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Honor

Amanda Williams
2022 MacArthur Fellow

Amanda Williams was selected as a 2022 MacArthur Fellow. Each year the MacArthur Foundation awards fellowships—better known as “genius” grants—to individuals from diverse fields who are solving long-standing scientific and mathematical problems, pushing art forms into new and emerging territories, and addressing the urgent needs of under-resourced communities. Williams was recognized for reimagining public space to expose the complex ways that value, both cultural and economic, intersects with race in the built environment. Her works visualize how zoning, development, and disinvestment impact the lives of everyday residents, particularly in Black urban communities.

Photo: John D. and Catherine T. MacArthur Foundation

Photo: John D. and Catherine T. MacArthur Foundation

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Left: Rick Lowe. Photo: Brent Reaney. Right: Amanda Williams. Photo: Jacob Hand

In Conversation

Chicago Humanities Festival 2022
Rick Lowe and Amanda Williams on the Transformative Power of Public Art

Saturday, October 22, 2022, 12pm
Northwestern University, Chicago
www.chicagohumanities.org

As part of this year’s Chicago Humanities Festival, Rick Lowe and Amanda Williams—who were named MacArthur Fellows in 2014 and 2022, respectively—will reflect on community-based creative practices and the power of art to remake our public lives. The Chicago Humanities Festival connects people to the ideas that shape and define us and promotes the lifelong exploration of what it means to be human.

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Left: Rick Lowe. Photo: Brent Reaney. Right: Amanda Williams. Photo: Jacob Hand

Installation view, Amanda Williams: CANDYLADYBLACK, Gagosian, Park & 75, New York, June 10–July 8, 2022. Artwork © Amanda Williams. Photo: Tom Powel Imaging

In Conversation

New Social Environment
CANDYLADYBLACK: Amanda Williams

Tuesday, June 28, 2022, 1pm EDT

As part of the Brooklyn Rail’s online series New Social Environment, Amanda Williams joins the journal’s contributor Zoë Hopkins and director of programs Chloe Stagaman for a conversation about the artist’s current exhibition, CANDYLADYBLACK,  at Gagosian, Park & 75, New York, as well as her practice in general. In these daily lunchtime Zoom conversations, invited artists, writers, filmmakers, and poets discuss creative life in the context of our new social reality with Brooklyn Rail staff. The talk will conclude with a poetry reading by Nikki Wallschlaeger. To join the online event, register at brooklynrail.org.

Installation view, Amanda Williams: CANDYLADYBLACK, Gagosian, Park & 75, New York, June 10–July 8, 2022. Artwork © Amanda Williams. Photo: Tom Powel Imaging

Still from Exhibiting Forgiveness (2023), directed by Titus Kaphar

Announcement

Exhibiting Forgiveness
Acquired by Roadside Attractions

Exhibiting Forgiveness (2023), a film written, directed, and produced by Titus Kaphar, which premiered in January 2024 at the Sundance Film Festival, has been acquired by the film distribution company Roadside Attractions. Exploring family, generational healing, and the power of forgiveness, the motion picture follows a Black artist (André Holland) attempting to overcome the trauma of his past through painting; he is on the path to success when he is derailed by an unexpected visit from his estranged father. The film will open in theaters nationwide in Fall 2024.

Still from Exhibiting Forgiveness (2023), directed by Titus Kaphar

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Cover of Gagosian Quarterly, Spring 2024, featuring Jean-Michel Basquiat Cover

Now available
Gagosian Quarterly Spring 2024

The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).

Installation view, with three paintings by Simon Hantaï

Simon Hantaï: Azzurro

Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.

Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

Prosperity’s Long Song #1: At Lights-Out Hour

Prosperity’s Long Song #1: At Lights-Out Hour

We present the first installment of a four-part short story by Arinze Ifeakandu. Set at the Marian Boys’ Boarding School in Nigeria, “Prosperity’s Long Song” explores the country’s political upheavals through the lens of ancient mythologies and the mystical power of poetry.

Still from The World of Apu (1959), directed by Satyajit Ray, it features a close up shot of a person crying, only half of their face is visible, the rest is hidden behind fabric

Mount Fuji in Satyajit Ray’s Woodblock Art, Part II

In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.

Two people stand on a snowy hill looking down

Adaptability

Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.

Various artworks by Jeff Perrone hang on a white gallery wall

Outsider Artist

David Frankel considers the life and work of Jeff Perrone, an artist who rejected every standard of success, and reflects on what defines an existence devoted to art.

Interior of Goetheanum, Dornach, Switzerland

Goetheanum: Rudolf Steiner and Contemporary Art

Author and artist Ross Simonini reports on a recent trip to the world center of the anthroposophical movement, the Goetheanum in Switzerland, exploring the influence of the movement’s founder and building’s designer Rudolf Steiner on twentieth-century artists.

A sculpture by the artist Duane Hanson of two human figures sitting on a bench

Duane Hanson: To Shock Ourselves

On the occasion of an exhibition at Fondation Beyeler, novelist Rachel Cusk considers the ethical and aesthetic arrangements that Duane Hanson’s sculpture initiates within the viewer.