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Wall of Oil Barrels—The Iron Curtain, Rue Visconti, Paris, 1961–62
Sixty-Year Anniversary Celebration

Monday, June 27, 2022, 9pm
rue Visconti, Paris

On the evening of June 27, 1962, Christo and Jeanne-Claude installed Wall of Oil Barrels—The Iron Curtain, Rue Visconti, Paris, 1961–62, closing the historic rue Visconti with eighty-nine barrels. The 4.2-meter-high barricade blocked one of narrowest streets in Paris for eight hours, obstructing most of the traffic through the Left Bank. To celebrate the sixty-year anniversary of the work, the city of Paris is closing the street and visitors on-site will be able to activate an augmented-reality animation of the barrels. The event is free and open to the public.

Christo and Jeanne-Claude’s Wall of Oil Barrels—The Iron Curtain, Rue Visconti, Paris, 1961–62 (1961–62), Paris, June 27, 1962. Artwork © Christo and Jeanne-Claude Foundation. Photo: Jean-Dominique Lajoux

Christo and Jeanne-Claude’s Wall of Oil Barrels—The Iron Curtain, Rue Visconti, Paris, 1961–62 (1961–62), Paris, June 27, 1962. Artwork © Christo and Jeanne-Claude Foundation. Photo: Jean-Dominique Lajoux

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Lucinda Chua. Photo: Yukitaka Amemiya

Performance

Lucinda Chua
On Christo

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Join Gagosian for a performance by Lucinda Chua inside Christo: Early Works, the inaugural exhibition, curated by Elena Geuna, in the Gagosian Open series of off-site projects. The multi-instrumentalist, singer, and producer will perform two improvised pieces in response to Christo’s early works and the unique architecture of 4 Princelet Street in the Spitalfields area of London. Born in London, Chua has English, Malaysian, and ancestral Chinese roots, deep connections that are excavated in her recent album, YIAN (2023), which, as Pitchfork writes, “gathers the threads that link home, history, and their relationship to the body.” Primarily using her voice, a cello, and an array of effects units, Chua will infuse the historic building with her distinctive sound blending intimacy, atmosphere, and haunting enchantment. No advance registration is required, but space is limited and will be granted on a first-come, first-served basis.

Lucinda Chua. Photo: Yukitaka Amemiya

Christo and Jeanne-Claude, Wrapped Trees, Fondation Beyeler and Berower Park, Riehen, Switzerland, 1997–98 © Christo and Jeanne-Claude Foundation. Photo: Wolfgang Volz

Visit

Kunsttage Basel 2023
Christo: Selected Works

August 25–27, 2023
Basel
kunsttagebasel.ch

Kunsttage Basel is a citywide program of art events at more than sixty museums, galleries, and other spaces. The exhibition Christo: Selected Works, featuring sculptures and works on paper by the artist, will be on view at Gagosian, Basel, with extended hours throughout the weekend. The presentation marks the twenty-fifth anniversary of Christo and Jeanne-Claude’s last project in the city in 1998, when they wrapped 178 trees around the Fondation Beyeler in 55,000 square meters of woven polyester fabric.

Friday, August 25, 12–8pm
Saturday, August 26, 10am–6pm
Sunday, August 27, 10am–6pm

Christo and Jeanne-Claude, Wrapped Trees, Fondation Beyeler and Berower Park, Riehen, Switzerland, 1997–98 © Christo and Jeanne-Claude Foundation. Photo: Wolfgang Volz

Setsuko: Into Nature (New York: Gagosian, 2024)

Book Signing

Setsuko
Into Nature

Thursday, April 25, 2024, 6–8pm
Gagosian, rue de Ponthieu, Paris

To celebrate the publication of her new book, Into NatureSetsuko will sign copies at Gagosian, Paris, among a special installation of her works. Into Nature commemorates Setsuko’s recent exhibition of the same name at Gagosian, Gstaad, featuring ceramic and bronze sculptures, paintings, and works on paper. In addition to plates, exhibition views, and archival photography, the publication features a foreword by the artist and a text by novelist and poet Shan Sa, who was formerly an assistant to Setsuko. Published by Gagosian, the book will be available for purchase at the event, which is free to attend.

Register

Setsuko: Into Nature (New York: Gagosian, 2024)

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