergio Risaliti, director of the Museo Novecento, Florence, pairs artworks by Jenny Saville with artists of the Italian Renaissance. On view across that city at the Museo Novecento, the Museo di Palazzo Vecchio, the Museo dell’Opera del Duomo, the Museo degli Innocenti, and the Museo di Casa Buonarroti through February 20, 2022, the presentation features paintings and drawings by Saville from the 1990s through to work made especially for the occasion. Here, Risaliti reflects on the resonances and reverberations brought about by these pairings.
Leaders in the Arts: Publishing Edition
Chris Kraus and Hedi El Kholti, coeditors of the legendary press Semiotext(e), speak with Kandis Williams, the founder and editor of Cassandra Press, and Lisa Pearson, the founder and editor of Siglio Press.
Social Works II: Tyler Mitchell | A New Landscape
Tyler Mitchell speaks with Antwaun Sargent about Black representation, the diversity of Southern landscapes, and the importance of play in his new series of photographs. The conversation forms part of “Social Works II,” a supplement guest edited by Sargent for the Winter 2021 issue of the Quarterly.
The Thinking Hand
Edmund de Waal speaks with Richard Calvocoressi about touch in relation to art and our understanding of the world, and discusses the new stone sculptures he created for the exhibition This Living Hand: Edmund de Waal Presents Henry Moore, at the Henry Moore Studios & Gardens. Their conversation took place at the Fitzwilliam Museum, University of Cambridge, in the context of the exhibition The Human Touch.
Say Goodbye, Catullus, to the Shores of Asia Minor
Thierry Greub tracks the literary references in Cy Twombly’s epic painting of 1994.
The Art of Biography: Sir John Richardson’s “The Minotaur Years”
Pepe Karmel celebrates the release of A Life of Picasso IV: The Minotaur Years, 1933–1943, the final installment of Sir John Richardson’s magisterial biography.
Fashion and Art: Lucie and Luke Meier
The creative directors for Jil Sander tell the Quarterly’s Wyatt Allgeier about their inspirations, the recent campaign they created in collaboration with celebrated fine-art photographer Joel Meyerowitz, and their developing engagement with pop-up retail spaces.