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Now available
Gagosian Quarterly Spring 2023
The Spring 2023 issue of Gagosian Quarterly is now available, featuring Roe Ethridge’s Two Kittens with Yarn Ball (2017–22) on its cover.
February 6, 2017
Inspired by Rembrandt, renowned British artist Glenn Brown appropriates and subverts the work of the Dutch master, using his own artistic language that transcends time and pictorial conventions. In this short film, Brown demonstrates his process in creating artworks for an exhibition previously on view at Museum Het Rembrandthuis, Amsterdam.
All Glenn Brown artworks © Glenn Brown. Directed by Miriam Perez; Produced by PerryDuke
The Spring 2023 issue of Gagosian Quarterly is now available, featuring Roe Ethridge’s Two Kittens with Yarn Ball (2017–22) on its cover.
Novelist Andrew Winer reports on the formal, conceptual, historical, and philosophical perspectives embedded in Glenn Brown’s latest paintings and drawings. The two talked after the opening of the artist’s recent New York exhibition Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent.
In conjunction with his exhibition Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent at Gagosian in New York, the artist sits down to discuss his new paintings, sculptures, and drawings.
Glenn Brown speaks with art historian Jacky Klein about working between mediums, his first finished painting of 2021, and the evolution of his artistic voice.
As spring approaches in the Northern Hemisphere, Sydney Stutterheim reflects on the iconography and symbolism of the season in art both past and present.
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Touching on everything from the politics of taste to the vibratory character of lines, Glenn Brown and Xavier Bray, the director of the Wallace Collection, discuss Brown’s exhibition, Come to Dust, in London.
With preparations underway for an exhibition in London, Glenn Brown sat down with author Hari Kunzru to discuss Brown's artmaking process, the idea of the copy, and surprising overlaps between creating visual and literary works.
The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order.
Join Brooke Holmes, professor of Classics at Princeton University, and Lissa McClure and Katarina Jerinic, executive director and collections curator, respectively, at the Woodman Family Foundation, as they discuss Francesca Woodman’s preoccupation with classical themes and archetypes, her exploration of the body as sculpture, and her engagement with allegory and metaphor in photography.
Join Vladimir Yavachev, director of operations for the Christo and Jeanne-Claude Foundation, as he discusses the genesis of the artist’s work Wrapped 1961 Volkswagen Beetle Saloon (1963–2014), which Gagosian presented at Art Basel Unlimited 2024.
In conjunction with Marks and Whispers, at Gagosian, Rome, Oscar Murillo and Alessandro Rabottini sit down to discuss the artist’s paintings and works on paper in the exhibition, as well as how the show emphasizes the formal, political, and social dimensions of the color red in Murillo’s work of the last decade.