The Flaying of Marsyas
Through November 27, 2022
Museo di Palazzo Grimani, Venice
This exhibition presents new paintings by Mary Weatherford, which are directly inspired by Titian’s late, eponymous masterpiece of 1570–76 and reflect her enduring fascination with the painting. Alluding to the Renaissance painter’s subdued palette, while paying tribute to the distinctive light of Venice, Weatherford uses Flashe paint and neon tubing to distill the historical canvas’s affect. The exhibition opens immediately prior to the commencement of the 59th Biennale di Venezia.
Installation view, Mary Weatherford: The Flaying of Marsyas, Museo di Palazzo Grimani, Venice, April 20–November 27, 2022. Artwork © Mary Weatherford. Photo: Matteo de Fina
Tetsuya Ishida’s Nihilist Realism
Mika Yoshitake details the economic, psychological, and cultural conditions that gave rise to Tetsuya Ishida’s unique strain of Japanese postwar realism.
Gagosian Quarterly Summer 2022
The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).
Alexandria Smith Selects
Alexandria Smith has curated a selection of films that have influenced her practice for many years, as part of a series copresented by Gagosian and Metrograph. The program, on view in the theater and online from May 20 to June 2, 2022, features cinema exploring themes of loneliness through the prism of the fantastical; notions of family through spirituality; and the deconstruction of narrative through the disruption and manipulation of time.
Tetsuya Ishida: Painter of Modern Life
Yūko Hasegawa explores the fantastical convergences and amalgamations in Tetsuya Ishida’s paintings, their connections to manga and advertising imagery, and the shift that occurred in the artist’s work as he moved from acrylic to oil paint in 2000.
Louise Bonnet and Dodie Bellamy
Poet and novelist Dodie Bellamy visits the artist Louise Bonnet at her Los Angeles studio as she prepares for an exhibition of new works in Hong Kong and the inclusion of one of her paintings in the 59th Biennale di Venezia. The two discuss the power of horror, the intensity of memory, and their creative processes.
Receptacles of Memory
Lara Mashayekh speaks with artist Albert Chong and scholar Marci Kwon about the role of the archive and mysticism, their lived experiences as professionals in the art world, and their forthcoming endeavors.
Urs Fischer: Lovers
The exhibition Urs Fischer: Lovers at Museo Jumex, Mexico City, brings together works from international public and private collections as well as from the artist’s own archive, alongside new pieces made especially for the exhibition. To mark this momentous twenty-year survey, the artist sits down with the exhibition’s curator, Francesco Bonami, to discuss the installation.
Takashi Murakami and RTFKT: An Arrow through History
Bridging the digital and the physical realms, the three-part presentation of paintings and sculptures that make up Takashi Murakami: An Arrow through History at Gagosian, New York, builds on the ongoing collaboration between the artist and RTFKT Studios. Here, Murakami and the RTFKT team explain the collaborative process, the necessity of cognitive revolution, the metaverse, and the future of art to the Quarterly’s Wyatt Allgeier.
Artist to Artist: Pat Steir and Sarah Sze
On the occasion of her exhibition of recent paintings, presented at Gagosian in Rome, Pat Steir met with fellow artist Sarah Sze for a wide-ranging discussion—from shared inspirations and influences to the role of chance, contingency, place, and time in painting.
On the occasion of an exhibition at Gagosian, New York, from May 5 to June 18, 2022, Max Dax met with Andreas Gursky to speak with the photographer about his new work. Here, they discuss the consequences of the pandemic on certain works, the roles of techno music and art history in Gursky’s art process, and the necessary balance of beauty and honesty in the contemporary.
Behind the Art
Louise Bonnet: Onslaught
Join Louise Bonnet in her Los Angeles studio as she works on new paintings ahead of her exhibition Onslaught, at Gagosian, Hong Kong.
The artist speaks with author Nalo Hopkinson about what it means to depict the body, the struggles to embark on new projects, and the contours of space and place in the creation of fiction and art.